Adolfo Wildt Art

Jake Michael Singer (b. 1991) experiments with a broad range of disciplines from photography to works on paper, and commands an exquisite mastery of sculpture. Meticulously construct...

Barong Temple Wood Sculpture Bali 19Th Century Measurements: 32″hight, 21″width, 20″depth. Rare Barong (king of spirits, host of the good) 19Th Century ...

A rare round relief cast, elaborate chiseled bronze/copper with brown patina by Jean François Marie Garnier (1820-1895). Cast c.1859-1864. Not signed. The motif is taken from Dantes...

19th Century Shiva Standing On The Bull Nandi Wood Carving with polychrome paint. 27"hight, 12"width, 18"depth. A rare figure of Shiva or Shiva standing on the bull Nandi. Bali, 1...

Bronze Warthog Bust on Sandstone base H 16 cm x W 13 cm x D 8 cm. Base size 8 x 8 x 4 cm. Edition 2 of 9 - ready for shipping. Meticulously crafted, this bronze artwork captures the ...

Black Rhino Bust with brown green patina, Limited Edition of 12, bronze sculpture on Sandstone base. The first time I was sculpting in the field, all I saw oft this magnificent Black...

The Secret by Pierre-Félix FIX-MASSEAU (1869-1937) Gilded bronze Signed on the side "Fix-Masseau" Cast stamped "Siot-Decauville Paris" Raised on a rough red marble base France circ...

This character is from A Fantastic Collision of The Three Worlds XXVIII. Amita Bhatt received her BFA from the Maharaja Sayajirao University, Vadodara, India and her MFA from the Maryland Institute College of Art, Baltimore, Maryland. Bhatt’s work has been exhibited at noteworthy venues such as the Bluestar Contemporary Art Center, Walters Art Museum, The Station Museum of Contemporary Art, and The Project Row Houses, all in the United States as well as Museo Pedro de Osma in Peru. She has also been the recipient of several prestigious awards and recently served as a Grant Panelist on the National Endowment for the Arts. Her works are included in many important private and public collections. Bhatt digs deep into world philosophies and mythologies to answer questions pertaining to our political as well as personal belief systems. Unafraid to explore uncomfortable territories, the artist mines from a range of sources to create hybrid creatures that are often symbolic of man’s psychological condition in an angst-ridden zeitgeist. In exploring issues of identity and violence, Bhatt’s research led her to the beginnings of mankind. Most ancient creation...

This trilobite fossil was delicately hand carved in herculite (a fine casting plaster). These marine arthropods first appeared around 521 million years ago living in the Cambrian per...

Paranthropus Robustus. An early man (hominid), one of the Australopiths from the subepochs of the early to middle Pleistocene period 2.6 - 1.5 million years ago. Some distinctive fea...

Pheasant by François Pompon (1855-1933) Exceptional bronze with old gilded patina Cast by Valsuani Period cast France circa 1930 height 8,2 cm length 14,2 cm width 3,6 cm A similar model is represented in "Pompon, Catalog raisonné", Editions Gallimard, RMN, 1995, page 202, n°95B. Biography: François Pompon (1855-1933) is known for his animal sculptures whose innovative style is characterized by the simplification of shapes and polished surfaces. Pompon entered as an apprentice in the workshop of his father, Alban Pompon (1823-1907) who was a "compagnon du devoir" of the carpenter-cabinetmakers. Thanks to a scholarship obtained by the parish priest, he left in 1870 for Dijon where he became an apprentice stonemason with a marble worker. He attended evening classes at the School of Fine Arts in Dijon, first in architecture and engraving with Célestin Nanteuil, then in sculpture with François Dameron (1835-1900). After a short stint in the army in 1875, Pompon arrived in Paris where he became a marble worker in a funeral business near the Montparnasse cemetery. He attended evening classes at the Petite École, the future National School of Decorative Arts. His teachers were the sculptors Aimé Millet (1819-1891) and Pierre Louis Rouillard (1820-1881), also professor of anatomy, who showed him the menagerie of the Jardin des Plantes. In 1890, François Pompon entered the studio of Auguste Rodin (1840-1917), where he worked as a practitioner at the marble depot, rue de l'Université. He quickly gained the master's confidence since he ran the workshop in 1893. His role then was to pass on the accounts, pay for the marbles and supervise the work. It is in this same workshop that he met Ernest Nivet and Camille Claudel. He worked for a long time as a practitioner for other sculptors such as Jean Dampt...

Bronze Sculpture with Black Patina dated 1929 Signed G.L.BADEAU and dated 1929 on the corner of the base Seal of the founder BISCEGLIA on the base Put on an independent marble Pedest...