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Venetian Sofa by Vladimir Kagan

About the Item

The Venetian Sofa is a rare example in Vladimir Kagan’s repertoire that includes loose cushions. The design dates back to 1956, this inviting sofa features rounded shapes and playfully upturned arms to create a romantic silhouette. Placed on top of a sculpted wood base with the iconic Kagan’s tapered legs, the Venetian is both timeless and characteristic of the Mid-Century aesthetic. This sofa is upholstered in a very charming boucle and features luxurious down feather seat and back pillows. Dimensions: 92 L x 34 D x 32 H Seat Height 19 H Vladimir Kagan 1927–2016 Vladimir Kagan was an illustrious American furniture designer whose historic career spanned nearly 65 years. Born in Germany in 1927, he immigrated with his family to the United States in 1938 fleeing from the rise of the Nazi regime. He studied architecture at Columbia and later apprenticed with his father, a master cabinetmaker, in his woodworking shop. In 1949, Kagan opened his own shop in New York, shortly thereafter releasing his first furniture collection, receiving the Museum of Modern Art, New York Good Design Award for his wrought-iron chair. His work is well-known for its avant-garde craftsmanship combined with comfort and functionality. The sensuous, organic forms take on human-like characteristics through exaggerated, curved lines. Kagan’s designs are produced with varying materials including brass, acrylic, aluminum and, most notably, wood. Over the course of his career, his work was highly sought after by celebrity clientele from Marilyn Monroe to Tom Ford, and he lent his design to projects such as Disneyland’s Monsanto House of the Future in 1964 and the Downtown Los Angeles Standard Hotel lobby redesign in 2002. Kagan lectured extensively on the history of modern furniture design at institutions including Parsons School of Design, Yale and Philadelphia University. A highly honored designer, he was elected president of the American Society of Interior Designers New York Chapter in 1990, and received the Lifetime Achievement Award from the Brooklyn Museum of Art, Cooper-Hewitt Design Museum, and the American Society of Furniture Designers. In 2009, Kagan was inducted into the Interior Designer Hall of Fame. Vladimir Kagan died in 2016, leaving behind an artistic legacy and lifetime of creative achievement.

Creator:

Vladimir Kagan (Designer)

Dimensions:

Height: 32 in (81.28 cm)Width: 34 in (86.36 cm)Depth: 92 in (233.68 cm)Seat Height: 19 in (48.26 cm)

Style:

Mid-Century Modern (Of the Period)

Materials and Techniques:

Walnut

Place of Origin:

United States

Period:

2000-2009

Date of Manufacture:

Circa 2000's

Condition:

Wear consistent with age and use.

Seller Location:

San Diego, CA

Reference Number:

1stDibs: LU6417239652122

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Shop All Vladimir Kagan

Vladimir Kagan

The pioneers of modern furniture design in America in the mid-20th century all had their moments of flamboyance: Charles and Ray Eames produced the startling, biomorphic La Chaise; George Nelson’s firm created the Marshmallow sofa; Edward Wormley had his decadent Listen to Me chaise. But no designer of the day steadily offered works with more verve and dynamism than Vladimir Kagan. While others, it seems, designed with suburban households in mind, Kagan aimed to suit the tastes of young, sophisticated city-dwellers. With signature designs that feature sleekly curved frames and others that have dramatic out-thrust legs, Kagan made furniture sexy.

Kagan’s father was a Russian master cabinetmaker who took his family first to Germany (where Vladimir was born) and then to New York in 1938. After studying architecture at Columbia University, Kagan opened a design firm at age 22 and immediately made a splash with his long, low and sinuous Serpentine sofa. Furniture lines such as the Tri-symmetric group of glass-topped, three-legged tables and the vivacious Contours chairs soon followed.

Kagan’s choices of form and materials evolved through subsequent decades, embracing lucite, aluminum and burl-wood veneers. By the late 1960s, Kagan was designing austere, asymmetrical cabinets and his Omnibus group of modular sofas and chairs. For all his aesthetic élan, Kagan said that throughout his career, his touchstone was comfort. “A lot of modern furniture was not comfortable. And so comfort is: form follows function. The function was to make it comfortable,” he once commented. “I created what I called vessels for the human body.”

A diverse group of bodies have made themselves at home with Kagan designs. Among the famous names who commissioned and collected his designs are Marilyn Monroe, Gary Cooper, Andy Warhol, David Lynch, Angelina Jolie and Brad Pitt, and firms such as Gucci and Giorgio Armani. His work is in numerous museum collections, including those of the Victoria & Albert and the Metropolitan Museum of Art.

Because of its idiosyncrasy, Kagan’s work did not lend itself to mass-production. Kagan never signed on with any of the major furniture-making corporations, and examples of his designs are relatively rare. As you will see from the offerings on 1stDibs, even decades after their conception, Kagan pieces still command the eye, with their freshness, energy, sensuality and wit.