Ettore Gianni Art

Arman (Arman Fernandez, called) Accumulation of African Masks Original sticking / collage of lithographic elements Handsigned in pencil On board 78 x 61 cm (c. 31 x 24 in) In 1998, ...

Titled "In G-d We Trust" signed dated and titled verso. there is also a gallery label. Mixed Media wall hanging in a pop art style. Background of pennies and then the foreground is l...

Mixed Media collage Assemblage painting and or monoprint or monotype on BFK Rives French art paper. It depicts a wild profusion of bold colored flowers Education 1976 Stanley Hayter Atelier 17 Workshop, Paris, France 1975 Hugh Stoneman Workshop, London, England 1974-85 Bob Blackburn Printmaking Workshop, NYC 1972-74 Certificate of Completion in Fine Arts Graphics, The Art Students League of New York, New York, NY 1971-72 The Art Institute of Boston, Boston, MA 1970-71 Green Mountain College, Poultney, VT it was the League where Martha Bloom...

Artist: Schwebel, Ivan (Israeli 1932 - 2011) Ivan Schwebel, Painter. Was born 1932, U.S.A. and immigrated to Israel 1963 after living in Spain, France and Greece. Studies: 1953-55 with Kimura Kyoen whilst serving with the U.S.Army in Japan; 1955-61 Institute of Fine Arts, with Philip Guston; New York University. Larry Abramson, who is very much in the mainstream of Israeli art, curated an exhibition of Schwebel’s work at the Jerusalem Print Workshop in the early 1980s; in the accompanying text, he described him as “an artist from the New York School ship-wrecked on a hill near Jerusalem.” IN SCHWEBEL’S BEST WORK, THE paint speaks for itself: the pools and explosions of rich color, achieved with pigment that he would grind and mix himself, the luminous figures emerging out of dark shadows, the quirky, dramatic compositions. Schwebel was erudite, with a passion for the bible and Jewish and Israeli history. He delved into all of it for his subject matter, bringing together characters and narratives regardless of time, and setting them in modern- day Tel Aviv or Jerusalem, the Judean hills, or New York City. He liked to play with ideas, and thoroughly mixed his visual metaphors. He showed David and Bat-Sheva next to a Nazi deportation train, and Job despairing over his relationship with the Palestinians. He based his characters on photographs of himself, friends and family, or movie stars. On his website, he describes a series of paintings about anti-Semitism in which the Holocaust is merged with the Spanish Inquisition: “Abarbanel who tried to negotiate with Ferdinand and Isabella is reincarnated in Rumkowski – the German appointed Head of the Lodz Ghetto. The bridge connecting two parts of the Ghetto is spanned over a present-day Tel Aviv cityscape. This was from a portfolio that included Ivan Schwebel, Michael Gross, Liliane Klapisch and Moshe Kupferman, five of Israel's leading contemporary artists who were each approached in May 1977 with a request to contribute a hand-printed screenprint for a portfolio to be titled "Jerusalem". The sole term of reference was the name "Jerusalem", with no qualifications at all. The five artists then spent time working completely independently and individually on the project at the Jerusalem Print Workshop. Each screenprint was hand-signed by their respective artist and numbered from the edition of 200, hand-printed on BFK Rives paper Published by Whartman and Sacks Art Publications His “Tel Aviv” series, in contrast, is fun: “Chen Cinema” shows a couple of actors who seem to have stepped out of an old romantic movie to cuddle in the shabby street outside the cinema. In his final “Safe Place” series of paintings, he goes beyond self-conscious narrative to create his own Garden of Eden. Select Group Exhibitions: Landscape and Nature: Contemporary Israeli Prints from the Collection of The Israel Museum, Jerusalem. High Court of Australia, Canberra, Australia Artists: Abu Shakra...

Vous serez consolés dans Jérusalem by Theo Tobiasse (1927-2012) Mixed media on paper laid on canvas 65 x 50 cm (25 ⁵/₈ x 19 ³/₄ inches) Signed and dated 1966 Provenance Private coll...

Original work by Richard Walker from 1981 Horse Sense is an early work using mixed media Art Paper unframed Collage, spray paint, clear plastic and hand painting Richard’s work is k...

William Haendel framed 16.75 X 17 paper 11.5 X 12.5 Bas relief on hand-made molded, cast, paper; Visual statement of modernist society’s role in conformity of the individual and acquiescence to nationalism. Toy Soldiers in tin, lead or plastic, cast into the paper. Bill Haendel...

This artwork depicts an above-ground parking structure at night. The building is of cylindrical shape, with three storeys. Lit fluorescent tubes are visible through the open spaces...

This artwork depicts a view of a red and white building, with white spray painted tags on the red wall, and metallic staircases. This piece was created with a mixed technique of acr...

Ilan Leas uses graffiti-like strokes and bold angles to converge creating an intriguing balance of organized chaos in his drawings. With a unique artistic approach, Leas draws inspir...

Even though recognizable as trees, the artist considers the birch works to be process-oriented abstractions. "I am interested in the interplay between the abstract markings and the s...

This artwork depicts a view of a shed labelled "Dierking Lumber Co". This piece was created with a mixed technique of acrylic painting on photograms on rice paper mounted on a wood ...