Luigi Caccia Dominioni Set of Seven Handels in Black and Red ABS by Olivari 1975

Set of six Catilina chairs with frame in painted steel, seat top in multi-layered wood, and upholstery-shaped polyurethane cushions covered with red fabric. This iconic seat was designed by Luigi Caccia Dominioni, and produced by Azucena since 1958. Luigi Caccia Dominioni firstly presents this seat at the XI Triennale in Milan in 1957 and from this moment Catilina became one of Luigi Caccia Dominioni’s classics. Caccia Dominioni created a new chair and also defined how to sit in it. Catilina is not designed for relaxation and letting go but for thoughtfulness and elegance. You could almost be transported back to ancient Rome ensconced in the seat of the Roman senator, Lucio Sergio Catilina, after whom the chair is named. In turn, the chair harks back to medieval thrones...

A single armchair with a frame in wood and cushions upholstery with leather (cognac shade) designed by Tobia and Afra Scarpa and manufactured by Maxalto from the Artona series 1975 c...

Round pedestal dining table model UFO with a base in brushed steel and tabletop in thick glass with a black enamel decorative circle. Designed by Luigi Saccardo and manufactured by Maison Jansen in the 1970s. Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen. From its beginnings, Maison Jansen combined traditional furnishings with influences of new trends including Anglo-Japanese style, the Arts and Crafts movement, and Turkish style. The firm paid great attention to historical research with which it attempted to balance clients' desires for livable, usable, and often dramatic space. Within ten years the firm had become a major purchaser of European antiques, and by 1890 had established an antique gallery as a separate firm that acquired and sold antiques to Jansen's clients and its competitors as well. In the early 1920s Jean-Henri Jansen approached Stéphane Boudin, who was then working in the textile trimming business owned by his father and brought him on board. Accounts of the arrangement vary. Speculation existed that Boudin was able to provide financial solvency to the prominent but capital-poor atelier. Boudin's attention to detail, concern for historical accuracy, and ability to create dramatic and memorable spaces brought increasing new work to the firm. Boudin was made director and presided over an expansion of the firm's offices and income. Not originally equipped with its own workrooms for producing furniture the firm began by relying upon antiques and the furniture contracted to outside cabinetmakers. By the early 1890s Maison Jansen had established its own manufacturing capacity producing furniture of contemporary design, as well as reproductions, primarily in the Louis XIV, Louis XVI, Directoire, and Empire styles. Throughout the firm's history, it employed a traditional style drawing upon European design, but influence of contemporary trends including the Vienna Secession, Modernism, and Art Deco has also appeared in Jansen interiors and in much of the custom furniture the firm produced between 1920 and 1950. Under Boudin's leadership, Maison Jansen provided services to the royal families of Belgium, Iran, and Serbia; Elsie de Wolfe, and Lady Olive Baillie's Leeds Castle...

Couple of fireside chairs with a structure in black lacquered beech wood and a seat in hand-woven rush. This iconic fireside chair was designed by Gio Ponti in 1939 and produced by ...

Set of two stools with legs in black lacquered wood and seats upholstered in light blue fabric. Attribuited to Gio Ponti, Italian Manufacture 1950s Gio Ponti was an icon of the m...

Set of two stools with three legs entirely realized in black stained wood, designed in the style of Charlotte Perriand and manufactured in the 1950s. Charlotte Perriand (1903-1999) is one of the most important female furniture designers of the mid 20th century. As early as 1927 Perriand produced a number of critically acclaimed innovative pieces of metal furniture, which drew the attention of Le Corbusier and Pierre Jeanneret. The result was the beginning of a work relationship that lasted many years. At Le Corbusier’s studio Charlotte Perriand developed a series of tubular steel chairs, among them the famous adaptable chaise longue, which was produced by Thonet two years later. Perriand’s work continued to evolve and in the mid 1930s, she started to experiment with natural materials such as wood and cane. She traveled to Japan in 1940 as an official advisor on industrial design to the Ministry for Trade and Industry to advise the government on how to raise standards of design in order to develop products for export to the West. Perriand adapted local techniques of woodwork and weaving - straw, bamboo and twigs becoming her materials of choice. It was especially after World War II, when Charlotte Perriand developed a new concept for the way of living by increasingly integrating the human dimension into her productions. Through flexible use of materials she achieved recognition with her pure and powerful style – as exemplified in her free form massive wood table models. Conscious of economic and social realities, she decided to opted upon large-scale production, and finding a new synthesis between tradition and industry. “Always concerned with innovation rather than trying to affirm a formula for renovation”, she designed various housing developments such as the Unité d’Habitation in Marseilles, with Le Corbusier in 1949, as well as rooms at the International Students’ Residence in Paris in 1953. Included was a library built in...

Luigi Caccia Dominioni, rare original brass and marble doorstop, Italy circa 1948, manufactured by Azucena Original first production as shown by the s...

A Tibetan polychromed alter table with painted skeletons. This highly decorative two tier table is painted in black, and yellow with red and green accents. It would make a great se...

A late 19th century Chinese trunk with striking red and black lacquer frame and hand woven willow side panels. Beautifully finished wooden interior. From Shanxi Province. CST366.

Low sideboard (kang sideboard) from the Qing period in elm wood with original red lacquer on the front, black lacquer on the sides. Front with double doors in the middle adorned with...

Japan antique handmade, hand carved temple low writing table finished in red and black lacquer - signed. A beautiful simple master work from an old private Japanese collection. Cr...

Antique Shanxi Province Red Lacquered Elm dining / office chairs - Set of 3 These Antique Elm Red Lacquers Dining Chairs are from the Shanxi...