TOMAS WILLIAM QUINN Art

Frame size 59x70 cm.

Enrique Montserrat Foj (1935-2022) - Girl playing the flute - Oil Oil on canvas glued to cardboard. Oil measures 46x38 cm. Frameless. Romantic cartoonist, especially for the foreign market, and also a gymnast. Cartoonist linked to Editorial Bruguera and its agency Creaciones Editoriales. She got her start drawing girls' or adventure comics in Stories and the Sissi Graphic Novel Supplement. Much of her work from the 1960s was aimed at the European market for young women's magazines through the Selecciones Ilustradas agency. Anecdotally, he collaborated with Marvel Comics, drawing a romantic comic based on a script by Stan Lee for the title My Love (later republished in Our Love Story), credited there as Enrique Monserratt. He retired from comics in the 1980s to focus on painting. He was also an Olympic gymnast, a member of the Barcelona Gymnastics Center and the Barcino Tennis Club. He was champion of Spain in the third category (1955) and third in the Spanish Artistic Gymnastics Championships (1961). He participated in the Mediterranean Games (1959) and in the Rome Olympic...

Katharine spent a long time mixing paint to reach the right level of smokiness and avoid any saccharine pink in these peonies. They seem to be quite solid but at the same time quite delicate, they are a joy to paint. Katharine Rowe is an English painter she graduated in Fine Art and History of Art at the University of Edinburgh in 1999 and spent a year studying at Université de la Sorbonne, Paris. Having spent a decade working in advertising Katharine felt the increasing need to be out of the office and with her paintbrush. The past 9 years have been dedicated to just that. Katharine is strongly motivated by colour and she often spends up to an hour mixing and preparing paints before turning to the canvas. Katharine is always inspired by her surroundings from the varied landscapes of London...

This is an original Impressionist oil painting by American-Cuban Artist Jose Lima . He uses a wide spectrum of oil paint which captures the scene or object in a spontaneous vibrant I...

Antoni Vidal Rolland (1889-1970) - Reading a love letter - Oil on canvas Oil measures 55x46 cm. Frame measures 76x67 cm. Disciple of José Ruiz Blasco in Lonja and of Aleix Clapés. H...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

This was the flower artist Katherine Rowe had in her wedding bouquet and so they have always had a special place in my heart. Despite being 'white' there is hardly any actual pure white in the painting but multiple blues and yellows and greens. Katharine Rowe is an English painter she graduated in Fine Art and History of Art at the University of Edinburgh in 1999 and spent a year studying at Université de la Sorbonne, Paris. Having spent a decade working in advertising Katharine felt the increasing need to be out of the office and with her paintbrush. The past 9 years have been dedicated to just that. Katharine is strongly motivated by colour and she often spends up to an hour mixing and preparing paints before turning to the canvas. Katharine is always inspired by her surroundings from the varied landscapes of...

Jean Baptiste Olive This premiere piece shows his work and influence which he had with Antoine Vollon. It is in its museum quality gold leaf frame. The piece has been exhibited in many shows with the exhibition labels on the reverse testimony. Artwork Size: 22 x 18" (56 x 46cm) Artwork Size with Frame: 31 x 27" (79 x 69cm) Free Shipping French, 1848-1936 Jean-Baptiste Olive was undoubtedly one of the greatest masters of the Marseille school at the end of the 19th century, along with Paul Guigou...

British contemporary artist Jonquil Williamson is known for her vibrant still lifes and rich tonal landscapes. Although her work is mostly representational, she allows the mark-making and textures created as she layers the paint, to inform the image. Of her work she shares, “like many still life painters, I find inspiration from taking everyday things and elevating to something beautiful and positive. I strive to create an atmosphere with my works; from the calmness and serenity of Morandi-inspired clusters of pots and vessels...

Joan Vives Maristany (XX) - Sitges - Oil on panel Oil measures 22x31.5 cm. Frameless.

Chuta KIMURA (also "Tchuta" or "Tshuta") is an allusive landscape painter and pastellist. His name - composed of the words Ki (tree) and Mura (village) - literally means "village tree". The artist was born into a middle-class family with an ancestral Samurai background. From the age of 13, he took drawing lessons at the Takamatsu School of Decorative Arts. In 1936, he went on to study at Tokyo's Nika Art Academy, where the academic teaching did not suit him. In 1937, he exhibited for the 1st time at the Dokuritsu Salon, but was immediately drafted by the army to serve in China - where, despite the war, he developed a passion for ancient calligraphy. In 1940, he eventually returned to Japan due to illness. Shortly afterwards, in 1941, he discovered a painting by Pierre Bonnard at the Ohara Art Museum in Kurashiki, the light of which overwhelmed him. He was mobilized again in China in 1945, then, once the war was over, he resumed his exhibitions in Tokyo and discovered Bonnard once again. In 1947, he married Satchiko Yunoki, with whom he decided to move to Paris. Thanks to a patron, the young couple settled in Montparnasse in March 1953 (taking over the former studio of his illustrious compatriot, Foujita). In 1954, he exhibited at the Salon des Artistes Français and met Jacques Zeitoun, artistic director of the "Art Vivant" gallery (Paris and Lyon), who immediately signed him up. From 1955 onwards, Kimura enjoyed a steady stream of solo exhibitions - in Paris (e.g. Galerie St Placide, Kriegel, or Art Yomiuri - the latter exhibiting his work 4 times at FIAC in the 1980s); Lyon (e.g. Galerie St Georges); Antibes (e.g. Galerie St Georges); and Paris. galerie St Georges); Antibes (ex. galerie René Raporte); Brussels (ex. galerie de France et du Benelux); Geneva (ex. galerie Krugier); Tokyo (ex. galleries Nichido, or Takarashi); and New York (ex. galleries David Findlay, or Ruth Sigel). The artist also participated in fairs and group exhibitions (e.g. Biennale de Paris in 1957, Centre Pompidou in 1979, The Phillips Collection in 1985). In 1962, he moved to Châtenay-Malabry and met Jean Grenier - professor of philosophy and holder of the chair of aesthetics and art science at the Sorbonne - who became his principal biographer: "When Kimura rightly prides himself on uniting East and West, which, he writes, are as different from each other as day and night are from each other, he might add that it is by remaining himself and drawing on the dual traditions of his country that he has succeeded in creating a work that is at once so violent and so gentle. In 1963, the French State bought a painting from him - "Jardin à Châtenay". In 1965, Galerie Kriegel (recently opened by his 1st dealer...

This impressionist still life by French painter Léon Garraud depicts a table set with a plate of peaches and a vase of pink peonies and delicate white flowers. The warm palette of or...