Louis XV Drawings

There's no better way to say welcome than with our pineapple wallpaper! Samples are available for $18 including US shipping, please message us to...

Set of 4 paintings (Engravings) of 20th Century Greek vases 39cm x 36cm perfect condition, new.

Return to Nassau on blue purple background: an extraordinary design, inspired by a 18th century original, featuring tropical plants and birds at Nassau of Bahama Islands. A set of th...

An extraordinary design, inspired by a 18th century original, featuring tropical plants and birds at Nassau of Bahama Islands. A set of three wallpapers. Our wallpapers and panel...

Wonderful color and patina. Perfect to fill a tall narrow space. This is a fragment from a larger panel. Framed.

A late 18th-early 19th century French neoclassical drawing on paper, view of the Tiber River with the Aventine hill in Rome.

Antique Italian painting from the 18th century. Work oil on canvas depicting a river landscape with characters and ruins of good pictorial quality. Wooden frame of the 20th century c...

Collection: Cactus Mexicanos Product Code: 33C Color: Turquoise Roll dimensions: 70cm x 10m (27.6in x 10.9yards) Area: 7sq.m (8.4 sq.yards) Pattern repeat: Half-drop Vertical r...

This antique and charming early 20th Century scenic wallpaper by French Zuber manufacture is made up of five rolls of wall coverings hand painted with...

These very well rendered illustrations framed by artist E. Vandevoorde in Paris, France at 22 rue Vignon. These charming works of art date back to the late 1800s-early 1900s. The imp...

La Jeunesse (Youth) Tapestry Polychrome wool and silk France, Aubusson, circa 1750 It measures 107.08 in height x 104.33 in (272 cm height x 265 cm). State of conservation: good The tapestry is accompanied by the engraving from which the subject was taken. The engraving measures 23.50 in x 25.86 in (59.7 cm x 65.7 cm) with the frame. The Aubusson tapestry has controversial origins: some believe that it was the Saracens who imported this type of work into Europe while other authors believe that the production began at the same time as the marriage between Louis I of Bourbon and Maria de Hainaut in 1310. It was at this time that a considerable importation of tapestries from Flanders into France began, followed shortly thereafter by the importation of their production techniques. At the beginning of the seventeenth century a royal edict from Henry IV halted the importation of Flemish tapestries, contributing to the subsequent Expansion of Aubusson production. The status of royal manufacture was to be granted only in 1665, even though the Nantes edict caused a drop in production because of the forced migration of weavers to Germany. The full recovery and the success of the manufacturing took place during the eighteenth century when the great painters and the tapestry manufacturers began to collaborate. Great French artists of the time and specialist painters, the “cartonniers”, painted “cartons de tapisserie” in oil or tempera, all of which were to be a source for the tapestries. As an alternative to the “cartons”, scenes taken from prints and engravings were freely used. The tapestry in question, made of wool and silk, is in good condition; the colors are still fresh and the silks, which give brightness to the scene, are well preserved. There are a small number of integrative restorations present, while the lining and the suspension system have been recently refurbished. The work is made with a flat-weave, according to the custom of the Aubusson manufactures, which is clearly demonstrated by this work since it shows all the technical and material characteristics typical of the first half of the eighteenth-century production: the “Jeunesse” was probably woven in the middle of the XVIII century. The scene itself is compelling: a rural clearing is depicted, centered around a tall tree with dense fronds with lance-shaped leaves. In the shade of this tree some scenes of courtship can be seen. A couple hugs each other, one is caught stealing a kiss and another, lying softly on the grass, is still at the early stages of courtship: together with the suitor the girl looks with smiling malice at the kissing couple. On the right, two young men practice archery while aiming at a target placed on top of a pole. The scene, with male and female characters intent on games and gallantry in a festive atmosphere, is taken - faithfully, but in mirror-image - from an engraving, which in turn was itself taken from the painting (now kept at the National Gallery in London, inv. NG103 and part of a series with the four ages of man) by Nicolas Lancret, produced around 1735. The tapestry is accompanied by a copy of the engraving, which bears, at the bottom, the name of the author (“N. Lancret pinxit”), the name of the engraver (“N. De Larmessin sculpsit”) and four short verses on the subject of love disputes: Pourquoi tous ces combats si chers a la jeunesse, Quels frivoles talents veut-elle mettre au jour? Non: chacun voudroit vaincre aux yeux de sa Maitresse, La Lice est une Scène ou triomphe l’Amour. Why all these fights so dear to youth, What frivolous talents does it want to bring to light? No: everyone would want to win in the eyes of his Mistress, The Lice is a Scene where Love triumphs. At the bottom we read: “A’ Paris chez N. De Larmessin graveur du Roy Rue de Noyer à la 4 (?) porte cochère a droite entrant par la Rue St. Jacques A.P.D.R. [Avec Privilège Du Roy]”. Nicolas Lancret (1690-1743), along with Antoine Watteau, was a pupil of Pierre Durin and Claude Gillot...

Decorate a wall with this colorful, antique Aubusson drawing cartoon. Created in the city of Aubusson, France circa 1780 and set in a carved frame with gilt trim and protected with g...