Gregg Renfrow Art

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the physicality of his body. Moving is an expression, just as is the color. The paintings are actual authentic gestures. Once completed, they look like relief on the wall. The artist is represented by galleries in Europe, the US and Australia. Additionally, his work is in the permanent collections of the Crocker Art Museum in Sacramento, CA; the Amon Carter Museum of American Art in Fort Worth, TX; the Newcomb Art Museum at Tulane University in New Orleans, LA; the FWMoA, Fort Wayne, IN and the Lamborghini Museum in Bologna, Italy. In 2015 Martiny received a commission from the Durst Organization to create two monumental paintings that are permanently installed in the lobby of One World Trade Center in New York City. His work is in numerous collections, including: Graham Gund Family Foundation (Cambridge, MA); Patrick Duffy (Chairman, Las Vegas Art...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the physicality of his body. Moving is an expression, just as is the color. The paintings are actual authentic gestures. Once completed, they look like relief on the wall. The artist is represented by galleries in Europe, the US and Australia. Additionally, his work is in the permanent collections of the Crocker Art Museum in Sacramento, CA; the Amon Carter Museum of American Art in Fort Worth, TX; the Newcomb Art...

62 x 31 in. central element, 25 x 14 in. element No. 2, 12 x 17 in. element No. 3 While the brushstroke motif has been embraced by Roy Lichtenstein to James Nares, Martiny takes a s...

Eric Friedmann Dirt, 2018 Acrylic polymer and pigment on canvas 80 x 74 cm International Fine Arts Consortium and IFAC Athina present Eric Friedmann in his premier solo exhibition i...

Eric Friedmann Rainbow Dash, 2018 Acrylic polymer and pigment on canvas 30 x 24 inches International Fine Arts Consortium and IFAC Athina present Eric Friedmann in his premier solo ...

Through drawing and mark-making, Nancy Agati investigates geometry, explores elements of growth, and seeks to reveal a sense of order or elegance. She is interested in the organic na...

Christopher Ruess large scale painting entitled "Spatial Environs: Deep Blue", encapsulated polymer with acrylic on canvas. A Pennsylvania-born artist, Chris Ruess later studied at t...

Eric Friedmann Heavy Hitters, 2018 Acrylic polymer and pigment on canvas 48 x 36 inches International Fine Arts Consortium and IFAC Athina present Eric Friedmann in his premier solo...

An abstract acrylic piece by Murray Reich completed in 1969.

While the brushstroke motif has been embraced by Roy Lichtenstein to James Nares, Martiny takes a singular approach. Each smear of paint is full of flecks of multiple colors, giving ...

While the brushstroke motif has been embraced by Roy Lichtenstein to James Nares, Martiny takes a singular approach. Each smear of paint is full of flecks of multiple colors, giving the impression that they were created with massive paintbrushes. In actuality, he doesn’t use a paintbrush at all, or any other painting tool...

Over the past decade, I have developed a process of pouring layers of tinted polymer on panel that has expanded the breadth of what I can achieve with color and surface in my abstrac...