Australian Furniture

Woodland Grey Table 03 by Coco Flip Dimensions: D 48 / 122 x H 32 / 36 / 40 / 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 30 kg Coco Flip is a Melbourne...

Raw and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink. Ce...

Surfmist Table 03 by Coco Flip Dimensions: D 48 / 122 x H 32 / 36 / 40 / 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 30 kg Coco Flip is a Melbourne base...

Woodland Grey Round Table by Coco Flip Dimensions: D 100 x H 32 / 36 / 40 / 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 34 kg Coco Flip is a Melbourne b...

Single Earth Honey Wall Sconce by Coco Flip Dimensions: D 22 x W 22 x H 7 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 2kg Standard fixtures included 1 x cer...

Woodland Grey Table 01 by Coco Flip Dimensions: D 48 x W 48 x H 32 / 36 / 40 / 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 12kg Coco Flip is a Melbourne...

White Honey Table Lamp by Coco Flip Dimensions: D 30 x W 30 x H 12 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 4kg Standard fixtures included 1 x ceramic G9...

Raw Honey Table Lamp by Coco Flip Dimensions: D 30 x W 30 x H 12 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 4kg Standard fixtures included 1 x ceramic G9 l...

Single Raw Honey Wall Sconce by Coco Flip Dimensions: D 22 x W 22 x H 7 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 2kg Standard fixtures included 1 x ceram...

Single Blue Honey Wall Sconce by Coco Flip Dimensions: D 22 x W 22 x H 7 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 2kg Standard fixtures included 1 x cera...

Single Black Honey Wall Sconce by Coco Flip Dimensions: D 22 x W 22 x H 7 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 2kg Standard fixtures included 1 x cer...

Large Black Honey Wall Sconce by Coco Flip Dimensions: D 30 x W 30 x H 12 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 4kg Standard fixtures included 1 x cer...

Green and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink. ...

Raw and White Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: White. ...

Blue and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink. C...

Earth and White Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: White...

Earth and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink. ...

Black and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink C...

Blue and White Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: White ...

Create an instant designer look with this ravishing, large black leather pillow. Intricately handcrafted using honored time leather craftsmanship ...

An exceptionally rare pair of John Campbell planter pots. The design is attributed to John Cambell's son, Rupert John Campbell. John Campbell produced decorative pots at his brick works and pottery in Launceston, Tasmania from 1880 until 1975. Rupert John inherited his father's works and was a skilled artisan and potter. He developed presses for decorative pottery. This beautiful pair of jardinières likely date to the early 1900s. They were passed down through three generations. The original owner gave them to her son. In the 1980s the (then elderly) son gifted them to a friend (the last owner before this sale). At the time they received them they were made aware of their age and rarity. Now, another forty years later, they are potentially the only pair in existence. Only one similar John Campbell un-glazed terracotta 'umbrella stand' can be found on record. It was sold in 2008 in Tasmania, at a 'Fine Colonial Decorative Arts' auction run by Mossgreen Auctions, a reputable auction house, though since closed. I can find no other reference to this model, except an acknowledgement of the existence of an un-glazed terracotta umbrella stand, in the definitive record of Campbell's work by Kevin Power, 'John Campbell Pottery: Recollections and Collections' published 2014. These are of the same design and size but were manufactured with drainage holes in the base. They were clearly decorated using a press but the clay slabs were pushed into the press by hand. The interior of each pot shows the marks of hammers used to force the clay into the face of the press pattern. They have a hand-crafted appearance, with hand finished mould lines to each side and there are pressing faults apparent in various areas of the pattern. Tasmania was notably independent in production of most household goods, due to the isolation of the colony right up until the turn of the 19th century. Being at the farthest reaches of the British Empire, settled as a penal colony, with a relatively low consumer population, it was not a market for the high-volume import of domestic goods. As a consequence, household wares and decorative pieces produced in Tasmania through the 19th century represent a wholly independent category of Australian colonial design, production and craft. These pots are highly collectable and scarce artifacts of one of Tasmania’s earliest industries. In aesthetic terms, many Tasmanian artifacts are notable for following British, Georgian and Victorian fashions but with a colonial character of their own devising. Local characteristics became a stronger feature of Tasmanian decoration over time. Note the classical Georgian/Victorian chinoiserie motif of a bird foraging among rushes. In this case, the local interpretation depicts a Brolga (the largest Australian wetland bird) foraging amongst native Australian reeds and water lilies. Another of the things that sets early Tasmanian artifacts apart is the way in which necessity forced artistic production in pottery to be less refined than that of their British counterparts. A broad range of products had to be produced to meet local requirements, often by a single producer. John Campbell’s pottery is a great example of this practical necessity. It produced everything from industrial drainage pipes and bricks to household pottery and decorative items, all from a relatively small family run factory. Their domestic wares were so well trusted and appreciated that they by the 1940s they made their way all over the mainland of Australia. Under these circumstances, the refinement of decorative technique was not as great a priority as utility, consistent quality of production and durability. As a consequence, Australian colonial works and their early 20th century descendants such as these pots, are hugely appealing. They have an idiosyncratic and vernacular appearance, with British and European stylistic trends of their day overlaying a base of inventiveness, local interpretation and sturdy functionality. We hope you can appreciate the rarity and significance of this well-preserved pair of planter...

