Ernest Procter Art

Disegno del nudo maschile. Dal 19 ° secolo Disegno su carta leggermente colorata. In buone condizioni. Il disegno rappresenta un uomo sdraiato, che si abbandona al sonno. In una posa...

Gladiator from Borghese Gallery. Mid XIX century academic drawing. Black charcoal on paper. Dimensions : cm 65 x cm 48 Statue of a gladiator from the Borghese Gallery. Excellent...

A son of Niobe. Italian Academic drawing. XIX century. Charcoal drawing on paper. Dimensions: cm 58 x cm 43. Good conservation conditions with small defects on margins. This dra...

Life study drawing original atelier drawing by the French artist, Jeanne Nachat (1898-1984) Nachat attended the prestigious Académie des Beaux-Arts in Pa...

19th century Italian school drawing. Academic study of the figure of the young naked man. Drawing made from two sides of the sheet of paper On the other side two feet and an arm are ...

Preparatory anatomical study for the figure of a man with hands on his face. Drawing of a medium-sized male nude. From the 19th century Drawing on slightly greyish colored paper. In ...

Eduard Braun. German ( b.1798 - d.1876 ). Academic Life Study of a Male Nude Carrying a Staff Pencil and Charcoal on Paper with Heightening on paper. Annotation (presumably a dedicat...

Eduard Braun. German ( b.1798 - d.1876 ). Academic Life Study of a Male Nude Rear View Holding a Cane on the reverse Academic Life Study of a Male Nude Arms Aloft Pose Pencil and Cha...

This untitled work by Rick Sindt was inspired by the works of Paul Cadmus. It is a small graphite drawing of two male nude figures with both of their faces somewhat obscured during an intimate moment. The graph lines often used by artist are still visible to distinguish between the photographic elements of a Polaroid photo and this actual drawing. The piece is framed in a white float frame measuring 12.5h x 10.5w inches. Rick Sindt Untitled - After Cadmus graphite on panel 10h x 8w in 25.40h x 20.32w cm Shifting the historic male gaze into a male-on-male gaze, this body of work anchors its exploration of queer culture in relationships and introspection. Beginning with a survey of several photo archives, I overwhelmingly encountered pictures that fit into two distinct categories: spectacular demonstrations or public displays of sexuality. All of these images were overtly political. Then, I began to find a subset of more intimate images. Typically, these were images submitted by loved ones or donated to foundations after someone’s death. These images depicted common, tender scenes. Working my way through these images, I reflected on D. A. Miller’s assertion that gay identity, to which we have entrusted our politics and ethics, stands in an essentially reductive relation to the queer desires on which it is based. And David Halperin’s argument that, “identity has become the preferred category for thinking about homosexuality. Moreover, it has been promoted at the direct expense of pleasure or feelings or subjectivity.” This left me asking the questions: how is queer culture transmitted if not genealogically? Is there a universal queer experience? What is queer sensibility and subjectivity and can it be visually represented? In the body of work submitted here, black and white graphite drawings maintain a Polaroid scale referencing the found historical photographs on which they are based, oil paintings provide isolated moments of feeling as they investigate questions about queer dispositions in a contemporary setting, and a few key sketches provide insight into how a few individual inquiries began. Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...

This framed 21" x 19" academic drawing by artist James Cobb, 'Erika in Gesture II,' captures a female model in a standing pose. Facing away from the viewer...

Eduard Braun. German ( b.1798 - d.1876 ). Academic Life Study of a Male Nude Half Kneeling Pose Pencil and Charcoal on Paper with Heightening on paper. Paper size 22.8 inches x 17.3 ...

Graphite and watercolor drawing on mylar of a figure dressed in a quill jacket made by the Cameroon grass fields people in Africa by Florida artist Lisa Qualls. Titled “Porcupine Quill Jacket,” the work was created as part of a series titled “Strawmen and Sugarbones” made for the "RAW" exhibition at O'Kane Gallery in 2009. In her artist statement for this series Qualls states: “I have isolated pieces of costumes and placed them on a person who is naked in order to emphasize the relationship between the object and person, the materials and skin, the symbol and the living being. The garments and ritual objects relate to the body in specific ways and are used to explore gender roles, societal and cultural ideas, aesthetics and spirituality. The voyeuristic element of the audience to the subjects in the drawings further emphasizes the vulnerability of the figures and their introspective and intimate poses. The figures, part soft and vulnerable, part concealed and protected, live in these ambiguous spaces as they would in a vision.” Dimensions Without Frame: H 36 in. x W 24 in. Artist Biography: Lisa received her BFA and BA from the University of Texas at Austin. She continued her studies in Fine Art and Design at Parsons and FIT in New York, NY and CISIM in Ravenna, Italy. Her work is currently represented by Ann Connelly...