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Style: Color-Field
Vintage Red Porsche with Classic Volkswagen Mini Bus - Vintage Cars
Located in Miami, FL
A bright red 1970s Porsche is photographed and fills the composition's foreground. It's bright red color functions more like a color field painting. This is a trail-blazing image. ...
Category
1970s Color-Field Art
Materials
Archival Ink, Archival Paper, Archival Pigment
Colorful Victorians in Alamo Square, San Francisco, Architectural Photography
Located in Miami, FL
Street photographer Mithcell Funk celebrates the colorfully painted Victorians in Alamo Square with a color photograph that reveals the true character of the architecture. It's a jo...
Category
2010s Color-Field Art
Materials
Archival Ink, Archival Paper, Archival Pigment
South Beach in the 1970s. Old Man Walking Enters Building - Old Miami Beach
Located in Miami, FL
This image of an elderly man entering a dilapidated Miami Beach apartment building shows how the famous resort looked before it became a hip inte...
Category
1970s Color-Field Art
Materials
Archival Pigment, Archival Paper
Art Deco Movie Theater Marquee - Color Field Painting Meet Photography, Abstract
Located in Miami, FL
A marquee for an Art Deco Movie theater in Denton, Texas is photographed with meticulous precision by street photographer Mitchell Funk. Funk's approach...
Category
1980s Color-Field Art
Materials
Archival Ink, Archival Paper, Archival Pigment
Racing Cars in Bright Red, Sports Illustrated Illustration - Sports Car - Pink
By Bob Peak
Located in Miami, FL
Punchy reds and zestful hot pinks convey a sense of intense motion and engine heat. The art is as much as color-field painting as a narrative work. It was a commissioned illustration for Sports Illustrated...
Category
1970s Color-Field Art
Materials
Canvas, Acrylic, Laid Paper
“Untitled.” Gabriele Evertz, Geometric Color Field, Bright Rainbow
Located in New York, NY
Gabriele Evertz
Untitled, 1993
Acrylic on canvas
48 x 48 inches
Provenance:
The artist
Private Collection, Long island (acquired from the above)
G...
Category
1990s Color-Field Art
Materials
Canvas, Acrylic
Black and Grey Abstract Color Field Modern Painting, In Style of Mark Rothko
By (after) Mark Rothko
Located in Houston, TX
Reminiscent of the color field canvases of Mark Rothko, this black and grey abstract painting explores the subtlety of a limited color palette. The swirls and splatter of the upper g...
Category
20th Century Color-Field Art
Materials
Acrylic, Canvas
"Soothing" marine paint oil 92x72cm 2008 Emmanuelle Vroelant
Located in Roscoff, FR
"Soothing" marine paint oil 92x72cm 2008 Emmanuelle Vroelant
The algae flowing in the transparency of the water. The sense that they’ve been there for so long....
Category
Early 2000s Color-Field Art
Materials
Oil
Lechaim!
Located in Toronto, Ontario
Jules Olitski (1922-1977) is one of the most collected and accomplished artists associated with the color-field movement, if not 20th-century American abstraction.
Created in the m...
Category
1960s Color-Field Art
Materials
Pastel, Mixed Media
Small Abstracted Color Field Painting -- Matchsticks
Located in Soquel, CA
Colorful abstracted color field painting of matchsticks by Bay Area artist Michael Pauker (American, b. 1957), circa 2000. Unsigned, but was acqui...
Category
21st Century and Contemporary Color-Field Art
Materials
Glass, Plastic, Wood, Paper, Oil
Untitled
Located in Lawrence, NY
We are pleased to offer this work by second generation AbEx painter Robert Natkin and painted in delicious colors of yellow, tangerine, blue, red and purple. It fits well within a variety of decor settings.
Described as the "author of a dappled infinite," Natkin created some of the most innovative color abstractions of the late 20th century. Populated by stripes, dots, grids, and an array of free-floating forms, his light- filled canvases are sensuous, playful, and visually complex.
