Rococo Decorative Objects

Hallmarked in London in 1767 by John Langford II & John Sebille, this elegant, Antique Sterling Silver Wax Jack, is in the Rococo taste, standing on three fee...

Maiolica flower pot “a mezzaluna” decorated with trompe l’oeil Pasquale Rubati Factory Milan, 1770 circa It measures: 4.7 in (cm 12) X 5 in (...

Elaborately crafted porcelain group from the 19th century: A couple of gardeners and two boys harvesting apples, dressed in rural Rococo robes with fine decorations, a boy standing at the top end of the ladder leaning against the tree and picking apples, below them the gardener couple, the female catching them in her apron held high while the beau reaches an apple to her mouth, a boy sitting behind the tree and taking an apple from the full hat standing next to him on a tree stump. On a round meadow base with three-dimensional foliage and gold-heightened rocaille decoration. Designer: JOHANN JOACHIM KÄNDLER (1706 - 1775) was chief sculptor at the Meissen manufactory from 1742 to 1775. He is the most famous modeller Meissen manufactory ever had and created famous series such as Shepherd Figurines, Comedian's Children, Gardener Children (with Acier), Paris Town Criers (with Reinicke and Meyer) , Gallant Figurines, etc. Kaendler designed model 1755...

17th century wooden columns Beautiful 17th century columns carved in wood with a geometric drawing of 65 cm tall.

This is a wonderful pair of figures of Arlecchino and Columbina, made by the Bow Porcelain factory in about 1758. These figures formed part of a series of the Commedia dell'Arte, a very popular series of theatrical figures that served as decoration at the dinner table in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. These figures were used to adorn the dinner table when dessert was served; groups of figures served to express something about the host, the guests, or to direct the conversation. The Italian Commedia Dell'Arte, a comical form of masked theatre, was very popular in those days and Bow copied many figures of the German Meissen series that were brought out in the decades before. This pair dates from about 1758, which was at the height of Bow's ability to make beautiful figurines often copied from Chelsea or Meissen. The pair is modelled after a Meissen pair by Kaendler. The porcelain is translucent with a beautiful milky glaze - Bow was probably the first pottery using bone in its porcelain recipe. Arlecchino (Harlequin) is playing the bagpipes, dressed in an odd costume of mismatched chintz and playing cards and wearing a funny black trumpet...

Pair of Rococo style bisque porcelain female figures French, late 19th century One figure: Height 19cm, width 14cm, depth 10cm Other figure: Height...

This blue and white hand-painted Dutch Delft dish was made in the Netherlands in the 18th century, circa 1780. The composition has excellent movement. The ...

Reproduction French Empire Rococo Style carved Mahogany paw feet Jewelry Box vanity trinket box. Item features solid wood construction, nicely carved...

Northern Swedish classic Rococo long case clock from the first half of the 19th century, circa 1820-1830. The clock has a good size and the clas...

Table clock French of the late 19th century, in gilded and relief bronze. Dial in painted enamel "Wreaths of flowers" with Arabic numerals in black, eight-day autonomy, rings hour...

This fantastic clock garniture is a truly exceptional piece of design, which takes after the elegant beauty of the work of the Sevres porcelain Manufactory. Comprising a set of three...

Pair of stirrups. Carved wood, iron. Chile, 18th century. Pair of stirrups made up of a carved wooden block, in the shape of a crescent on the front, and decorated on the outside wi...

Elaborate porcelain group of the 19th century: Young mother in elaborate Rococo clothing, seated on a magnificent Louis XVI-style armchair, resting her left foot on a low pedestal, ...

This beautiful clock was crafted in circa 1870 in France. Known as a carriage clock, it was designed for use when travelling. Such clocks were crafted on a small scale with handles, ...

A very beautiful Italian white and gold porcelain vanity bottle with bird design in the Rococo style, circa early-20th century, Italy. A white porcelain bottle...

An incredible and truly monumental 19th century Meissen Porcelain Covered urn emblematic of autumn. This is one of the most incredible and sp...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

17th Century Italian church vase decorated with fossil agate coral, red phantom quartz crystals, and chalcedony rosettes on polished agate base. This fragment is from a church in Florence. It was found and saved from the historic flooding of the Arno River in 1966. Fossil agate coral is mounted on top of the artifact. Fossil agate coral is Florida's state stone and is known for its unique formation that can take place over 20 million years. It's a natural gemstone that is created when prehistoric coral is gradually replaced with agate. It is adorned with coordinating red phantom crystals and chalcedony rosettes that resemble the color and texture of the piece. The piece has been naturally distressed from the flood. It has been preserved and transformed by Jean O'Reilly Barlow, the creative director of Interi. The date of manufacture reflects when she created the piece and the period shows that the Italian fragment is originally 17th century. The story and history of this piece and Interi's collection of Florence fragments...

