Items Similar to Black Panther - Etching and Aquatint by Evert van Muyden - 1901
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Evert Louis van MuydenBlack Panther - Etching and Aquatint by Evert van Muyden - 19011901
1901
About the Item
Panthère noire is a wonderful etching and aquatint on cream-colored laid paper, realized in 1901 by Evert Van Muyden (1853-1922).
Signed and dated on plate, this beautiful plate was printed by I. Fort and published by the French review "Revue de l'Art ancien et moderne".
The Roaring black panter, the subjet of this plate, is engraved with particular attention to details and textures. In excellent conditions.
Evert Louis van Muyden (1853-1922) was a noted engraver, illustrator and painter who had been working in Paris for many years, following the style of Corot for landscapes and that of Barye for animals. He became mainly famous for these last ones, and particularly for his representations of felins.
- Creator:Evert Louis van Muyden (1853 - 1922, Dutch)
- Creation Year:1901
- Dimensions:Height: 8.94 in (22.7 cm)Width: 12.01 in (30.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling.
- Gallery Location:Roma, IT
- Reference Number:
Evert Louis van Muyden
Evert Louis Van Muyden was a noted engraver, illustrator and painter who had been working in Paris for many years, following the style of Corot for landscapes and that of Barye for animals. He became mainly famous for his later works, and particularly for his representations of felins.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,822 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Ships From: Grasse, France
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Hummingbird - Etching and Aquatint by Marino Marini - 1963By Marino MariniLocated in Roma, ITHummingbird 1963 is an original contemporary artwork realized by Marino Marini. Color etching and aquatint Edition of 100 copies. On the back oh the artwork there is an inscription...Category
1960s Modern Animal Prints
MaterialsEtching, Aquatint
- Horses 1963 - Etching and Aquatint by Marino Marini - 1963By Marino MariniLocated in Roma, ITHorses 1963 is an original contemporary artwork realized by Marino Marini. Color etching and aquatint. Edition of 100 copies. On the back oh the artwork there is an inscription in ...Category
1960s Modern Animal Prints
MaterialsEtching, Aquatint
- Owl - Etching by Leo Guida - 1972By Leo GuidaLocated in Roma, ITOwl is an original black and white etching realized in 1972 by Leo Guida. Hand-signed and dated by the artist on the lower margin. Edition of 11/30. Includes frame: 80 x 2.5 x 59 ...Category
1970s Contemporary Figurative Prints
MaterialsAquatint, Etching
- Knife and Butterfly - Etching by Leo Guida - 1970By Leo GuidaLocated in Roma, ITEtching, aquatint, black ink realized by Leo Guida in 1970. Not signed. Very good condition. Leo Guida: Artist sensitive to current issues, artistic movements and historical techniq...Category
1970s Contemporary Figurative Prints
MaterialsAquatint, Etching
- The Guardian - Etching by Leo Guida - 1975By Leo GuidaLocated in Roma, ITIl Guardiano is an original Contemporary artwork realized in 1975 by the italian Contemporary artist Leo Guida (1992 - 2017). Original Aquatint and Etching on paper. Black ink....Category
1990s Contemporary Animal Prints
MaterialsAquatint, Etching
- Lionne à l'affût - Etching and Aquatint by Evert van Muyden - 1900By Evert Louis van MuydenLocated in Roma, ITLionne à l'affût is a wonderful etching on cream-colored laid paper, realized in 1900 by Evert Van Muyden (1853-1922). Signed and dated on plate on the lower left margin, this beaut...Category
Early 1900s Animal Prints
MaterialsEtching, Aquatint
You May Also Like
- Oiseau dans son nid (Bird in its Nest) from Août (August)By Georges BraqueLocated in Palo Alto, CABraque Oiseau dans son nid (Bird in its Nest) from Août (August), 1958 is an exquisite work that revisits Braque’s beloved bird motif. Beautifully inspir...Category
1950s Modern Figurative Prints
MaterialsAquatint
- Mariana Magdaleno, ¨Baila conmigo¨, 2018, Silkscreen, 29.3x21.3 inLocated in Miami, FLMariana Magdaleno (Mexico, 1982) 'Baila conmigo', 2018 silkscreen on paper Feltmark 300 g 29.4 x 21.3 in. (74.5 x 54 cm.) Edition of 50 ID: MAM-101 UnframedCategory
