Camille Bombois Art

Oil on Canvas by François Desnoyer, not framed. It depictes the port at Sète, in Occitanie, France. François Desnoyer, né à Montauban (Tarn-et-Garonne) le 30 septembre 1894, et mort...

French Expressionist oil on board of The Place du Tertre and Sacre Coeur in Paris by Bernard Vivier. Signed to the back of the panel, presented in plain wood frame. A wonderful colo...

The Horse Race French expressionist artist, mid 20th century signed oil on artist paper, unframed artist paper: 20 x 25.5 inches provenance: private collection, France condition: ov...

"If Only I Could" by Iryna Yermolova is a captivating abstract figurative painting that invites viewers into a world of introspection and contemplation. Executed with expressive stro...

An oil painting by Theo Tobiasse from 1967. An expressionist-style textural painting of intensely dark and vivid color palette. Inspired from the artist's personal experiences of the...

Seascape cliffs worked in palette knife and oil with many layers. The texture is important and can recall that of De Stael Each work contains its share of mystery, but nothing comes ...

Signed oil on canvas circa 1965 by French expressionist painter Andre Brasilier. The work depicts four military men in French naval uniform on black horses. A wonderful piece in the artist's distinctive style. Signature: Signed: Signed lower left Dimensions: Framed size: 28"x32" Unframed: 20"x24" Provenance: Private French collection André Brasilier was the son of the painter Jacques Brasilier. After studying in Saumur and St-Germain-en-Laye, he joined Brianchon's studio in 1949 at the École des Beaux-Arts in Paris. He was awarded the Prix Florence-Blumenthal in 1952 and the Grand Prix de Rome in 1953. He lived at the Villa de' Medicis from 1954 to 1957. He also received the Prix Charles-Morellet at the Salon de la Jeune Peinture in 1961 and the Prix de Villeneuve-sur-Lot in 1962. Brasilier's paintings are populated by beautiful, elegant women, respectable nudes and high-class gentlemen and are set in pleasant Val-de-Loire backgrounds, resplendent with landscapes and charming towns. Revealing the distant inspiration of Gauguin and the well-assimilated influence of certain other artists, Brasilier depicts a peaceful, comfortable world, free from care, in a very simple, stylish manner, with delicate harmonies bathed in accommodating sunlight. Brasilier took part in group exhibitions from 1956, including many in Paris: at the Salon de la Jeune Peinture; regularly at the Salon d'Automne; at the École de Paris exhibition at the Galerie Charpentier (1954-1957); at the Paris Biennale (1961 and 1963); and at the Salon Comparaisons (1961-1964). Mainly, however, he showed his work in solo exhibitions, including: at the Galerie Drouet in Paris (1959); at the Galerie Weil in Paris (1960 and 1964); at the David B. Finlay Gallery in New York (1962, 1971 and 1974); at the Atelier Mourlot in Paris (1964); at the Galerie Guiot in Paris (1967); at the Galerie de Paris (1969, 1972 and 1976); at the Yoshii Gallery in Tokyo (1969, 1974 and 1977); at the Galerie Matignon in Paris (1979); a first retrospective at the Château de Chenonceau in Paris (1980); at the Nichido Gallery in Tokyo (1983); a retrospective at the Musée Picasso in Antibes...

In the embrace of winter's chill, I crafted this oil painting, where vibrant touches of expressionism meet the tender narrative of impressionism. A child's innocent connection with a...

An original oil on canvas diptych by American contemporary artist Mark Lavatelli created in 1996. 72" X 122"

Jean Jansem (1920-2013) Le triomphe de la mort, 2000 Huile sur toile Signée en bas à gauche et à droite 150 x 200 cm Bibliographie: Cette oeuvre est enregistrée dans les archives de l’Association des Amis de Jean Jansem. Figurera dans le catalogue critique de l’oeuvre de Jean Jansem actuellement en préparation par l’association des amis de Jean Jansem Historique: L’indigence d’après-guerre et la difficulté inhérente de trouver les matériaux adéquats et/ou habituels, telles les couleurs, très onéreuses alors, ont poussé les artistes figuratifs de l’après-guerre, en corrélation avec les préoccupations de l’époque, à redéfinir les paradigmes de la représentation. Il n’est plus question de chercher un sens mais bien pour les artistes d'étudier l’objet pour son intérêt formel, sa qualité intrinsèque. Le regard de l’artiste devient analytique et dépeint alors l’objet pour ce qu’il est et non plus pour son pouvoir évocateur ou symbolique. La nature morte n’est plus une invitation sensuelle à la ripaille, la pomme ou la pêche n’évoque aucune envie de croquer, la cruche aucune ivresse, la volaille...

Guanajuato Pablo Almela Oil on Canvas 75 x 75 cm 1947, MX Framed He studied at the School of Arts and Crafts in Madrid, there he established a painting and ceramic workshop with his brothers, before leaving for exile in Mexico during the Spanish Civil War. In Mexico he began to paint and at the same time he worked as a ceramist and restorer. He cultivated friendship with Federico García Lorca...

In this oil painting, I channeled expressionistic energy to capture a guardian of the urban expanse. Her elongated form, draped in ethereal fabric, glides over the cityscape, showeri...