While attending the school of the Art Institute of Chicago from 1948 to 1952, Natkin was afforded the opportunity to study the museum's world-class collection of French post-impressionist art and decided to turn his attention to painting instead. During these formative years, Natkin was inspired by the examples of Pierre Bonnard and Henri Matisse, who used decorative patterning and arbitrary color to evoke mood. Most importantly, he also discovered the work of Paul Klee, the Swiss-German artist whose whimsical, semi-abstract paintings reflected his belief that "art does not reproduce the visible but makes visible"--a credo that nurtured Natkin's burgeoning interest in emotional content.
In 1952, he lived briefly in New York, where he saw and was influenced by the bold canvases of Willem de Kooning. In 1959, aware of the limited patronage for abstract art in Chicago, Natkin and Dolnick moved to New York, where Natkin joined the stable of artists associated with the Poindexter Gallery, known for its support of emerging painters and sculptors. Immersed in the dynamism of the New York art world, where Abstract Expressionism and Color-Field painting were the dominant styles of the day, Natkin's aesthetic approach continued to evolve. In 1961, he adopted a serial approach to painting, a practice he would adhere to throughout his career.
Natkin began to develop a more intricate style (indebted to Klee), depicting diamonds, polygons, ovals, squiggles and other shapes against textured, delicately toned backgrounds interspersed with seemingly randomly placed dots and daubs of pigment and areas of crosshatching. This new style is evident in the "Intimate Lighting" series works.
In 1970 Natkin put aside his brushes and began to use sponges...
Category
1970s Color-Field Art
Materials
Acrylic
Carousel, Minimalist Stripe Lithograph by Gene Davis
By Gene Davis
Located in Long Island City, NY
Artist: Gene Davis
Title: Carousel
Year: 1980
Medium: Lithograph on Arches Paper, signed and numbered in pencil
Edition: 250
Image 13.5 x 20 inches
Paper Size: 17 x 24 inches
Category
1980s Color-Field Art
Materials
Lithograph
Dexter's Choice, State II, signed mixed media watercolor (unique variant) Framed
By Larry Zox
Located in New York, NY
Larry Zox
Dexter's Choice, State II, ca. 1990
Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges
...
Category
1990s Color-Field Art
Materials
Crayon, Oil, Watercolor, Monoprint, Mixed Media, Graphite
Chorioferol mRNA (black) (Pop Art, Street Art, Urban Art)
By Agent X
Located in Kansas City, MO
Agent X
Chorioferol mRNA (black) (Pop Art, Street Art, Urban Art)
Digital Print on Archival Paper
Year: 2021
Edition: 70
Size: 35 x 35 inch
Signed
COA provided
Ref.: 924802-855
---...
Category
2010s Color-Field Art
Materials
Digital, Archival Paper
Cercles De Nuit (Night Circles) - Color Field Painting, Lyrical Abstraction
Located in Kansas City, MO
Piero Dorazio
Night Circles (Cercles De Nuit)
Color Lithograph
Year: 1992
Size: 27.56 x 19.68 in (70 x 50 cm)
Signed, dated and numbered by hand
Edition: 90
Publisher: Erker Presse,...
Category
1990s Color-Field Art
Materials
Lithograph
Lot of 2 Lithographs - Night Circles & Morning Circles (Lyrical Abstraction)
Located in Kansas City, MO
Piero Dorazio
Lot of 2 (two) Lithographs - "Night Circles" & "Morning Circles"
Color Lithographs
Year: 1992
"Night Circles" Size: 27.56 x 19.68 in (70 x 50 cm)
"Morning Circles" Siz...
Category
1990s Color-Field Art
Materials
Lithograph
Sea Whips, Under water sea life in pinks and blues
By Chris Leidy
Located in Brookville, NY
This large color photograph by Chris Pulitzer Leidy is the essence of underwater sea life in vibrant blues and pinks. Printed on pigment matte paper. Framed in a 2" wide white maple wood frame. Perfect beach house photograph...