2010s Contemporary Animal Prints
MaterialsPaper, Ink, Etching, Aquatint, Screen
- Green Cat, etching and aquatint, pencil signed & numbered, rarely seen in marketBy Walasse TingLocated in New York, NYWalasse Ting 丁雄泉 Green Cat, 1984 Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper Pencil signed, numbered 178/230, dated 1984 along with artist's perso...Category
1980s Pop Art Animal Prints
MaterialsInk, Pencil, Graphite, Etching, Aquatint, Mixed Media
- 'Lida & the Swan', New York Armory Show, Ashcan School, ASL, NYMOMA, AIC, LACMABy Arthur B. DaviesLocated in Santa Cruz, CASigned lower right, 'Arthur B. Davies' for Arthur Bowen Davies (American, 1862-1928) and created circa 1915. An early twentieth-century sugar-lift aquatint showing Zeus in the guise of a swan, reclining and cradling Lida in his wings while King Tyndareus ponders the mutability of human circumstance. Born in Utica, New York, Arthur Davies attended the Chicago Academy of Design from 1879 to 1882. He furthered his studies at the Chicago Art Institute, before moving to New York City in 1885 where he studied at the Art Students League and Gotham Art Students League. In 1893, he made the first of many trips to Europe, visiting Holland, Paris, and London. He became an arch-exponent of Modernism and the central organizing figure of 1913's watershed Armory Show. Davies developed a style that combined visionary Symbolism with elements of Tonalism and Cubism. Who Was Who in American Art describes him as an “…important but enigmatic Modernist whose work was poetic, mysterious, and visionary”. Davies was the recipient of many gold medals and prizes and juried awards and his work is held in the permanent collections of museums nationwide, including New York’s Museum of Modern Art, the Art Institute of Chicago, the Baltimore Museum of Art and the Los Angeles County Museum of Art, among others. Photo of Arthur B Davies circa 1907 in New York City by Gertrude Käsebier courtesy of Library of Congress Prints and Photographs Division Washington, D.C. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 1, p. 835; Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, p. 280; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 7/8, p. 470; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 4, p. 293; Davenport’s Art Reference and Price Guide 2009/10 Edition, LTB Gordonsart, Inc. 2008, p. 672; et al. Additional biographical information follows, written by Catherine Southwick and Robert Torchia from the National Gallery of Art Online Editions: Arthur B. Davies’s mystical, mysterious paintings hearken back to 19th-century romanticism, even while Davies aligned himself with American artists advancing the most radical ideals of their day. Davies was born on September 26, 1862, in Utica, New York, the son of English and Welsh parents who had immigrated to the United States in 1856. He first took art lessons as a teenager from a local landscape painter, Dwight Williams...Category
Early 1900s Modern Figurative Prints
MaterialsAquatint, Paper
- "Nohubo remedio" (There was no remedy) - Etching and Aquatint on PaperBy Francisco GoyaLocated in Soquel, CA"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper Bold 3rd or 4th edition, circa 1868-1878, with burnished aquatints, drypoints etching, and engravings by Franc...Category
1790s Old Masters Figurative Prints
MaterialsEngraving, Paper, Etching, Aquatint
- La Poursuite by Orovida Pissarro - Animal etchingBy Orovida PissarroLocated in London, GBLa Poursuite by Orovida Pissarro (1893-1968) Etching with aquatint 17.2 x 12.5 cm (6 ³/₄ x 4 ⁷/₈ inches) Signed and dated lower right Orovida 1917 Inscribed lower left Final State Trial proof no. 1 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...Category
1910s Animal Prints
MaterialsAquatint, Etching
Recently Viewed
View AllMore Ways To Browse
Antique Black Etching Prints
Black Panther
French Etching 1900
Antique Panther
Corot Etching
Antique Panting
Panther Plate
Barye Panther
Evert Louis van Muyden On Sale
Wood Block Linocut
Audubon Bird Engraving
The Owl Lithograph
Vintage Rooster Drawing
First Royal Octavo Edition
H Warren Print
Railway Posters Somerset
Antique Crab Print
British Bookshelves