Enamel Cabinets

Impressive Artes de Mexico Internacionales patinated pine cabinet with heavy hinged wrought iron lock and hammered iron hinges with patina black enamel. An incredible work of art in ...

This AD800 music entertainment cabinet is a rare and radically exciting object: its totemic design, flashy use of brass, and lacquered wood and acrylic top elevate a simple music cabinet to a true work of art. The top encloses four compartments, dedicated to a record player, radio receiver, music cassette...

Large Cabinet, Secretary, Austrian work, 19th century. Large cabinet, secretary in blackened wood and enamel plate on metal, Austrian work, 1880, very fine work of paint and enamel ...

This two-bodies Neo-Renaissance style display cabinet with two glass doors was made in the second half of the nineteenth century in waxed walnut. The enamel plates, remarkable in the...

This stylish and cool set of Mid Century Modern dressers were designed by Merton Gershun for American of Martinsville. Featuring one large dresser and a small one, they each feature ...

James Bearden, an American artist and sculptor, is recognized for his abstract composition, rough hewn textures and architectural bearing, developing his own visual language of hand ...

This dresser was designed in the brutalist style made iconic by Paul Evans, and manufactured by Lane USA, circa 1970s. Made with varied blocks of oak attached to the front, it lends ...

Cabinet in sycamore, ash-olive, brass, parchment and enamels with three drawers simulating nine. Own creation.

Beautiful Napoleon III style walnut cabinet, richly carved, made in the second half of the 19th century. The carved decoration is very detailed, refined, and of high quality. Five enamelled plates adorn the doors, apron and pediment of this cabinet. The enamels bear...

"Surfaced Cabinet Moss" by REM Atlier, 2021. The clad cabinet combines different material characteristics into a functional sculpture. Thirty enamelled ceramic tiles shape the front surface of the cabinet, fusing into an organic relief that looks like a living structure embedded. Each tile has its own unique imprint and comes out of a different mold, creating a variety in shape and depth like a rhythm of fossils. The walnut foot is constructed from small vertical lines that follow the natural lines of the wood. The lines of the wood and the curves of the ceramic provide a graphic sense to the piece. Inspired by shapes that can be found in nature when different materials surprisingly grow together and take shape as a sculpture itself. Rem Atelier...

One of a kind stunning Mosaic cabinet that can be used as a dry bar. Artist creation, inspired by the French Decorative Arts and Aboriginal Arts using an original vintage small cabinet...

This French Art Deco cabinet is done in the style of Émile-Jacques Ruhlmann, a French furniture designer, who was one of the most important figures in the Art Deco movements. It is from 1925-1930 and is made of rosewood with enamel and brass. It has a vibrant front and inside are three curved shelves...

A stunning large double dresser in restored white enamel case, with warmly contrasting figured and book-matched walnut drawer fronts, having brown leather wrapped handles. This well-...

A four-drawered, wheeled storage cabinet in hand patinated brass, developed in collaboration with Pernille Lind Studio for their AM Office project in C...

Low cabinet with Amber Shargreen panels Amber cloisonné Elmwood Brass panel lining handmade Each piece is individually crafted and is unique. The cloisonné technique is an en...

"Segment Cabinet (square)” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with a birch top. By American artist James Bearden. The square cabinet, with its dramatic composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four long legs; it has an asymmetrically set hinged front door. Signed and with a Certificate of Authenticity from the artist. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...

Arts and Crafts Mahogany Music Cabinet designed by G M Ellwood made by J S Henry with a Scottish style enamel plaque to the centre of the upper door, the plaque attributed to Jessie M King...

A fine French burled wood Vaisellier, mounted with a longcase clock in the center, and with deep carved designs accenting the walnut body. The body composed of an upper section with ...