Will Barnet Paintings

Crying Clown Portrait in Oil on Canvas Portrait of a sad clown by San Francisco artist John Peers (American, 1922-2009). This portrait is closely fra...

Poker Players NYC Mid 20th Century Modern WPA American Scene Social Realism Philip Reisman (1904-1992) Poker Players 12 x 16 oil on board Signed and dated 1949 lower right BIO Phi...

Untitled (Portrait of Bessy Lyon, Artist Wife) is an oil on canvas painting by Hayes Lyon (1901-1987) from 1945. Presented in a wood frame, outer dimensions measure 35 ¼ x 29 ¼ x 1 ¾ inches. Image size is 30 x 24 inches. About the Artist: A native of Athol, Kansas, Lyon is primarily associated with Colorado. After several summer vacations at the Boulder Chautauqua and at Manitou near Colorado Springs, his family relocated in 1920 to Boulder where his father had a lumber business. Nine years later they settled in Denver where his father owned the Acme Lumber Company. To comply with his desire for his son’s financial self-reliance, Lyon graduated from the University of Colorado at Boulder in 1931 with a B.A. degree in economics. But shortly thereafter he returned to his first love – art – that ultimately became his career. His interest in the arts was nurtured by his mother, herself a talented amateur artist, and by two of his aunts who served as role models. Beginning in 1932, he pursued a five-year course of study at the Chappell School of Art in Denver which by then had become part of the University of Denver. During his time at the school he studied with John E. Thompson and Santa Fe artist, Józef Bakoś. He also met two other Santa Fe-based artists, Willard Nash and B.J.O. Nordfeldt, when they exhibited at Chappell House, then the home of the Denver Art Museum. Lyon likewise attended the Cooke-Daniels Lecture Series there on the arts in the 1930s. Following graduation with a B.F.A. degree from the University of Denver in 1937, he studied privately for about a year with Andrew Dasburg in Taos, New Mexico, that redirected his attention to the rugged Rocky Mountain landscape, which he saw with directness and painted with an economy of means. His canvas, Winter Vista, done following his study with Dasburg, received the Edward J. Yetter Memorial Prize at the 45th Annual Exhibition of the Denver Art Museum in 1939. The painting was reproduced in the September 1939 issue of the Magazine of Art (Washington, DC). That same year his painting, Mount Evans, was included as one of Colorado’s entries in the American Art Today Pavilion at the 1939 World’s Fair in New York. The money he received from the Yetter Prize financed his trip to Mexico City and Guadalajara in 1939 to see firsthand the frescoes of José Clemente Orozco and Diego Rivera and the easel paintings of David Alfaro Siqueiros. Their work was admired by many Americans who participated in the WPA-era mural projects in the United States in the 1930s and early 1940s. The economic fallout from the Great Depression affecting many American artists at the time likewise resulted in Lyon’s participation in the Colorado Art Project, part of the WPA’s national program. Under its auspices he produced three murals in 1940 about the pioneer era of Fort Lupton, Colorado, which were installed in the auditorium of the local high school. Covering 367 square feet of wall space, one of the murals – Behold the West (the largest one) – incorporates the old fort for which the town is named. Before Lyon painted the murals, the students at Fort Lupton High School researched the history of their community and contributed to their cost, facilitating the murals’ allocation to their school under the Colorado Art Project. In the early 1940s Lyon shifted his focus to two new subjects – bathers, and canyons with conifers – reflecting his ongoing search for personal artistic growth. However, his reliance on structure to create form in his paintings and works on paper alienated some of his longtime followers. Nonetheless, his painting Conifers and Canyons won recognition at the 47th Annual Exhibition at the Denver Art Museum. The watercolor version of the piece was among three hundred works in that medium selected by John Marin, Charles Burchfield and Eliot O’Hara from a national competition held by the Section of Fine Arts (Federal Works Agency) and shown at the National Gallery of Art in Washington, DC, in 1941. Later that year Lyon spent time in California where he saw Orozco’s Prometheus, influencing him to increase his range of originality and expression. In 1942 Lyon enlisted in the U.S. Army, spending almost three years in the Mediterranean Theater – Africa and Italy – preparing camouflage operations and scale models of proposed landing sites. He used his free time in Italy to expand his artistic vocabulary by seeing cultural masterpieces in Rome, Florence, Siena and Milan, and through his extensive contact with Giorgio de Chirico, founder of the scuola metafisica art movement, and Gino Severini, a leading member of the Futurist movement. Because of Lyon’s low army rank and pay, de Chirico did a small watercolor for him signing it, "For Mr. Lyon; G de Chirico, 1944." Lyon often visited de Chirico and his wife, Isa, at their apartment near the Spanish Steps in Rome. Following his Army discharge in 1945 fellow Kansas native, Ward Lockwood, invited him to join the Art Department at the University of Texas at Austin where he taught painting from 1946 to 1951. During this period some of Lyon’s work employed the palette of the School of Paris which he had seen while stationed in Europe, while other paintings had a certain flatness found in some of Lockwood’s work from the 1930s. From 1951 to 1953 he was affiliated with the Lower Colorado River Authority in Austin as an illustrator and editor of the employee magazine. In 1953, following time spent in Mexico, he returned to Denver, working as an illustrator at Lowry Air Force Base until retirement in 1961. During that time he did little of his own art because he also was designing and building a home in Arvada, Colorado, and re-establishing himself in the Denver art community after a decade-long absence. His painting, Autumn Aspens (1953-present location unknown) illustrates his experimentation with abstraction. In the early 1960s he began painting from memory that continued until the steadily degenerative effects of Alzheimer’s disease took their toll a decade later. He depicted scenes from his wartime European sojourn and from his early adulthood. The latter include Souvenir of Boulder (1962), a nostalgic return to his boyhood home in Boulder; and Holly Mayer and Friends, a painting of Glenn Miller and his musicians, inspired by Lyon’s first encounter with jazz in Boulder in the 1920s. His lifelong passion for vintage cars and automobile racing...