A French 18th century large polychrome Faience lidded soup toureen or entree dish with scallop-shaped edges attributable to Rouen manufacture. This lovely...

17th century Italian church vase with fossilized coral, a double crystal point on an agate base. This fragment is from a church in Florence. It was found and saved from the historic...

Pair of exceptional quality antique English “Old Sheffield Plate” three-light rococo style candelabra with central snuffer flame finial which is removable to reveal a center candle. The rococo bobeches are original and removable and the candelabra can be converted to one Five-light Candelabrum or the three light branches can be removed to make a lovely pair of single Candlesticks...

Antique lidded box in hand painted porcelain with flowers and gold decoration on a purple background. Sevres style, early 20th century. Measures:...

Set of five allegorical porcelain sculptures by Meissen German, c. 1975 Measures: Height 15cm, width 10cm, depth 8.5cm The five figures in this set are allegorical of the senses...

Rectangular box in ebony veneer inlaid with star patterns, all sides and the cover adorned with finely openwork and chiseled hinges in gilded bronze set with hard stone cabochons, si...

Patinated bronze "Bacchanalia" after the celebrated 1762 model by Claude Michel Clodion (French, 1738-1814), circa late 19th century. #1555 The figural group of two female figures...

Large French Rococo style bronze figural group of cherubs and a goat by Henri Picard (1840-90). Small stamp on bottom of base 0000 HPICARD. Base is modeled after a similar sculpture ...

A magnificent large French XV rococo style patinated and gilt bronze urn. The fluted body of the urn, (almost ewer shaped) is of patinated bronze, the flutes inset at the top and bot...

Large Rococo porcelain figure group depicting a scene of peasants, a young woman playing a guitar in the top of a rock accompanied by a young c...

This beautiful French clock garniture, styled in the Louis XV taste, is a charming work of artistry and craftsmanship. Crafted of richly veined and brightly-hued fluorspar mounted wi...

I want to offer you this beautiful pair of murano glass vases. These vases are decorated with 24 karat gold and hand painted pink roses on a cut overlay pi...

The cobalt blue is exquisite! Provenance: An identical dish is in the collection of the Philadelphia Museum of Art. For an image of this identical plate and a discussion of its origins, see: E B Schaap "Delft Ceramics at the Philadelphia Museum of Art" pages 74 and 75. We are pleased to offer this Dutch Delft dish...

We are pleased to offer this beautiful Mennecy blush pot 'Pot à Fard' made circa 1750. It is decorated with sprays of flowers, the finial shaped as a single purple rose with green le...

I am offering you this beautiful Meissen reticulated and fluted bowl. It has a bright and colorful large flower bouquet in the center of the bowl w...

Bring this vibrant antique porcelain piece into your living room, office, or bedroom for a unique flair. This colorful, extremely detailed majolica figurine composition was created i...

Derby was able to produce exceptional work, and these vases are a brilliant example of what they were capable of, when making for the top of the market. The body, the modeling, and t...

A stunning fine quality Napoleon III Second Empire Period (1852-1870) doré bronze (gilt bronze ormolu) shelf clock with signed Japy Freres eight-day time and strike movement. Born in Paris, France in the third quarter of the 19th century, exceptionally executed in luxurious 18th century Louis XV Rocaille taste, the curvacious sculptural case...

Southern Swedish long case clock from the early 1800s in rococo style. The clock is hand-made from pine with original hand-craved decor. Dry scraped to traces of the original green, ...

A pair of Italian Rococo period painted candlesticks from the 18th century, with carved cartouches and scrolling feet. Created in Italy during the 18th century, each of this pair of ...

A scarce pair of magnificent Meissen polychrome and partial gilt porcelain candlesticks, inspired by Greek mythology, exquisitely hand-crafted in Rococo taste, Germany, 19th century....

A fine large Florentine Italian gilt tole wall candle sconce with three arms. Decorated in metal tole roses and leaves. All hand-painted in brushed gold. Three arms each curl upwards...

18th century Italian gold leaf angel wing mounted on tourmaline in crystal quartz. The large, gold leaf and painted angel wing originally came from a church in Tuscany. It was onc...