Category
2010s Color-Field Art
Materials
Photographic Paper
Carol Salmanson, Double Diamonds, 2018, LED, plexiglas, gels, irridescent paint
Located in Darien, CT
Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life.
Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject.
Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder.
Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow.
Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year.
Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...
Category
2010s Color-Field Art
Materials
Plexiglass, Polyester, LED Light, Acrylic
Untitled (Diagonal Composition)
By Larry Zox
Located in New York, NY
This stunning serigraph, "Untitled" (Diagonal Composition) was realized by the esteemed American color field artist Larry Zox (American, 1936-2006) circa 1965. It features a dynamic ...
Category
1960s Color-Field Art
Materials
Screen
Fragments Of Poetry And Silence No. 39 (Abstract Painting)
Located in London, GB
Fragments Of Poetry And Silence No. 39 (Abstract Painting)
Oil on canvas - Unframed
Informed by a variety of different cultures, Ostovany feels a connection to multiple separate an...
Category
2010s Color-Field Art
Materials
Canvas, Oil
Blue Collar Gritty Truck Driver with Tiger - Color field meets Social Realism
Located in Miami, FL
Gritty working class truck driver with tiger painting on truck door, is rendered in a flat and quick style with rapid brushstrokes defining the trucker. The tiger is painted in a t...
Category
1950s Color-Field Art
Materials
Canvas, Oil
Staten Island Ferry in Magenta New York Harbor by Mitchell Funk, Color Field
Located in Miami, FL
New York Photographer Mithcell Funk creates an image with a broad expanse of mostly flat magenta. His representation of space is flat and simplified. In the center of the picture pla...
Category
1970s Color-Field Art
Materials
Archival Ink, Archival Paper, Archival Pigment
Original Salamanca Ferias y Fiestas vintage Spanish festival poster
Located in Spokane, WA
Original Salamanca Ferias y Fiestas vintage Spanish poster. Lithograph archival linen backed and ready to frame. Artist: Ramon Melero. Very good condition. No tears, no stains, no damage. Fine condition
This image has two piñata style faces. The woman has a flower in her hair and a veil and the man is just wearing a small Swiss hat. On the left side, there is a cow handing off a string that also has flowers. A city seal is in the upper left corner.
The festival is in honor of la Virgen de la Vega...
Category
1960s Color-Field Art
Materials
Lithograph
Conference of the birds no 28 (Abstract Painting)
Located in London, GB
Conference of the birds no 28 (Abstract Painting)
Oil on panel.
Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a conne...
Category
1990s Color-Field Art
Materials
Oil, Panel
Colors within a witch hazel blossom 2 (Abstract painting)
By Debra Ramsay
Located in London, GB
Colors within a witch hazel blossom 2 (Abstract painting)
Acrylic on polyester film - Unframed
This work is part of a series whose inspiration comes from Witch Hazel, a deciduous s...
Category
2010s Color-Field Art
Materials
Polyester, Film, Acrylic
Fragments Of Poetry And Silence No. 39 (Abstract Painting)
Located in London, GB
Fragments Of Poetry And Silence No. 39 (Abstract Painting)
Oil on canvas - Unframed
Informed by a variety of different cultures, Ostovany feels a connection to multiple separate an...
Category
2010s Color-Field Art
Materials
Canvas, Oil
Apple in 13 colors (Abstract painting)
By Debra Ramsay
Located in London, GB
Apple in 13 colors (Abstract painting)
Acrylic on Dura-Lar - Unframed
Ramsay’s process engages a systematic, mathematical approach heavily influenced by color. She interacts with n...
Category
2010s Color-Field Art
Materials
Acrylic
Central Parks Bethesda Terrace in Magenta Light
Located in Miami, FL
Photographer Mitchell Funk celebrates color with this magical moment of the stairs that lead to Bethesda Fountain. To a casual passerby, this image as it appears would not register....