Original mid-century modern oil on canvas board painting of a woman with birds by the well known Russian/American artist Nahum Tschacbasov. Signed and ...

Riot, Revolution, Police figures on Horseback in City Streets. Hand signed lower right. Painting measures 6 x 12, framed 9 x 15 inches. Arthur Smith is a...

Christopher Clark's (US based) "Misty City" is an original, handmade oil painting that depicts orange and green hued clouds arching over a water and city lights Bio/artist statement: Christopher has been an artist since early childhood, when he would watch Bob Ross on PBS and mimic the famed oil painter’s art with crayons. He considers himself a self-educated artist, with his studies ranging from personal training with contemporary masters, to classical academic art technique, with much inspiration from 19th Century art and the Impressionist Movement. Christopher lived in Italy for a time, immersing himself in Italian culture and art, which continues to influence his painting. His fan base has grown considerably since his return to the US, gaining the attention of Lucasfilm and Marvel Fine Art, which both signed him as an officially licensed artist in 2016. Other clients include George Lucas, Major League Baseball, Louisville Slugger...

Modern nude study of red-haired woman reclining seated by American painter, Patricia Gren Hayes (b. 1932), 1979. Signed and dated on verso Provenance: Purchased as part of larger collection of artist's work Unframed. Canvas size: 16"H x 20"W. Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez. She started a freelance commercial art business in 1963; copyrighted a National Cartoon, 1976, and served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976-1978. She was a workshop instructor at the San Francisco Woman Artists Gallery, 1977-1985; and was Manager/Owner Stanton Art Gallery, Alameda, CA, 1976-1982. Solo Exhibitions: Berkeley Marina, 1974; Oakland Center for The Visual Arts, "Images of Women", 1979 Group Exhibitions: Oakland's Dept of Education, 1963, Studio One; Alameda County Fair, 1975, 1976, 1978; San Francisco Art Festival, 1969, 1970, 1976, 1977, 1978; San Francisco Museum of Modern Art, 1976, 1977, 1978; San Francisco Women Artists Gallery Exhibition, award winner - 1970, 1977, 1978; Hayward Bay Fair Art Festival, award winner - 1971; Capricorn Assunder Gallery, 1973; Oakland Art Festival, 1973, 1974; Alameda Art Association, 1978; El Cerrito...

