1970s Living Room Sets

Mario Bellini “Le Bambole” two-seater sofa for B&B Italia, lapin fur, Italy, 1971. This timeless Postmodern design icon came into being between 1970 and 1972. The search for a new...

Table and 6 chairs mod. IBISCO, 1970s/80s More information on the article Some chairs are Tarred, signs of wear due to time/restoration needed. Signs of wear and tear from time on th...

High quality leather design sofa set with thick black leather cushions. Attractive curvy design with black tubular metal bases at the front. Very comfortable sofas in good conditio...

Salotto, 2 poltrone e divano 3 posti, Modello OKAY, Adriano Piazzesi, 1970 Divano e poltrone disegnato da Adriano Piazzesi per la ditta 3D. Struttura in acciaio cromato Stile Vintag...

This unique and gorgeous modular sectional sofa from the 70ties was manufactured in germany by Dreipunkt International. The Sling shape is made of cognac leather and canvas. The loose and thick cushions made it so comfortable. It is a aniline cognac whiskey leather. The colour of the oak wood is stained in brown like dark walnut. This Ensemble includes 4 chairs and 1 ottomane. Everyhting is in original and good condition. It fits well with Piere Chapo...

Sitting room composed of 3-seater sofa and 2 armchairs, 1970s Baroque style. Floral chenille fabric embellished with bangs. The cushions are removable and washable. Item never used, ...

Pair of armchairs and two-seater sofa with rattan structure, wicker weaving entirely handmade. Italian design from the late 1970s, new upholstery, ...

Vintage living room, club style, consisting of 3-seater sofa and 2 armchairs, 1970s Very good conditions Manufactured from orange fabric, embellished with hexagonal patterns in ...

The Sesann lounge chair was designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. This set is composed of two lounge chairs upholstered in tobacco and chocolate brown alpaca velvet. Sesann is characterized by an organic and informal shape and is defined by the tubular metal detail that wraps around the soft, upholstered seat. In the 1970s, the Cassina catalogue...

Sergio Asti was trained as an architect at the Polytechnic University of Milan from 1947 to 1953 and opened his studio the same year of his graduation.
Among the first Italian indust...

Dimensions: 46cm breed, 43cm diep, 79,5cm hoog, 44cm H seat Color: Grey Material: Metal Manufacturer: Ikea Designer: Niels Gammelgaard

1970 Italian Living Room Set in Orange Velvet and Minimal Steel armchairs height cm.65, depth 75, width cm.96 , seat height cm.40

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a three-seater sofa and three armchairs. It features brown alpaca...

The Pianura living room set by Mario Bellini for CASSINA is a beautifully designed and stylish collection of furniture pieces that can transform your living room into a luxurious and...

Here is a handsome De Sede DS 66 natural leather loveseat with two matching DS 66 single lounge chairs. This set showcases a thick dark brown leather wit...

Wicker lowboy dresser and set of nightstands in a tropical mid-century style. These pieces feature a metal pull handle and are made in a medium oak color wood. Dimensions Dresser: H...

Cassina presented the Sesann system by Gianfranco Frattini in 1970. The project included an armchair, a two-seater, a three-seater sofa, and a coffee table. Its standout feature is a...

Set of 2 Cornaro two-seater sofas, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage conditi...

vintage seating group | armchairs | coffee table | 70's | Sweden period | 60's design | unknown | Sweden condition | good | light signs of use size | 72 x 77 x 85 (hxwxd) seat heigh...

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a two-seater sofa and two armchairs. It features...

This newly reupholstered pair of club chairs by Claudio Salocchi for Sormani, circa 1970s, features graceful chrome frames with nubby white bouclé fabric. Signed with 1960s/ 1970s Sormani label as shown in photo gallery. *Note, we have the matching sofa available in another listing. The graceful frames share a design quality with Cassina's LC2 / LC3 design by Le Corbusier, as they are 'buckets of cushions' in similar fashion and comfort. However these Sormani lounge chairs feature some unique subtle details, such as the slight "twist" in the rear legs (see photos). Signed with a Sormani label, this particular rare design is attributed to Claudio Salocchi. While there were several other famous designers who created works for Sormani in this time period, the style best matches Salocchi's work. For collectors looking for something unique and rare within a collection of 1960s/ 1970s Italian designs, this pair of easy chairs are an amazing opportunity. These Cassina LC2 / LC3 style chairs...

American sofa and armchair in original striped fabric1970s Wooden frame, with the feet made of wood and brass Style Vintage Periodo del design 1970 - 1979 Production Period 1970 - 19...

Rare dining room set by Rainer Daumiller for Gramrode Møbelfabrik from the 1970s. The high quality set consists of a dining table with solid pine tree wood frame and table top and fo...

Cet ensemble table et chaises de Boris Tabacoff fait partie des mythes du mobilier Space Age . La base de la table semi circulaire est en chrome massif, le plateau est en marbre vein...

Mid-Century Modern French three-seat sofa with original velvet fabric designed by Gérard Guermonprez. The sofa presents some wear consistent with age and use. It can become a set ...

Sesann armchair, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features khaki brown velvet upholstery and a chrome tubular cage as stru...

Mario Bellini “Le Bambole” two-seater sofa for B&B Italia, Mongolian faux-fur, Italy, 1971, set of two. This is a timeless Postmodern design icon. The starting point was a shopping ...