Anton Micro in brown ceramic by Volker Haug Anton series Dimensions: Ø 8 x D 6 cm. Materials: Cast Ceramic Glaze: Brown Lamp: G9 LED (240V / 120V US). 12V...

Original vintage movie poster for the Australian release of the Japanese science fiction film Godzilla vs. Gigan "The Entire World Gripped by Terror!" (the 12th film in the Godzilla ...

Brass Palais Door Handle by Henry Wilson Dimensions: W 13 x D 8 x H 2 cm Materials: Brass Palais lever handle in high tensile brass or aluminium. Each ha...

Introducing the Pietra Dining or feature table; a new addition to the Pietra collection. Designed by Just Adele. Handcrafted in Italian natural stone combined with steel in bronze pa...

Onda Side Table in White Onyx designed by Just Adele. The Onda Side Table is characterised by its soft forms and bold stone finishes. Translating to “...

Onda Coffee Table in Verde Bianco designed by Just Adele. Made to order just for you locally in Melbourne. The Onda Coffee Table is characterised by its ...

A lovely kiln-formed and wheel cut mosaic glass bowl from Klaus Moje's time in Canberra. Cf.: Dan Klein, "Artists in Glass - Late twentieth Century Masters...

Onda Side Table in Verde Bianco designed by Just Adele. Made to order just for you locally in Melbourne. The Onda Side Table is characterised by its ...

Art Deco silver plate cocktail shaker of exaggerated geometric form with incised line decoration to the foot and body, an exaggerated handle and spout with a threaded cap secured by ...

Handmade in solid brass in Sydney, Australia by Dunlin. A new classic. A heavyweight brass spotlight. -16 cm total length x 10 cm diameter ( shadow line is 1.5cm High) -6.29" tot...

Handmade in solid brass in Australia by Dunlin. A heavyweight, solid brass pivoting spotlight. A cast brass ball pivot allows the light to rotate around its stem. 14.5 cm long x...

Handmade in solid brass in Australia by Dunlin. A playful up-down light in solid brass. 6.3 cm Diameter x 22 cm Long Finish: Noir Two lamp holders direct ...

Rene Coffee Table in Walnut stained natural oak and Travertine. Designed by Just Adele and handcrafted locally by skilled Artisans. Organic shapes with soft curved edges, elevate...

Continuum 900 Wall Sconce by Lost Profile Studio Dimensions: W 38 x D 12 x H 90 cm Materials: Brass, Glass, Aluminium, LED Finishes: Aged Brass (w...

Continuum 500 Wall Sconce by Lost Profile Studio Dimensions: W 22 x D 9 x H 50 cm Materials: Brass, Glass, Aluminium, LED Finishes: Aged Brass (wa...

Suitable as a wall light or ceiling light in both residential and commercial projects, the Aurelia Surface Sconce is defined by its distinctive bell-shaped translucent body, and much...

Sofia Side Table designed by Just Adele. An occasional table, designed with soft curved edges allowing the natural veins in travertine to shine. Each piece...

Altus Hall Table by Lost Profile Studio Dimensions: W 180 x D 40 x H 90 cm Materials: Brass, Aluminium (substrate under stone), Four Seasons Quart...

Aegis Vase 450 by Lost Profile Studio Dimensions: ⌀ 20 x H 45 cm Materials: Brass, White Glass Finishes: Aged Brass (waxed) only Notes: The brass...