Category
2010s Color-Field Art
Materials
Archival Ink, Archival Paper, Archival Pigment
Here is where we meet (for John Berger) (Abstract Painting)
Located in London, GB
Here is where we meet (for John Berger) (Abstract Painting)
Oil on canvas.
Informed by a variety of different cultures, Ostovany feels a connection to mu...
Category
2010s Color-Field Art
Materials
Oil, Canvas
Untitled, 1974
Located in Salt Lake City, UT
"Untitled, 1974" by Claudia Sisemore, acylic on canvas, 58 x 56 inches, $7,200. Unframed.
"I have a vague idea of what I am going to paint. I read that many artists are inspired by an idea before they begin their work and plan their approach and process based on that idea or muse. Others become inspired after they have begun working and watching colors, shapes and designs form. I basically belong the second group. Usually, after painting begins in a loose, free manner, I become excited by certain colors and patterns and continue from there." -Claudia Sisemore
--
Caudia Sisemore says she was teaching English when artist David Chaplin (an equally popular and influential teacher) was at Weber and initially got her into landscape painting. “Then he took me to a show at the Art Barn and Lee [Deffebach] was showing there [with Don Olsen...
Category
1970s Color-Field Art
Materials
Canvas, Acrylic
Cycle 2, Colorful Silkscreen by Jay Rosenblum
Located in Long Island City, NY
Artist: Jay Rosenblum, American (1933-1989
Title: Cycle 2
Year: 1979
Medium: Silkscreen, signed and numbered in pencil
Edition size: 250
Size: 25 in. x 34.5 in. (63.5 cm x 87.63 cm)
Category
1970s Color-Field Art
Materials
Screen
Near Taos
By Stan Brodsky
Located in Lawrence, NY
Brodsky was a "romantic" painter, although he painted abstractly, and a master colorist. His abstract works are not "action paintings" in the sense of De Kooning or Pollock, but expl...
Category
1970s Color-Field Art
Materials
Oil
Blue and Green Abstract
Located in Salt Lake City, UT
"Blue and Green Abstract" by Claudia Sisemore, acylic on canvas, 43.5 x 46 inches, $4,800.
"I have a vague idea of what I am going to paint. I...
Category
1970s Color-Field Art
Materials
Canvas, Acrylic
Twelfth Night Blue, Contemporary Color Field painting
By Carl Holty
Located in Greenwich, CT
Conceived of as one half of a diptych, together with Twelfth Night Red, the title of this painting suggest a reference to William Shakespeare’s play Twel...
Category
Late 20th Century Color-Field Art
Materials
Canvas, Oil
Untitled, 1975
Located in Salt Lake City, UT
"Untitled, 1975" by Claudia Sisemore, acylic on canvas, 41.5 x 50 inches, $4,800.
"I have a vague idea of what I am going to paint. I read that many artists are inspired by an idea before they begin their work and plan their approach and process based on that idea or muse. Others become inspired after they have begun working and watching colors, shapes and designs form. I basically belong the second group. Usually, after painting begins in a loose, free manner, I become excited by certain colors and patterns and continue from there." -Claudia Sisemore
--
Caudia Sisemore says she was teaching English when artist David Chaplin (an equally popular and influential teacher) was at Weber and initially got her into landscape painting. “Then he took me to a show at the Art Barn and Lee [Deffebach] was showing there [with Don Olsen...
Category
1970s Color-Field Art
Materials
Canvas, Acrylic
Conference of the birds no 28 (Abstract Painting)
Located in London, GB
Conference of the birds no 28 (Abstract Painting)
Oil on panel.
Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a conne...
Category
1990s Color-Field Art
Materials
Oil, Panel
Empire State Building Lit Up Man Nature Stage a Show Togetherness, Architecture
Located in Miami, FL
The crown of the Empire State Building is illuminated with bright yellows, oranges and blues. The appeal of this work lies not in the World's Most Iconic Building being lit in dramat...
