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David Yarrow
The Black Panther Returns

2019

About the Item

South Africa, 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 61 inches 67 x 86 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Nikon makes some excellent prime lenses and the newly released 105mm is now a favourite of mine. After the 58mm, it is the second most useful lens in my bag when I go to Africa. It is fast and its optical quality is quite magnificent. This photograph of a black panther required precision in all I can do and then precision in all that the camera can do. I shot with 1600/1 a second as this cat was moving so quickly towards my cage that I worried any longer shutter speed would risk blur and what a picture to screw up by making a lazy setting. I then opened the lens wide up to F2.8m so as to make everything in front and behind the panther’s face out of focus. I think I had three inches of depth of field - just enough. The “45 degree” early morning back light then left me with a balancing ISO of 500, which on the D850 is fine. I chose the D850 over the beast that is the D5 as I was happy to sacrifice frames per second for resolution. That is quite a technical narrative for this photograph and this book, but the reality is that after the word “emotion”, I think the next most important word for a photographer is “maths”. Maths does matter - photography may be an art long before it is a science - but as I say to my 16 year old son - Cameron, who is a good photographer, “know your maths”. I look at this photograph with the dust, the composition, the backlight and the energy and I recognise that I have got better as a photographer with age. I make pictures not take pictures and through failure I have a more refined understanding of what I need to do when I go to work. I am not sure I could have made this image in 2010 or even 2016." -David Yarrow
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