Aegis Vase 350 by Lost Profile Studio Dimensions: ⌀ 15 x H 35 cm Materials: Brass, White Glass Finishes: Aged Brass (waxed) only Notes: The brass...

Sofia Coffee Table designed by Just Adele. Designed with soft curved edges allowing the natural veins in travertine and texture to shine. Each piece is hol...

Rene Side Table in Walnut and Travertine. Designed by Just Adele and handcrafted locally by skilled Artisans. Organic shapes and soft curved edges, elevated by the perfect mix of ...

Missing link wall sconce by Volker Haug Dimensions: Diameter 15 x height 34 cm Material: Brass. Finish: Polished,aged, brushed, bronzed, blackened, o...

White Onyx Stool by Henry Wilson Limited Edition Of 8 Pieces Dimensions: D 67,5 x W 61,5 x H 62,5 cm. Materials: White onyx. Henry Wilson's work combines a rational, democratic util...

A Brutalist earthenware wall hanging or plate. This is a recent production (2012), but with an intentional 60s/70s vibe. We love the ocean-blue central glaze. It is deeply crackled...

'Into The Inferno' is a sculptural coffee table, inspired by the process in which the elements and continuity of time shape our world. This piece conv...

It's the season of the exotic and wild leopard prints, so let your interiors be set free with this ostentatious leopard print lumbar pillow. A beautiful designed print, screen printed over an African Springbok fur capturing incredible rich and natural undertones found in each individual springbok fur. The pairing of the leopard print and the springbok allows this rectangle leopard print pillow...

A total commitment to experimentation with materials. This piece is unsigned, but we note the muscular slab-built Brutalism of this piece and wonder about the influence of American Brutalist sculptor...

Made of pressed metal. Stackable. Set of 6. These were painted by previous owner.

This classic, tailored, double ceiling lamp, is inspired by old Hollywood and menswear, reminiscent of the 1940s and the early simplicity of Art Deco and 20th Century Modern. Its clean shape is the perfect foil for our signature stitching to both tiers of upholstered shade edges, our signature bronzed armatures, and our removable linen diffuser, Our Classic 640 diameter x 470 deep proportion is shown in creamy white Italian linen with black stitching. This light works individually or in pairs in hallways, glamorous powder rooms and bedrooms, over chic kitchen islands, desks and hallways projecting a soft useful ambient light. Depending on fabric and stitching selection, Joe Ceiling Lamp is a strong style statement, or a quietly glowing volume of light. Joe Ceiling Lamp is the companion of our Joe Pendant Lamp...

Very nicely hand turned bespoke wooden bowl, made from Jarrah Wood originating from Australia. Turned by hand, the bowl has a wonderful thick rim to it, giving a very nice chunky ap...

Carl Cooper (1912-1966) was born in Williamstown, Victoria, Australia.  He was a ceramicist associated with the influential Boyd family and in the mid-1940s he worked with Arthur Merric Boyd and John Perceval at the AMB pottery in Murrumbeena just outside Melbourne. ​Cooper lost the use of his legs from polio contracted in his twenties.  Each day, Arthur Boyd’s brother David would push Cooper’s wheelchair to the pottery. Cooper’s earthenware pieces were incised or painted in designs often influenced by Aboriginal bark paintings...

A set of four original Pop Art serigraph (screen) prints by Australian artist Catherine Ford, signed and dated 1974. These can be hung in a pattern or any ...

Small granite top bistro table. imported by James Richardson. Seats four. Could work indoors or out. Two available. H 72cm, D 90cm Located ...

Fantastic modern and sculptural wall light by Melbourne based studio Lost Profile. The unique pieces exposed for the Salone del mobile 2018 in Milan, then...

Original vintage travel advertising poster for Qantas super service at your command! Australia's international airline Qantas Empire Airways Ltd in association with British Overseas Airways Corporation BOAC and Tasman Empire Airways Ltd. Great mid century illustration featuring a smartly dressed smiling lady walking past a line of Qantas cabin crew wearing blue uniform with suitcases bearing luggage labels on the side, a man in a brown suit and hat following her and more passengers disembarking a Qantas Lockheed Constellation plane with an Australian flag...

We offer an exquisite Aboriginal artwork created by Tjunkiya Napaltjarri (1927-2009) in 2002, sourced from the Papunya Tula Art Center. Her work can be found in the collections of th...