Category
2010s Color-Field Art
Materials
Archival Ink, Archival Paper, Inkjet, Archival Pigment
Zen Garden Series 25B
By Cleve Gray
Located in Lawrence, NY
Cleve Gray (1918-2004) was admired for his large-scale, vividly colorful and lyrically gestural abstract compositions and achieved his greatest critical recognition in the late 1960's and 70's after working for many years in a comparatively conservative late-Cubist style. Inspired in the 1960's by artists like Jackson Pollock, Clyfford Still, Mark Rothko and Helen Frankenthaler, Gray began to produce large paintings using...
Category
1980s Color-Field Art
Materials
Acrylic
Contemporary Abstract Colorfield Landscape in Cream & Green
Located in Soquel, CA
A striking contemporary two-toned colorfield abstract by Bay Area artist Michael Pauker (American, b. 1957). A large neutral textured section in cream sits atop a wavy abstraction in...
Category
21st Century and Contemporary Color-Field Art
Materials
Canvas, Oil
Ellen Hackl Fagan, Seeking the Sound of Cobalt Blue_Big Blue_2020
Located in Darien, CT
Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper that have been created since the winter of 2016.
Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home.
Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...
Category
2010s Color-Field Art
Materials
Paper, Ink, Acrylic, Pigment
At sea between fossils and satellites 7 (blue organic copper abstract texture)
Located in Quebec, Quebec
"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aestheti...
Category
2010s Color-Field Art
Materials
Acrylic Polymer, Found Objects, Oil, Acrylic
Vivid Colors of layered Curvilinear Forms, Abstract Painting in Warm Tones, Pink
Located in Barcelona, ES
"Layered Curvilinear Forms" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes and shapes combined with subtle tones a...
Category
2010s Color-Field Art
Materials
Oil Pastel, Oil, Acrylic, Watercolor, Gouache
Colour Check
Located in Toronto, Ontario
Kenneth Lochhead (1926-2006) was a prolific Canadian painter (and educator) who made an important contribution to abstraction both nationally and beyond.
After studying at the Penn...
Category
1970s Color-Field Art
Materials
Enamel
Willem de Looper
Located in Washington, DC
Watercolor by Willem De Looper (1932-2009). Painting is signed "de Looper" and dated 76' lower right. Painting measures 20" x 8".
Willem De Looper was a Washington D.C. abstract...
Category
1970s Color-Field Art
Materials
Paper, Watercolor
La Ligne Tremblante
By Jack Roth
Located in Lawrence, NY
If ever the art world could be said to have a Renaissance Man (excluding Da Vinci!) it would be Jack Roth, abstract expressionist painter, poet, photographer and mathematician. He received degrees in chemistry and fine art, did graduate work in mathematics, and would teach mathematics and art throughout his career.
Roth is a second-generation Abstract Expressionist painter, known for his Colorfield work. Though he was fully two decades younger than some of the elder statesmen...
Category
1980s Color-Field Art
Materials
Acrylic
Houses of town. 1972, watercolor on paper, 55x75, 5 cm
Located in Riga, LV
Houses of town. 1972, watercolor on paper, 55x75,5 cm
Olgerts Jaunarajs (1907-2003)
He was so-called legend of abstract expressionism in the Latvia...
Category
1970s Color-Field Art
Materials
Paper, Watercolor
Audrey Stone, Study for Center Flow, 2018, Color Field, Abstraction
By Audrey Stone
Located in Darien, CT
Observing shifting color is an ecstatic experience for the artist. She is intrigued by transitions from one color to the next and the way the eye and brain process these transitions,...
Category
2010s Color-Field Art
Materials
Synthetic Paper, Acrylic
Untitled, from the Earth and Sky Series
Located in Lawrence, NY
David Einstein's gestural abstraction has a semiotic quality to it. It is a study of how meaning is created, not what is. Indeed, the artist calls himself "a mark maker," as much as ...
