Dalton Portella Art

Signed large scale original photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a large format camera to allow epic scale print sizes with incredible image details Marmo di Carrara...

'Beverly Hills Hotel' by Slim Aarons Limited Edition Slim Aarons Estate Edition Print. Numbered in ink to 150 only on front and emboss stamped on front. Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California, 1957. Beautiful classic cars parked outside the iconic Hotel, surrounded by giant palm trees, bathed in s soft glow light, this is a true Slim Classic! Typically 'Slim' this photograph epitomises elegant travel and the vintage style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he photographed 'beautiful people in beautiful places, doing beautiful things'. An exquisite LIMITED Edition Slim Aarons Archival Pigment Print. Gorgeous print measuring an Oversize 40 x 40 inches / ca 102 x 102 cm's. Produced utilising the original transparency held at archive source. Archival Pigment Print. Archive stamped & numbered EDGE PRINTS works in close partnership with the Getty Images Archive & Slim Aarons Estate and Collection, in London England. We ship regularly using crating firms (to ensure safe arrival of your artwork) together with Fedex Express and other international services. We ship regularly using Fedex Express services and shipping to all international locations is complimentary. 1950s 1950 cars classic palm trees luxury hotel sun sunshine holiday California Marilyn Monroe vintage...

Wheels by Frank Schott 48 x 60 inches / 122cm x 152cm edition of 7 signed 32 x 40 inches / 76cm x 102cm edition of 25 signed archival quality fine art pigment print limited art ed...

'Spring Couplet' ('Mono No Aware' Series) 40 x 60" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The dance of the cherry blossoms ...

Automobili I by Frank Schott a series of Industrial Style still life photographs (Ferrari) - details at iconic Italian race car performance garage 48 x 72inches / 122cm x 183cm edi...

Signed large scale original photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architec...

a series of observations on French master paintings and their opulent gilded frames FRENCH MASTER by Frank Schott 60 x 48 inches / 152cm x 1...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

Art Shay Gale Sayers #40, 1966 archival pigment print 20.25 x 24.25 framed 3/3 ASY028 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel...

Double Helix, 2021 by Roberta Fineberg is influenced by abstract painting and explores the concept of seeing infinite possibilities. Appealing to a desire...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

'Sunday's Tulips (III)' 40 x 60" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Gauzy afternoon light, the tulips are stretching so...