Maarten Baas Signed Limited Edition Arne Jacobsen Series 7 Chair
About the Item
- Creator:Maarten Baas (Designer),Arne Jacobsen (Designer)
- Design:
- Dimensions:Height: 31.89 in (81 cm)Width: 18.12 in (46 cm)Depth: 15.75 in (40 cm)Seat Height: 18.31 in (46.5 cm)
- Style:Scandinavian Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2009
- Condition:
- Seller Location:Dronten, NL
- Reference Number:1stDibs: LU931438738432
Series 7 Chair
The celebrated Model 3107, or Series 7, chair showcases Arne Jacobsen’s (1902–71) trademark understatement and interplay between form and functionality. Part of a seductive foray into minimalism for the modernist Danish architect and designer, the Series 7’s seat and backrest were produced from a single piece of bent plywood in 1955 for manufacturer Fritz Hansen.
The lean, stackable chair updates Jacobsen’s simple and spare 1952 Ant chair to a broader base while retaining its revolutionary construction (also a one-piece seat and back) and adding an extra leg. It was a thoroughly modern design inspired in equal parts by the Danish cabinetmaking tradition that preceded Jacobsen as well as the gentle and organic forms that typified Scandinavian modernist furniture. The chair was also a technical advancement of Charles and Ray Eames’ innovative plywood molding techniques.
Trained as a mason and then an architect, Jacobsen assisted in Copenhagen's City Architect's Office after graduating from the Royal Danish Academy of Fine Arts in 1927, where he eventually became a professor. He set up his own design practice in 1930 and produced large-scale projects such as the Bellavista housing estate, a revered work of Bauhaus-style architecture situated north of Copenhagen in Klampenborg.
In 1960, Jacobsen completed his architectural work on the 22-story SAS Royal Hotel and Air Terminal in Denmark’s capital city, but, as he preferred to be involved thoroughly in such commissions, he designed the interiors as well as every other possible detail for the accommodation property, from lighting to textiles to furniture. A diverse designer with a world-famous work ethic, Jacobsen also created modern light fixtures, bathroom fittings, cutlery and metalware — a 1957 set of flatware he designed for A. Michelsen was featured in Stanley Kubrick’s 2001: A Space Odyssey.
Jacobsen was one of the most successful and accomplished Danish designers of the 20th century. Along with the Ant and massively successful Series 7, his Swan and Egg chairs, produced in 1958 for the SAS hotel, are definitive exports and exemplify Danish modern’s marriage of quality materials, simplicity and thoughtful form.
The Series 7 has remained in production since 1955 at Fritz Hansen, where carpenters carefully select and cut sheets of veneer by hand in order to maintain the chair’s classic shape. It remains among Jacobsen’s most simple and pared-down chairs, and while each model is made of pressure-molded sliced veneer, the Series 7 is available in varying veneers and finishes. It is the most sold chair in the manufacturer’s history.
Maarten Baas
Furniture designer Maarten Baas doesn't subscribe to conformist notions of beauty and symmetry. He finds appeal in the character of aged patinas and wear from usage. As such, Baas doesn't seek to create furniture or decorative objects that are perfectly proportioned — for proof, look no further than to the unconventional cabinets of his Close Parity collection or the chairs with oddly shaped backrests he designed for Lensvelt.
Baas breaks unspoken rules, and his influential work is as much art as it is functional design — he’s garnered support from likeminded creatives in his field such as Phillippe Starck and Marcel Wanders, and explores how he might put unusual materials to work such as clay or charred wood in the construction of his chairs and table lamps.
Baas was born in Germany and grew up in the Netherlands. After graduating high school, he began his studies at the Design Academy in Eindhoven. Before he had even graduated, Baas made an impression on instructors and students alike with his graduation project.
Using pieces of secondhand furniture he had procured online — some of which was manufactured by IKEA — Baas scorched the wood all the way through with a blowtorch. He soon found a way to preserve the wood once it was burned through, and this led to his inaugural Smoke series. The chairs and a lighting fixture from this line were put into production by Moooi, a furniture brand Wanders cofounded with Revised’s Casper Vissers in 2001. Hospitality guru Ian Schrager got in touch, and a pool table from the collection was custom-made by Baas for the Gramercy Park Hotel.
Since Smoke, Baas has produced numerous pieces, with his best-known efforts involving the repurposing of existing furniture and modifying it to look the way he wants. Ever the innovator, Baas introduced a series of clock designs as part of an art installation that began to take shape in 2009 at the Salone Del Mobile in Milan.
The designer’s clocks see an incorporation of video and other technology. Each piece, such as the ten-foot tall model installed at Amsterdam’s Schiphol Airport in 2016, presents the illusion of human figures toiling to keep time behind its face by way of a 12-hour recorded performance.
Baas’s works are held in the collections of many notable museums, including the Metropolitan Museum of Art in New York City.
- ShippingRetrieving quote...Ships From: Dronten, Netherlands
- Return PolicyA return for this item may be initiated within 7 days of delivery.
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