Category
1970s Color-Field Art
Materials
Acrylic
"Untitled" Blue and Orange Color Field Abstract Monotype on a Grey Background
Located in Houston, TX
A blue and orange abstract color field abstract monotype on a soft grey background. Includes a label from the gallery it was once sold from that includes the artist's name, title, size, and medium.
Dimensions Without Frame: H 29.5 in. x W 22 in.
Artist Biography:
Born in Cozad, Nebraska, in 1942, the son of a farmer and truck driver, Dan Christensen chose to become an artist when, as a teenager, he saw the work of Jackson Pollock on a trip to Denver. After receiving his B.F.A. from the Kansas City Art Institute, Missouri, in 1964, he moved to New York City. His “spray loop” paintings, produced by using a spray paint gun...
Category
Late 20th Century Color-Field Art
Materials
Monotype
Purple Sky
Located in Greenwich, CT
American, b. 1948
Artist Statement:
My paintings are intuitive responses to the myriad forces that shape my life—emotions that translate into color, visual memories of forms and col...
Category
2010s Color-Field Art
Materials
Oil, Canvas
LIFE FORCE Signed Lithograph, Abstract Free-Form Heart, Native American Culture
By Lamar Briggs
Located in Union City, NJ
LIFE FORCE is a limited edition color lithograph printed using traditional lithography techniques on archival Arches paper by Lamar Briggs (1935-2015) American painter and Texas arti...
Category
1970s Color-Field Art
Materials
Lithograph
At sea between fossils and satellites 7 (blue organic copper abstract texture)
Located in Quebec, Quebec
"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aestheti...
Category
2010s Color-Field Art
Materials
Found Objects, Oil, Acrylic, Acrylic Polymer
Christian Gardair Monumental Painting "Oceano Graphie", 1983
Located in Washington, DC
Exceptional and large painting by French artist Christian Gardair (French, b.1938). Painting is acrylic on polyester paper. Signed and titled "Oceano Graphie" dated 1983. Painting me...
Category
1980s Color-Field Art
Materials
Acrylic, Synthetic Paper
Apple in 13 colors (Abstract painting)
By Debra Ramsay
Located in London, GB
Acrylic on Dura-Lar - Unframed
Ramsay’s process engages a systematic, mathematical approach heavily influenced by color. She interacts with nature, documents the shifting colors of ...
Category
2010s Color-Field Art
Materials
Acrylic
Naples and Violets
By Agnes Hart
Located in Lawrence, NY
Like many of her compatriots, Agnes Hart first began to paint in a social realist, or WPA, style. Later in her
career, after WWII, she moved to abstraction and created vibrant, impactful works culminating in a series of
oil and sand paintings...
Category
1960s Color-Field Art
Materials
Oil
At sea between fossils and satellites 7 (blue organic copper abstract texture)
Located in Quebec, Quebec
"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aestheti...
Category
2010s Color-Field Art
Materials
Acrylic Polymer, Found Objects, Oil, Acrylic
"Moulin Rouge", Contemporary Aquamarine & Grey Two-Toned Colorfield Abstract
Located in Soquel, CA
Striking abstract colorfield oil painting on wood panel by Michael Pauker (American, b. 1957). This uniquely textured two-toned abstract is divided into color-fields of super vivid a...
Category
21st Century and Contemporary Color-Field Art
Materials
Oil, Wood Panel
Colors within a witch hazel blossom 2 (Abstract painting)
By Debra Ramsay
Located in London, GB
Acrylic on polyester film - Unframed
This work is part of a series whose inspiration comes from Witch Hazel, a deciduous shrub in New York City. It blooms in January with bright yel...
Category
2010s Color-Field Art
Materials
Polyester, Film, Acrylic
Color-field art for sale on 1stDibs.
Find a wide variety of authentic Color-Field art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, purple, orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Mala Breuer, Mitchell Funk, Wolf Kahn, and Anne Russinof. Frequently made by artists working with Paint, and Fabric and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Color-Field art, so small editions measuring 5.5 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $295,000, while the average work sells for $5,000.