A tranquil oil painting featuring an early evening sunset with people strolling on the main beach in Carmel in front of a majestic sky from Willard Dixon, who is one of the finest American contemporary realist painters today. Dixon has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The painting, with its atmospheric light and calm color palette in natural sky blue and setting sun warm red to purple, is contemporary and serene. The colors are reminiscent of Rothko as they shift in natural bands. Looking at this painting is like looking through a window to a lovely moment as the close of a day. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art and his work is collected Internationally. Artist signed and dated. A classic Dixon that will sure to bring those who view it a life time of pleasure. Carmel Beach, 18 x 53 inches. Oil on canvas, and traditionally framed in contemporary, minimal oak floater frame. The artist was born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish, Irene Zweig, Andra Norris Gallery, Burlingame, CA 2015: REAL with Elizabeth Barlow Gallerie Citi, Burlingame, CA. 2014: Stillness and Activity / A father and daughter exhibition, Gallerie Citi, Burlingame, CA. 2013: Outwin Boocher Portrait Competition 2013 Exhibition” Smithsonian National Portrait Gallery, Washington, D.C. Hey Everybody / Portraits, Diablo Valley College 2012: Artistic Visions of the Golden Gate Bridge”, George Krevsky Gallery, S.F., CA. Introduction Two/ Gallerie Citi, Burlingame, CA. 2011: California: A Landscape of Dreams/ Fresno Art Museum 2010: Self Portrait Invitational/ Julie Nester Gallery, Park City UT 2009: On Beauty /I. Wolk Gallery, St. Helena, CA. 2008: At Water’s Edge / I. Wolk Gallery, St. Helena, CA. 2007: San Francisco Scenes/ George Krevsky Gallery, S.F., CA Ten Years- A Retrospective/ Dolby Chadwick Gallery, S.F., CA. 2006: Our Planet, Our Home/ SFMOMA Artists Gallery, S.F. CA 2005: 2005 Spring Group Show/ Earl McGrath Gallery, L.A., CA 2002: H2O’02, Paintings of Water/ Fischbach Gallery, NYC Scene in Oakland 1852-2002 Oakland Museum Oakland, CA The Garden/ Art Foundry Gallery, Sacramento, CA The Moving Still Life/ Fischbach Gallery, New York, NY Bay Area Printmakers/ works from Trillium Press, Art Foundry Gallery, Sacramento, CA California Landscape Paintings/ College of Marin Art Gallery, Kentfield, CA Bay Area Printmakers/ SF Museum of Modern Art/Artists Gallery, San Francisco, CA Visions: Northern California/ Bank of America, San Francisco, CA 2001: Opening Exhibit: Group Show, Fischbach Gallery, NY, NY 2000: Hackett Freedman Gallery Artists/ Shasta College Art Gallery, Redding, Ca 1999: Homage to the Art Institute, Artists Who Transformed American Culture, Hackett Freedman Gallery, San Francisco, CA 1999: What is Art For? What are Museums For? What are You For? curated Curated for the Oakland Museum by William T. Wiley & Mary Hull Webster, Oakland, CA 1998: Paintings of Marin County Past and Present/ The North Point Gallery, San Francisco, CA 1997: 10th Anniversary Exhibition/ Hackett Freedman Gallery, S.F., CA 1996: Rediscovering the Landscape of the Americas/ Gerald Peters Gallery, Santa Fe, NM (traveling exhibition) Contemporary American Realist Painters/ Halls Crown Center Gallery, Kansas City, MO 1996: Foundation for the Future: Celebrating 125 Years at the San Francisco Art Institute/ One Bush St., S.F., CA 1996: New Work by Selected Gallery Artists, Tatistcheff/Rogers Gallery, Los Angeles, CA Flower Paintings/ Contemporary Realist Gallery, S.F., CA 1995: Facing Eden: 100 Years of Landscape Art in the Bay Area / De Young Museum, S.F., CA Contemporary Still Life Painting/ David Klein Gallery, Birmingham, MI 1994: Still Life/ Fischbach Gallery, New York City, NY New Bay Area Painting/ Contemporary Realist Gallery, S.F., CA A Room with a View/ The North