Lacquer

Japanese Inro from the Edo Period (1603-1867). Beautiful Inro, created in Japan during the Edo period (Shogunate), circa 1800. It was carefully crafted in carved precious wood with ...

Very good condition. From a private collection. Free international shipping.

Chinese cinnabar very finely carved box circa late 18th or early 19th century. The multiple lacquered layers of red over black over amber, the cover carved with a scene of Kwan Yin i...

19th century lift-lid gilt-decorated goldenblack lacquer Chinese tea caddy, small and beautiful piece.

This Meiji-period lacquer tray represents the mastery of Japanese craftsmen in the art of lacquer work. Precious materials are precisely inlaid in the lacquer base, creating a highly...

Oriental Pair of Hand-Painted Lacquer Vases with Wooden Base

Pretty Japanese lacquered box decorated with birds and foliage. signed Lacquered inside and outside Late 19th century Without key Nice lock Ideal for storing jewelry.

19th C. Chinese Figural Carved Wood Lacquer Scholars/ Offering / Opium Stand Chinese 19th Century A truly unique and remarkable piece from 19th-century China, this figural carved w...

DIMENSIONS Height: 9.25 inches Width: 11.5 inches Depth: 10.5 inches ABOUT MEIJI PERIOD The Meiji Era was the 44-year period of Japan's history from 1868 to 1912 when the country was under the rule of the great Emperor Mutsuhito. Also called the Meiji Emperor, he was the first ruler of Japan to wield actual political power in centuries. It was during the Meiji period that Japanese art students first went to Europe to study Western painting, and developed a new style of painting based on these techniques, known as yoga (or ‘Western style’). Yoga painting...

19th century Chinese Lacquered Wooden Plate. Rare antique Chinese Lacquered Wooden plate depicting a Folklore scene. Gilt painting of a Folklore story si...

Great used condition.

An exceptionally fine and unusual Japanese lacquer writing implements box, suzuribako, in the form of a zither, koto, Edo Period, 18th century, Japan. With a modern wood storage box,...

Beautiful Japanese box in red lacquered wood; 19th century The lid is decorated with a landscape with a bird, trees and a setting sun. The inside of the box is covered with a lacque...

An extremely rare, possibly unique, Chinese export lacquer bureau for the Dutch market Canton, circa 1737 H. 118 x W. 102.5 x D. 63 cm Provenance: - Private collection, The Netherlands - J.K. Driessen Antiques, Arnhem (Art Fair Breda, 1989) - Noble collection, Belgium Literature: - C.J.A. Jörg, ’De handel van de V.O.C. in Oosters lakwerk in de 18de eeuw’ in: Nederlands Kunsthistorisch Jaarboek , Jr. 31 (1980), pp. 355-363 (ill.) - Annigje Hofstede, Nederlandse meubelen van Barok tot Biedermeier, 1700-1830, Waanders, Zwolle 2004, pp. 35-37 (ill.) This lacquer bureau is one of the four writing desks purchased in Canton in 1737, and as far as is known, this is the only remaining bureau of its type from the period. As the VOC believed that large pieces of import took up too much valuable space in their trading ships...

Precious and rare small kazaridana lacquered on all sides with two drawers and three panels decorated with fish, landscapes and birds. The removable panel reveals a locker with a sma...

A fine and elegant Korean black lacquer and abalone mother of pearl inlay "longevity" box, circa 1930s, Korea. The box, most likely used to sto...

Japanese 19th century miniature lacquer chest with waterfall. Late Edo to early Meiji period lacquer chest (mid to late 19th century) with two characters on the front reading Nuno an...

This is a beautifully designed and fabricated Japanese pagoda-shaped tall chest of drawers. The chest dates to the late 20th or early 21st century and is in very good to excellent ov...

Chinese cinnabar covered jar. Decorated all over with scenes of figures, pavilions, pine trees and mountains. Marked "CHINA" on the bottom, circa 1890s.

Kobako box decorated with stylized foliage in black and gold hiramaki-e lacquer. The motif is karakusa, a growing plant extending in all directions. It symbols prosperity and longevi...

A matched set of Antique Chinese Lacquered Wooden Plates. Sculpted cut Elm wood sections joined together with wooden pins, wire banding and lacquer from the Qing Dynasty. A rare set of Antique Chinese Lacquered Plates...

In this ad you get the chance to buy a beautiful hand-painted Russian lacquer box from the 1800s. It is cylindrical in shape, slightly curving in...

Nice black lacquer tea caddy (natsume) with a colourful hiramaki-e (low-relief design) of a folded yellow kimono with a silver and red chrysanthemum flower pattern. The base with a few golden stylized ‘fog’ streaks. The interior finished with shiny black lacquer. Including original wooden signed and sealed tomobako (storage box) with a leaflet about the artist Takahashi Masayoshi. Who became an independent lacquer artist in 1975 and lives in the town Yamanaka, Ishikawa prefecture. Period: Japan – Late Shôwa period/Heisei period (Late 20th century/Modern). Japanese natsume...

