Belle Époque Statues

A large rust patina cast iron horse head figure on a square base.

This highly decorative pair of near life-size composition term statues of Greek God Atlas are an imposing mythological addition to a formal garden or interior. Traditionally, Atlas is depicted holding up the heavens, an eternal punishment bestowed on him for leading the Titan rebellion against Zeus, King of the Gods. However, in these composition adaptions, the Greek God Atlas carries an urn above his head. These can be planted with flowers and foliage or used simply as statuary. Made in the mid 20th century, each term statue is crafted from a blend of cement and fibreglass with some wear throughout that gives them a beautiful time-worn appeal. Part statue, part jardiniere, these Atlas statues...

A magnificent pair of 18th century French Hand Carved Limestone Lions. The base measurement is 11.5 inches.

Impressive and fine and quality bronze alligator with beautiful weathered green patina. Nice casting and modeling. Measures: 27" high at tail.

A set of four delicious hand carved limestone fauns figures on shaped pedestals. Typical example of statues that was inserted in the large parks of the Venetian Villas.

After the original marble grouping entitled Amalthée et la chèvre de Jupiter (“Amalthea and Jupiter’s Goat”) by Pierre Julien, which was commissioned by King...

Pair of French lead Bacchus cherub seated garden figures One cherub holding a mortar and pestle with fruit, the other holding wine and grapes both have supports to mount on to garden pillar...

Pair of reclaimed Georgian style stone sphinx garden statues. Egyptian decor had a revival in the Georgian and Regency period, this gave statues ...

A good 19th century carved stone bust. The handsome figure in Greco-Roman attire with toga draped across the chest and a laurel wreath around his head. ...

Rare Pair French Retour D'egypt Terracotta Lions Sculptures Statues Los Angeles , Exceptional fine pair of Large French Retour D'egypt period terracotta lions, circa 1790-1810. The French Egyptian Revival style or the retour d'Egypte refers to style that makes use of the motifs and imagery of ancient Egypt. By the end of the 18th century enthusiasm for ancient Egypt generated by Napoleon's unsuccessful conquest of Egypt and, in Britain, to Admiral Nelson's defeat of Napoleon at the Battle of the Nile in 1798. Napoleon took a scientific expedition with him to Egypt and this was the first time a major study of ancient Egypt was done. Publication of the expedition's work, the description de l'Égypte, began in 1809 and came out in a series though 1826 influencing a new way of life in France thru architecture and decorative arts. However, works of art, decorative arts, furniture and, in the field of architecture and garden follies, funerary monuments in the Egyptian style had appeared in scattered European settings from the time of the Renaissance. The Egyptian Revival style came out in a few waves in France before Napoleon during the ancient Régime Egyptian motifs were mixed with the neoclassical-Louis XVI style in architecture, furniture and decorative arts. A big surge hit France around 1798 during Napoleons Egyptian expedition. This was the first major Egyptian Revival period as this was the first time in history that a major study on Egypt was done. French people became fascinated with the ancient Egyptian history, culture, architecture and furniture. Egyptian ornamentation like scarab beetles, sphinxes, winged lions and lotuses details were incorporated into Classical style furniture and decorative arts creating a style known as a hybrid neo-Egyptian. The next wave was during the height of the French Romantic period 1820s-1850s. The Egyptian Revival emerged as a result of the famous archaeological digs of the first half of the 19th century and was primarily used for Tomb memorials, temples, and cemeteries and some decorative arts. This style is distinguished by its adaptation of Egyptian forms and motifs, sphinxes guarding buildings including lotus blossoms, Pharaoh's heads, the winged disk symbol of the sun God, as well as the use of bold bright colors. At the end of the 19th century 1870s-1890s the Egyptian Revival styles were in vogue once more. At the Height of the Victorian period the Egyptian style was even more elaborate than before. Often incorporated with Neo-Greek & Renaissance Revival styles. Victorians were even more fascinated with these rare finds and incorporated their motifs into jewelry, furniture, glass and Art pottery. Heavily ornamented overstuffed furniture...

Excellent late 19th Century French bronze figure of a walking stag with beautiful autumnal, green. black. brown and orange patination and excellent hand finished surface detail on an oval naturalistic base with integral stepped plinth, signed Barye and inscribed F Barbedienne Fondeur ADDITIONAL INFORMATION Measures: Height: 19 cm Width: 22 cm Condition: Excellent Original Condition Circa: 1870 Foundry: F Barbedienne Materials: Bronze Book Ref Barye by Michel Poletti & Alain Richarme ABOUT Antoine Louis Barye “The Michelangelo of the Menagerie” These are the words of Théophile Gautier in praise of Barye’s genius. Throughout his life Barye endeavoured to capture the fundamental nature of the animal kingdom in all its diversity, wild or tame, exotic or familiar, cruel or gentle, bringing to life the roaring, trembling, living beasts. The son of a goldsmith, apprenticed to a steel engraver at a young age, Barye found himself making moulds for ornaments, acquiring knowledge that he would later build on to produce his exquisitely chased bronzes. When he was called up at seventeen, he joined the army’s topographic brigade where he used clay to model raised relief maps...

"Deux Chiens en Arret" by A L Barye A dramatic mid 19th Century French bronze animalier group of a pointer and setter as they iflushing pheasants in a naturalistic undergrowth. The bronze with excellent autumnal (green, brown, and orange) patina and intricate hand chased surface detail, signed Barye. A rare bronze subject from the artist’s own atelier (workshop). Additional information Measures: Height: 12 cm Width: 25 cm Depth: 8 cm Condition: Excellent Original Condition Circa: 1860 Materials: Bronze Book Ref BARYE Catalogue Raisonne des Sculptures by Michel Poletti – Alain Richarme Page no. 150 Description Antoine Louis Barye “The Michelangelo of the Menagerie” These are the words of Théophile Gautier in praise of Barye’s genius. Throughout his life Barye endeavoured to capture the fundamental nature of the animal kingdom in all its diversity, wild or tame, exotic or familiar, cruel or gentle, bringing to life the roaring, trembling, living beasts. The son of a goldsmith, apprenticed to a steel engraver at a young age, Barye found himself making moulds for ornaments, acquiring knowledge that he would later build on to produce his exquisitely chased bronzes. When he was called up at seventeen, he joined the army’s topographic brigade where he used clay to model raised relief maps...