Point Gallery, S.F., CA 1993: Bay Area Painting/ Contemporary Realist Gallery, S.F., CA Vanishing Point: A Look at Contemporary Landscape Painting”, Bedford Gallery, Walnut Creek, CA Tribute/ William Sawyer Gallery, S.F., CA Revolution: Into the 2nd Century at the San Francisco Art Institute, One Market Plaza, S.F., CA Contemporary Realism: Central and Northern California Landscapes/ Monterey Museum of Art, Monterey, CA The Artist as Native: Reinventing Regionalism/ a traveling exhibition curated by Alan Gussow and Babcock Galleries, N.Y., NY 1992: A Day in the Country, California Landscape Painting / I. Wolk Gallery, St. Helena, CA West Art and the Law/ Weat Publishing Co., St. Paul, MN(traveling ex.) The New York Academy of Art, New York, NY In Support of Contemporary Bay Area Artists / One Market Plaza, S.F., CA 1991: The Landscape in 20th-Century American Art: Selections from the Metropolitan Museum of Art/ New York, NY, National Traveling Exhibit 1990: Contemporary Landscapes/ 21st Anniversary Exhibition Tortue Gallery, Los Angeles, CA. 1990: New Bay Area Painting Contemporary Realist Gallery, S.F., CA 1989: The Modern Pastoral/ Robert Scholekopf Gallery, New York, NY 1988: Images of the Land/ William Sawyer Gallery, San Francisco, CA 1988: Ten Artists from the William Sawyer Gallery / Shasta College Gallery, Redding CA Works on Paper/ William Sawyer Gallery, San Francisco, CA 1987: The Contemporary American Landscape/ Swain Gallery, NJ 1986: Landscape, Seascape, Cityscape/ Contemporary Arts Center, New Orleans, LA 1985: The Bay Area Seen/ Bay Area Regionalists Show, Hall of Flowers, Golden Gate Park, San Francisco, CA Large Scale/ Harris Gallery, Houston, TX A City Collects/ Transamerica Pyramid, San Francisco, CA American Realism/ William Sawyer Gallery, San Francisco, CA 1984: San Francisco Bay Area Painting/ curated by George Neubert for the Sheldon Memorial Art Gallery, Lincoln, NE American Landscape Painting/ California State University, L.A. CA Western Landscape Painters/ The Museum of the West, Houston, TX The Urban Landscape / One Market Plaza, San Francisco, CA 1982: Collectors Gallery 16/ McNay Art Institute, San Antonio, TX Thirty Approaches to Realism/ William Sawyer Gallery, S.F., CA 1981: Views of California Past and Present/ Triton Museum, Santa Clara, CA Landscapes/ Harris Gallery, Houston, TX 110th Anniversary S.F. Art Institute Alumni Group Show/ William Sawyer Gallery, S.F., CA 1980: Realism/ Walnut Creek Civic Arts Gallery, Walnut Creek, CA 1979: Bay Area Artists Exhibition/Sale/ Oakland Museum, Oakland, CA Omnium Gatherum/ Tortue Gallery, Los Angeles, CA California Viewpoints/ Sunne Savage Gallery, Boston, MA 1978: New Work/ Mills College Art Gallery, Oakland, CA Images of the Land/ William Sawyer Gallery, S.F., CA 1977: Contemporary California Artists/ Marshall-Meyers Gallery Alternative to the Whitney Annual/ James Yu Gallery, N. Y, N.Y. San Francisco Art Festival/ ( Airport Competition Purchase Prize) 1977: Eight Young Americans/ Montclair Museum of Art, Montclair,NJ 1976: Three From California/ Francine Sedars Gallery, Seattle, WA Faculty Show/ California College of Arts and Crafts, Oakland, CA 1975: Realism in Painting and Ceramics/ Helen Euphrat Gallery, De Anza College, Cupertino, CA 1975: A Tribute to the Art Institute/ Hansen Fuller Gallery, S.F., CA California Artists/ Utah Museum of Fine Art, Salt Lake City, UT 1974: Our Land, Our Sky, Our Water/ by Alfred Frankenstein Expo 74, Spokane, WA A Sense of Place/ curated by Alan Gussow for the Joslyn Museum, Omaha, NE The Discovery Gallery, Montclair, N.J. 1973: College of Marin Gallery, Kentfield, CA California Artists/ Kaiser Center, Oakland, CA 1972: Visiting Artists/ California State University, Hayward, CA 1970: Drawing Invitational/ Emanuel Walter Gallery, San Francisco Art Institute, S.F., CA 1970: San Francisco Art Institute Centennial Exhibition, San Francisco Museum of Modern Art, S.F., CA 1967: Society for the Encouragement of Contemporary Art Annual, San Francisco Museum of Modern Art, S.F., CA 1966: California Landscape Painters/ San Francisco Art Institute, S.F. CA. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank, NY Swissre Corporation, NY The Insurance Company of North America First National Bank of Midland, Texas Commerce Bank AMA Headquarters, Washington, DC Hughes Tool, Houston, TX ATT, NY Morgan Stanley Dean Witter, San Francisco, CA IBM Corporation, San Jose, CA Northern Trust Company, Chicago, IL Smith Kline and French Corp., Philadelphia, PA Wells Fargo Bank, San Francisco, CA Republic National Bank Chevron Trammel Crow Company, Dallas, CA U.S. Insurance Group, N.J. Southwestern Bell Corp., MO Union Bank Pacific Bell United States Trust Company, NY The United Bank of Denver, CO Cigna Corp., Philadelphia, PA Atlantic Richfield Corp., Los Angeles, CA Show, Pittman, Pots and Trobridge, Washington, DC San Francisco Zen Center Hughes Aircraft Co. Los Angeles, CA Minnesota Mining and Manufacturing (3M), St. Paul, MN Bank of America, NY Commerce Bancshares, Inc., Kansas City,MO Robinson Humphrey/American Express, Atlanta, GA Merrill Lynch, San Francisco, CA Goldman Sachs, NY Metropolitan Life Insurance Co., NY Victoria Bank and Trust, Victoria, TX NYNEX, NY Coca Cola, U.S.A., Atlanta, GA TransAmerica Corporation Pacific Telesis Group Brobeck, Phleger, & Harrison Exxon Corporation U.S. Trust Selected Private Collections Estate of Ahmet Ertegun, New York, NY Mr. Harrison Ford, Los Angeles, CA Estate of Irving Lazarr, Los Angeles, Ca Mr. and Mrs. Leonard Holzer, New York, NY Mr. and Mrs. Peter Asher, Los Angeles, CA Mr. John Irvin, London, England Ms. Joan Didion, New York , NY Ms. Sabrina Guinness, London, Eng. Mr. and Mrs. Austin Hills, San Francisco, CA Mr. and Mrs. Peter Duchin Ms. Linda Ronstadt Ms. Faye Dunaway Mr . Peter Morton Mrs H.J. Heinze, New York, NY Mr. Rupert Lowenstein Mr. and Mrs. Robert Emery, San Francisco, CA Mr. Earl Mc Grath, New York, NY Mr. Nat Weiss, New York, NY Mr. Luca Barilla Mr. Bruce Schnietzer, New York, NY Dr. and Mrs. Robert Carroll, New York, NY Mrs. Nicholas Boyd, San Francisco, CA Mr. and Mrs. Robert Green, San Francisco, CA Mr. Chappy Morris, New York, NY Ms. Carla Kirkeby, Los Angeles, CA Mr. and Mrs. Elliot Caplow, Los Angeles, CA Mr. and Mrs. Robert Meyerowitz, New York, N.Y. Mr. and Mrs. Steven Gilsendaine Mrs. Caroline Cushing Graham, Los Angeles, CA Mr. Michael Nesmith, Los Angeles, CA Mr. Griffen Dunne, New York, N.Y. Mr. and Mrs. Paul A. Erskine, Pasadena, CA Mr. N.J. Friedman, Hillsborough, CA Mr. Harold Hollingsworth...

American realist painter Carl Bretzke is particularly adept at nocturne scenes which ooze in darkness, reminiscent of Edward Hopper. Bretzke remarks: “What most people don’t notice i...

Boys Swimming Industrial Landscape WPA Mid 20th Century Social Realism Modernism Henry Schnakenberg (1982 - 1970) Boys Swimming Industrial Landscape 11 1/2 x 15 1/2 sight Oil on Canvas Signed lower left 14 1/2 x 18 1/2 inches, Framed Bio In many cases, American artists visited the Armory Show in New York in 1913, and returned to their studios to react to or against what they saw. However, for Henry Ernest Schnakenberg it was much more life altering. Prior to visiting this important exhibition of American and European modernist art...

Original oil on canvas painting by Anton Refregier of a young girl resting in the grass. Signed upper right and dated 1962. Condition is very good. The painting is in its original oa...

Portrait of Eugene Higgins, Age 80. 1954. Oil on canvas. 30 x 25 (framed 35 x 30). Signed and dated lower right. Cole and Higgins (1874-1958), both lived in Lyme, Connecticut. Higg...