This Is a rare iconic set of 4 chairs design by Carlo Scarpa for Bernini, mod 1934-765. This chairs Born in 1970, and come up in original condition, without any restoration as in pho...

Rare model: Introducing the De Sede DS84 three and two seat sofa in Buffalo leather - Switzerland, 1970's – Where Luxury Meets Comfort Designer: De Sede design team Manufacturer: De Sede Model: DS-84 three seat sofa Design period: 1970’s Date of manufacturing: circa 1970 Size WDH in cm: 3 seat sofa: 185x87x80 seat height 39 cm. 2 seat sofa: 142x87x80 seat height 39 cm. coffee table: 136x76x41 cm. Material: Buffalo leather Condition: Good / Normal signs of age and use / Coffee table has a repared crack in the marble top and cat scratches...

Set of 2 armchairs and 2 seater sofa designed by Vico Magistretti for Cassina, 1973. The project won the Compasso d' Oro in 1979 and is one of the most widely sold pieces of Italian design. "With Maralunga...

Mario Marenco dining room set, Postmodern, beech, tan leather, Italy, 1970s Impressive and tall chairs made in solid beech. Rectangular table with asymmetrical lines, also in sol...

Bonzanini Rudy design for Tecnosalotto Mantova Italy in years 70 Set of 4 chairs with structure in chrome and cuscion ulphostered textile si...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

This rare model is in very good condition. The pine wood frames show hardly any signs of wear, and the brown fabric upholstery is also in perfect condition. Bright canvas covers with thick leather straps are stretched into the wooden frame. All pillowcases can be easily removed and washed. The set of 3 includes an ottoman. The objects can be placed together as a 3-seater sofa or individually. Peter Ole...

The Walter Knoll Fabricius Armchair and Sofa Model 710-10 are a design by Preben Fabricius. This originally Danish designer designed the Fabricius Model 710-10 set as early as 1972. ...

- 1980s - Designer: Karin Mobring for Ikea - Model Diana safari chair - Textile (canvas)

Original condition.

This sofa was designed by Michel Ducaroy for Ligne Roset in the 70’s. He devoted 26 years of his life to the head of Ligne Roset’s design department. It was in 1973 that he designed ...

Gorgeous Vintage Rattan Barrel Back Chairs with accompanying ottoman and side tables. In nice vintage condition with minimal surface blemishe...

Three-seater “Simone” sofa, designed and manufactured by Studio Simon in 1975. The structure is made of black lacquered wood. A black leather big seat completes the sofa. The m...

- good original condition with minor signs of use - Dimensions of the Sofa: 86x197x82.

Peter Ghyczy's exceptional 2-seater sofa from the 1970s is an incredibly rare and truly unique piece. Also referred to as the "Fehlbaum sofa". Finding this particular sofa is a rar...

Beautiful set of two armchairs with a coffee table. Sold as a set with all three pieces. The set was designed by Karin Mobring for Ikea in 1970s. The beautiful design is made of squa...

Mid-Century Modern Italian three-seat flamingo pink velvet "Coronado" sofa by Tobia Scarpa for B&B. Project from 1960s The sofa can come as a living room set together with its pair ...

Rare dining set designed by J.J.P. Oud and manufactured by Kollektor Perpetuel Den Haag, Holland 1979. This set was originally designed for eissenhof Siedlung Stuttgart in 1927. This...

Set composed of three Bonanza lounge chairs, designed by Afra and Tobia Scarpa and produced by the Italian manufacturer C&B Italia (now B&B Italia...

Chic, architectural, and voguish style asymmetrical sofa by noted maker, Thomas De Ángelis. The sofa features one side with an even arm, and the other side is armless. Structurally s...

Mid-Century Modern Rattan Seating Set, Italy,1970s

This incredibly comfortable Le Corbusier for Cassina 'LC2' three-seat sofa (authentic signed and earlier year production example with low number production number stamped on the fram...

Two-seater “Simone” sofa, designed and manufactured by Studio Simon in 1975. The structure is made of black lacquered wood. An azure velvet big seat completes the sofa. The min...

A stunning pair of armchairs made in Italy in the 1970s. The seat is very comfortable and supportive. The pads are still original and in very good condition. Original natural leather...

Superb and exclusive pair of two seat Mohair Velvet 'CALIFORNIA' sofas freshly reupholstered with Italian luxury Mohair Velvet fabric from Dedar Milano with inset stainless steel bases by Parisian high society designer Jacques Charpentier. This plush mohair pile...

Introducing the exceptional Wolfgang Feierbach FG2008 set, featuring three yellow seats and a coffee table in their original brown corduroy fabric. As you may already know, the FG200...

Maison Regain Style Sofa/living room set in Elm and bouclé Fabric, France, 1970s This is a beautiful Mid-Century Modern Solid Elm Wood Sofa/living room set that was manufactured a...

Mid-Century Modern Italien Wooden Rattan Set of 2 Sofas and Chair, Italy 1970s. This lovely Italian set of 2 two-seat sofas, 1 chair and 1 coffee table in birch and rattan - also kn...

This unique and gorgeous modular sectional sofa from the 70ties is manufactured in germany. It has slightly curved design. The Sling shape is made of vegetal leather with fine deta...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features wool bouclé upholstery and a chrome tubular cage as s...

Enhance your interior with this versatile set of 5 furniture pieces, offering an abundance of variation options. If you love changing up your living space regularly, this set is perf...