Derek Boshier Art

Keith Haring drawing Japan 1982: Keith Haring executed this rare double drawing during his key breakout year of 1982 in collaboration with the historic Japanese pop cultural publication: Popeye. The work emanates from the personal collection of a Popeye magazine editor, with the final versions published in the January 10, 1983 edition of the magazine (included with the purchase of this work). Corresponding to such, are a series of hand-written publishing instructions by Haring & a bold well-preserved signature dated November 1982 along the right margin(s). This visually rich 1982 drawing is defined by Haring dancing figures, lizards, televisions, a three-eyed face - visual elements at the core of what would define Keith Haring’s style for years to come. Further details as follows: Medium: Felt-tip pen and ink on wove paper, 1982. Dimensions: 14x17 inches. Good overall vintage condition; contains two folded flaps outside drawings; softened vertical creases in flaps; minor signs of handling; minor edge wear at top; pale toning and scattered spotting with some scattered, small mild staining; adhesive/tape residue on the verso. Signed, titled and dated: "82 Nov. 12" in felt-tip pen and ink, right edge recto, with Haring's notes in ball-point pen and ink, lower right recto. Provenance: Popeye magazine editor, Tokyo; gifted to a private collection, Tokyo; Swann Auction galleries, New York. Accompanied by a letter of provenance. Literature/References: Published in the January 10, 1983 edition of Popeye: issue number 142, pages 75 & 97, respectively. This publication is included with the purchase of this work. “Drawing is making a mark and cutting into space and just finding something that didn’t exist before. It’s pure creation in its simplest form.” — Keith Haring Related Categories: Keith Haring drawings. Keith Haring 1983. Basquiat. Andy Warhol. Keith Haring three eyed face. Keith Haring Japan...

White flowers, 2019 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His wor...

Rare unopened Robert Rauschenberg designed Talking Heads Speaking in Tongues: In 1983, legendary pop artist Robert Rauschenberg designed the album cover for Talking Heads’ acclaimed...

Alan Davie, Scotland (1920-2014). Gouache painting with watercolor 'Village Myth' Hand signed ('with love') lower left, 1982 Dimensions: with frame 37.5"H x 30.25"W; image, 28"H ...

Artist: Peter Max (1937) Title: United We Stand Year: 2002 Edition: 107/300, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.5 x 9 inches Condition: Excellent Inscript...

"Rainbow-man," an abstracted Mexican figurative woodblock by Pedro Puerta (Mexican, 20th Century), 1974. Titled "Rainbow-Man" lower left and "from a Michoacan Pot" "Reproduced with a...

Untitled, 1982 is a sumi ink on paper, 38.25 x 50" image size, signed and dated verso 'SEPT.21 - 82 + K. Haring' and framed in a custom, gold-leaf frame. Haring’s image of a man-eating monster is partly influenced by the artist Hieronymus Bosch as Haring often cited Bosch’s The Garden of Earthly...

Artist: Peter Max (1937) Title: Liberty Head V Year: 2001 Edition: 454/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscriptio...

Keith Haring Original Handwritten, hand signed Letter, ca. 1987 Ink on Haring's Private letterhead Stationery, Hand written and hand signed by Keith...

Artist: Peter Max (1937) Title: God Bless America Year: 2002 Edition: 201/300, plus proofs Medium: Lithograph on archival paper Size: 12.5 x 9 inches Condition: Excellent Inscription...

Artist: Peter Max (1937) Title: Peace on Earth Year: 2002 Edition: 150/300, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.25 x 9 inches Condition: Excellent Inscript...

Motif (Abstract) in orange abstract. From the small edition of 10. from 1982. I am not sure if this is a woodcut or woodblock print or a silkscreen screenprint or some combination. Viola Burley Leak, American (1944 - ) Viola Leak was born in Nashville, Tennessee, she received a B.A. in Art from Fisk University, a B.F.A. in Fashion Design from Pratt Institute, Brooklyn, an M.A. from Hunter College, NY and an M.F.A. in Media from Howard University, Washington, DC. Leak was an art consultant for both the New York State Board of Education and the Metropolitan Museum of Art's Print Department, in addition to working for the Experimental Gallery of Art at the Smithsonian Institute. Her mixed media work often references religious motifs and those of her African-American experience and heritage. She is a multimedia artist, her works include printmaking, textile designing, soft sculpture, appliqué tapestries, doll making, and multi-media. Viola has studied with many renowned artists such as Aaron Douglas, Romare Bearden, Robert Blackburn, and Charles White. Her works can be found in the collections of World Federation of United Nations, New York State Office Building, Manufacturers of Hanover Trust Company, Atlanta Life Insurance Company and many more organizations. Viola's exhibition experience is extensive - more than 100 showings over a decade, national and international. Her quilts exude a miraculous and magical presence. They have traveled in two international shows and three national quilt projects in the past three years. A proud moment for her was being featured in the December 20, 2000 of the Smithsonian magazine; the article praised her mural "Afro Dance Scan" as one of the outstanding artworks in the "When the Spirit Moves: African American Dance...