Black and gold maki-e and hirame-ji lacquer box representing a branch of plum tree in bloom which is entangled in a low wall, highlighted by mother-of-pearl inlay (raden). Inner cover made of nashi-ji lacquer with mizuhiki threads and folds. These are elements, made of silk and washi paper, supposed to bring luck and happiness, intended to seal envelopes on the specifics events (gift, new year, birth, marriage, death, etc.). Shape and color of the threads vary according to the occasion celebrated and the desired meaning. Interior in nashi-ji lacquer, with water cup...

A Japanese lacquered Sake Drinking set circa late 19th century (end of Meiji period), The assemble consists of a red lacquer stand open frame support and a lid that encloses a storage space with black lacquered interior. The lid features a and a cup holder in the center and four heart shape cutouts on the corners. There are three maki-e decorated sake cups with gradual sizes. The cups showcase on the red background elaborate gold hiramaki-e paintings...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

Hiramaki-e lacquer, nashiji and fundame Edo period, 19th century Length: 10.5 cm, height: 6.5 cm Since the Heian period, The theme of deer and autumn plants has been ut...

Hailing from illustrious Meiji-period Japan, this lacquer tray showcases the mastery of Japanese craftsmen. Precious materials are precisely inlaid in the lacquer base, creating an a...

A fine antique Japanese Meji Period lacquer box decorated with a fan and a stylized star shaped window in the maki-e technique. The fan at the top right corner, fully opened depictin...

A rare palace size Chinese carved cinnabar lacquer figural box and cover, Qing Dynasty This palace size box and cover is a rare and exquisite piece of art made in the 19th century...

Superb late 16th century signed colonial Japanese Namban export lacquer coffer Momoyama period, late 16th/early 17th century, inscribed 'Arisato' on the bottom H. 30.5 x W. 43...

Tebako box with three compartments in golden and nashi-ji lacquer, decorated with golden, red, and kirigane lacquer, golden persimmon tree leaves, among rocks. The compartments are of increasing size from the top. The decoration is in continuity. Persimmon has been cultivated in southern China for more than 2500 years and is believed to have been introduced to Japan in the 8th century. The veneer is a tree with very hard wood, similar to ebony. According to a legend, one specimen survived the atomic bombing of Nagasaki on August 9, 1945, close to the epicenter. It is therefore in Japan a symbol of strength and longevity. It is also the national fruit of the country. It is eaten as a traditional dish during New Year's Day celebrations. Tebako literally means "portable box...

Beautiful Japanese box in red lacquered wood. The lid is decorated with golden herons and flowering tree branches and signed by the artist. Black flowers are painted around the box. ...

Rectangular and flat lacquer Kobako (small box) representing a furoshiki knot seen from above. Fundame background, furoshiki in takamaki-e with floral pattern, inside the folds of the fabric with black and gold sayagata pattern with togidashi maki-e technique. The saya (or sayagata) pattern is composed of Chinese swastikas...

Antique Victorian Papier-Mâché Wall Shelve with Japonizing Decoration A rare antique Papier-Mâché wall shelve with handpainted japonizing decoration featuring paintings of fishes an...

Black and gold lacquer sageju-bako (picnic box) decorated with floral motifs in hiramaki-e. It includes a sake bottle, a four-compartment box with nashi-ji lacquer inside, a simple tray and a hollow tray. At the top, there is a bronze handle for transport. The sageju-bako is divided into four superimposed boxes for food on the left; a simple tray, a sake bottle and a hollow tray on the right. They are in the shape of a plum blossom. On the top, on both sides a phoenix. The phoenix (hôo) has an imperial and solar symbolism. This auspicious bird also embodies virtues taken from the teachings of Confucius (such as goodness, righteousness and wisdom). The left boxes are patterned with turtles, plum tree, bamboo, cherry blossoms, water plantains near rivers. The two trays on the right have a shell and seaweed pattern. The sake bottle is decorated with a plum tree and bamboo. On the sides, calabash decoration. Borders in saya (or sayagata) pattern, composed of Chinese swastikas...

A very good quality early 20th century Chinese Coromandel lacquer eight fold screen. Depicting a classical Pagoda buildings with numerous courtiers wondering around. Bordered with fa...

A Japanese export lacquer tripod table with feet shaped as bats Nagasaki, 1850-1860 H. 73 x diam. 108 cm The six-lobbed top is decorated with reverse-painted mother-of-pearl in a sprawling motif of plum blossom, bamboo, and peonies, surrounded by fluttering sparrows enhanced by details in maki-e. The table, made to appeal to a foreign audience, incorporates a curious mixture of seasonal references. In addition to the decoration of foliage from late winter and spring, the column is decorated with grapes and a rabbit pounding rice, both Japanese motifs for autumn and the month of September. The feet, shaped like bats that almost appear to wake up from hibernation, symbolise luck and happiness in Japan. The present flamboyant Nagasaki-style table is depicted in the Asada workshop drawings of 1856. These drawings, titled Aogai makie hiinagata hikae (memorandum of designs for lacquer with inlaid pearl...