This a set of hand painted Porcelain cachepots depicting a decoration in a gilded centerpiece of a flower arrangement in the front and gilt acanthus growing along the diameter sides of it . Also, there are three hand painted cobalt blue rings around the cachepot decorated with gilt rows of parsley leaves alternated with the white background. The cachepots have two gilt & white rocaille shaped handles. Under the base is written in French that it was handcrafted in Paris, France by Le Tallec. Camille Le...

These bronze-mounted Sèvres porcelain urns are monumental in both size and quality and feature the renowned manufactory’s signature deep cobalt blue glaz...

17th century Italian fragment base mounted with a large stromatolite and adorned fossil rose coral. This fragment is from a church in Florence. It was fo...

17th century Italian vase with a chesapecten shell & gold-plated crystal points. This fragment is from a church in Florence. It was found and saved from the historic flooding of t...

This is a beautiful antique French Empire mantle clock was made of gilded bronze and marble. The clock is placed on a rectangular marble pedestal...

PLEASE NOTE ONLY THE SMALLER OF THE TWO SHELLS IS AVAILABLE. This pair of carved wood Clamshells are gessoed finished in White Gold and then burnished to a warm glow. The price listed is for the pair. Can be purchased separately The larger clamshell...

17th century Italian vase with black tourmaline and crystals on a petrified wood base This fragment is from a church in Florence. It was found and saved from the historic flooding of the Arno River in 1966. The piece has been naturally distressed from the flood. It has been preserved and transformed by Jean O'Reilly Barlow, the creative director of Interi. The tourmaline and crystals have been applied to the fragment vase and mimic the texture and color of the painted distressed fragment. The story and history of this piece and Interi's collection of Florence fragments...

This Delft blue and white dish was hand-painted in England in the 18th century circa 1760. The painting is quite naive but eye-catching. In the center, we see a large blue ground before three homes, each with a chimney. To the left, we see a large peony, and to the right, a pine tree. The wide border shows six flower buds on the vine, and along the edge are scrolling vines. Dimensions: 9.25" diameter Condition: Excellent Price: $560 Background of English Delft: The art of making Delft began in England in the Mid-1500s. An English delftware jug has been found in East Malling, Kent, with a silver mount hallmarked 1550, which is presumed to be the earliest date of English delftware manufacture. John Stow's Survey of London (1598) records the arrival in 1567 of two Antwerp potters, Jasper Andries and Jacob Jansen...

Hand painted with scenes of a chateau landscape and courtly couples in a garden, signed 'E. Collot', on a gilt and cobalt ground, gilt-bronze acanthus swag handles, base and foliate ...

17th century Italian vase with a calcite crystal cluster in matrix on a petrified wood base. This fragment is from a church in Florence. It was found and saved from the historic flo...

17th century Italian vase with a calcite crystal cluster in matrix with sphalerite. This fragment is from a church in Florence. It was found and saved from the historic flooding of the Arno River in 1966. The calcite crystal cluster with sphalerite is from Elmwood Mine in Tennessee. It is an example of the world’s finest crystallized calcite. With the unusual formation of sphalerite, it is unequaled by those from any other part of the world (featured in American Mineral Treasures, pg. 337). These minerals are formed from the chemical precipitation of calcium carbonate and zinc. The minerals are essentially deposited on the walls, floors, and ceiling of the geological caverns of the zinc mine. It is known for producing some of the most superb various examples of calcite, fluorite, and sphalerite with exceptionally large and sharp calcite clusters. The piece has been naturally distressed from the flood. It has been preserved and transformed by Jean O'Reilly Barlow, the creative director of Interi. The date of manufacture reflects when she created the piece and the period shows that the Italian fragment is originally 17th century. The story and history of this piece and Interi's collection of Florence fragments...

18th Century Italian cross adorned with native copper with crystals from White Pine Mine, Michigan and copper-plated kyanite on a crystal druzy in copper...

A very good quality 19th Century French gilded ormolu Rococo influenced mantel clock, having wonderful scrolling foliate decoration, the clock face having enamel Roman numerals, an e...

Rococo ceramic sevres chest hand painted signed Rochette perfect condition 19th century circa 1870.

Pair of finest quality Old English Ellis silver plate Rococo style three-light candelabra with flame snuffer Maker- Ellis Silver Co., Birmingham (predecessors to Ellis-Barker Silv...

Large French Strasbourg 19th Century Faience tall floor candle holder with Ormolu 19th century French Strasbourg faience floor candle holder in R...

17th century Italian fragment with wulfenite on a fishtail selenite base This fragment is from a church in Florence. It was found and saved from t...