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Artist: Gary Wing
Bridge of Sighs II, Giclee print, Oxford, Architecture, bridge
By Gary Wing
Located in Deddington, GB
Bridge of Sighs II by Gary Wing Limited edition print by Gary Wing, featuring the iconic Hertford Bridge in Oxford, also known as the Bridge of Sighs. Original work also available. S...
Category
2010s Contemporary Gary Wing Art
Materials
Giclée
Turl Street and St Giles Café Diptych
By Gary Wing
Located in Deddington, GB
Turl Street and St Giles Café Diptych
Overall Size cm : H48 x W56
Turl Street by Gary Wing
Limited edition print by Gary Wing depicting a daytime scene on T...
Category
2010s Impressionist Gary Wing Art
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Paper, Giclée
Gary Wing, Lisbon Street, Original Architectural Painting, Affordable Art
By Gary Wing
Located in Deddington, GB
Gary Wing
Lisbon Street
Original Cityscape Painting
Watercolour Pain on Paper
Sheet Size: H 29.7cm x W 21cm x D 0.01cm
Sold Unframed
Please note that in situ images are purely an ind...
Category
21st Century and Contemporary Impressionist Gary Wing Art
Materials
Paper, Watercolor
Lisbon Street BY GARY WING, Architectural Art, Watercolour Painting, Traditional
By Gary Wing
Located in Deddington, GB
Gary Wing
An A4 watercolour of a Lisbon Street on paper.
Category
21st Century and Contemporary Gary Wing Art
Materials
Paper, Watercolor
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Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes.
Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work.
Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri.
A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him.
After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie.
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Gary Wing art for sale on 1stDibs.
Find a wide variety of authentic Gary Wing art available for sale on 1stDibs. You can also browse by medium to find art by Gary Wing in paper, paint, watercolor and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the Impressionist style. Not every interior allows for large Gary Wing art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Frederick George Cotman, Noel Howard, and Brian Rounds. Gary Wing art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $242 and tops out at $774, while the average work can sell for $774.