Vintage South Asian / Kashmir hand painted papier mâché box with removeable lid - featuring a profuse floral pattern over the top and sides set against a black lacquer background - h...

Japanese inlaid, lacquered and gilded tray. Possibly for the sacred tea ceremony. This tray has beautiful geometric inlays with a gilded edge and a bla...

Pair of magnificent hibachi (fire bowls) shaped like chrysanthemum flowers (kiku) and finished with high quality ‘bordeaux red’ lacquer. Each is carved from a solid piece of wood with fine elegant lobes representing the petals. The interior fitted with a copper lining, for the coals, with a nice patina. A pair of hibachi in this colour and with this kind of quality of Material is rare to find! In Japan chrysanthemums are believed to represent happiness, longevity, rejuvenation and nobility. Including original wooden tomobako (storage box). In Western culture these bowls are often used as decorative flower pots...

Kushibako (comb box) in black lacquer with gold lacquer decoration of arrows and my in the shape of three assembled commas " mitsudomoe " (Okabe; Itakura; Kuki; Hijikata; Arima famil...

Late 18th century Inro by Kajikawa. Edo period Beautiful inro in gold lacquer representing a continuous landscape on both sides. The interior in Nashiji lacquer. Some small traces...

Early 20th century Chinese Red Lacquer decorated box. Relief carved top panel of an attendant and scholar. Fine finger joints on the box and lid. Inside top of the lid having Chinese...

Muromachi period old Joboji lacquered Kataguchi Choshi. There are very few extant items from this era, and they are very rare items. This item has weathered over time, and the coa...

A Japanese Nagasaki export lacquer box with mother-of-pearl depiction of the Amsterdam ‘Trippenhuis’ Edo-period, circa 1830 H. 12.5 x W. 24 x D. 15 cm ? The house depicted on t...

A Japanese lacquered wood fubako (a box to store document or small scroll painting) circa late 18th century of Edo period. The rectangular box features a deep lid with rounded corners and recessed mid-edge and a lower box with two bronze medallion rings and tasseled silk ties. The surface of the fubako was elaborately decorated with hiramaki-e and a low takamaki-e on a mottled Mura-nashiji background. The motifs on the lid depict branches of Japanese pine with finely rendered needles on the lower part; on the upper part, it showcases fruited persimmon branches. Two different shades of gold fundame were used to contrast the design and augmented by scattered gold kirigane to highlight some of the leaves. The design continues and cascades down to all sides of the lid as well as the walls of the box. The two bronze medallions appear original to the box and the silk ties show significant fading from the age. This Fine fubako is signed on the lower wall "Kanshosai" in Kanji with a kao mark. All the trims were finished in gold fundame and the interiors a dense nashiji in gold. Kanshosai is the mark of the distinguished lacquer artist Lizuka Toyo I who also signed his work "Toyosai". He was active in the second half of the 18th century during Edo period, employed by Hachisuka Shigeyoshi (1738-1801), daimyo of Awa on Shikoku Island. Although most survived work bearing his marks are inros, he was also known to decorated trays and other larger objects...

Set of bundai, ryoshibako and fudebako in wakasa lacquer with an old rose background and black traditional Japanese patterns. The saya pattern (or sayagata) is composed by Chinese s...

19th century Chinese lacquer gaming box from the Qing Dynasty. Black and golden drawing by hand with 3 gaming lacquer boxes, in very good ...

A Japanese export Nagasaki lacquer tobacco box with the portrait of Napoleon Bonaparte Edo-period, circa 1810 The box in black lacquer on copper, ...

Antique Victorian Papier-Mâché wall shelve with Edelweiss Decoration A rare antique Papier-Mâché corner shelve with hand painted alpine landscape and edelweiss decoration. Manufactu...

Miniature hanagamidai cabinet from the Japan meiji (1858-1912) period. Gorgeous and rare miniature drawers hanagamidai (cosmetic cabinet), created in the imperial Japan during the...

Beautiful set of three black Japanese lacquer nesting boxes with their two keys. Decorated with birds and orange, gold and green foliage. The 3 boxes fit together. The escutcheon ...

A Japanese red burgundy, gold and black lacquer box with round corners and silk cloth interior lining, circa early-20th century, 1920s, Japan. Box was desi...

A rare Japanese lacquered wood fubako decorated in Kodaiji maki-e style circa early 17th century the beginning of the Edo period, possibly early toward the end of the Azuchi-Momoyama period. The rectangular, long and slim box features a deep lipped lid with slightly rounded corners, a conforming lower box with two bronze medallion rings with tasseled...

Inro with four gold lacquer boxes, decorated with a lake landscape. Accompanied by a bronze ryusa manju. Small boxes formed of compartments that fit one on top of the other, inro (? ?) are traditional Japanese clothing...

Tiny suzuribako (writing set) in black and gold hiramaki-e lacquer with water plantain (Alisma plantago-acquatica) decoration. Interior in nashi-ji lacquer, with a rectangular water cup...

Exceptionally decorative set of six 18th century Qing Dynasty Chinese red and gold lacquer panels, originally from a twelve panel screen. Fortunate...