Dorothy Krueger Art

Martin Lewis, N.A. (Dock Workers under the Brooklyn Bridge). c. 1916-18. Aquatint and etching. McCarron 15. 17 3/4 x 23 3/4 (sheet 26 x 31). 5 recorde...

From Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...

on Hahnemuhle paper, hand signed and numbered. poster is not included. These depict synagogue interiors, Rabbis at prayer etc. Judaic religious events. Mauritz Lennart Rosensohn , bo...

Pictographic scene by Charles Stewart (American, 1922-2011). There are several figures in the center of the piece, one of which has raised hands, as if to praise the sun above them. Surrounding the figures are symbols reminiscent of Neolithic art - spirals, handprints, and animal symbols. Signed "C. Stewart , T. S (for Taos Society of Artists)." in the lower left corner. Presented in a wood frame with vinyl faux-lizard skin wrapping, and a linen mat. Image size: 16.5"H x 21"W Charles C. Stewart (1922-2011) was born in Toledo, Ohio. From an early age he had a natural talent for the arts, so much so that during his school years, his teachers encouraged him to take classes at the Toledo Museum. He studied there for eight years. During World War II, he served with the tank destroyers in five campaigns. When he returned from the war, he studied art and sculpture at the Art Student's League in New York. He then went to Mexico for eight months to study and paint. While in Mexico, he fell in love with the country, its people and arts, vowing one day to return and live. In 1947, Stewart moved to Taos, New Mexico to start his career. He opened a frame shop and small studio and studied at the Taos Valley Art School under Louis Ribak. In 1949, he opened his own gallery. He taught art and sculpture at the Taos Art Association and at Philbrook Art Center in Tulsa, Oklahoma, as well as teaching private students. He built three homes in Taos, the last of which is known as the "Stewart House." The "Stewart House" was written up in the New Mexico Magazine in an article entitled "The House That Chuck Built" by Tricia Hurst In late 1984, Stewart and his wife, Mary Lou, were exploring the Baja in Mexico and ended up at "Land's End," a small fishing village on the Sea of Cortez called Cabo San Lucas...

Swedish Jewish modern art. On Hahnemuhle paper, hand signed and numbered. poster is not included. These depict synagogue interiors, Rabbis at prayer ...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Image dimensions: 34 x 45 cm. Venice is an original lithograph realized by an unknown artist (Michel Kingl) in the 1960s. Colored lithograph on paper. Hand-signed in pencil by the ...

Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...

September 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...

William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...

"Mr. Mute Mops Mouths Silent" - Whimsical Figurative in Acrylic on Masonite Bright figurative composition with a mime by Frances Mann (American, 20th Century). The figure in this pi...

Vibrant set design by Russian artist Natalia Gontcharova (1881-1962). Two angelic figures are the central focus of this piece, but the rest of the set is laden with details, includin...