Ibrahim Kodra Art

Elizabeth Catlett - CHILDREN WITH FLOWERS 1995, limited edition lithograph printed in twelve colors using traditional hand lithography techniques on archival Arches paper, 100% acid free. CHILDREN WITH FLOWERS is a multicultural collage portrait of four children, each a different cultural heritage, wearing colorful print fabric clothing, gathered together behind a straw basket weave planter filled with a variety of pink impatiens and white daisies. The children's bodies, hands and flowers join together as a metaphor of unity and diversity of children throughout the world. A cheerful, socially aware composition by the renowned African American female...

THE HAWK is an original hand drawn lithograph by the Argentine artist, Aldo Luongo. Hand printed at Circle Gallery NYC using traditional lithography methods ...

BACKYARD by the artist James Denmark is an original hand drawn, limited edition lithograph printed on archival Somerset paper, 100% acid free using traditional hand lithography techniques. BACKYARD is one of Denmark's colorful collage compositions of everyday African American life - a soulful Southern country folk scene featuring a standing woman wearing a flaming red orange skirt, multicolored wallpaper floral print top, and dark indigo print head wrap; her male companion dressed in blue denim jeans, dark indigo print shirt and denim hat sitting in the backyard as the patchwork quilts flutter on the clothesline. Vivid coloration and textures captivate the eye with variety - deep violet, reds, fiery orange, touches of yellow, dark black and shades of blue - a very strong impression and fine example of hand lithography! Print size - 38 x 23 inches, unframed, mint condition, pencil signed and numbered by James Denmark Edition size - 250, plus proofs Year published - 1996 James Denmark, born in Winter Haven, Florida in 1936 is one of the few masters of collage. He utilizes an exacting process to cut and assemble brightly hand colored papers, fabric and objects into familiar figures and images. Denmark’s grandmother, a wire...

Love Sick is a lithograph on paper, 4.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 111/275 (there were also 100 Roman and 20 AP). Frame...

Love is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 219/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-tone frame - visua...

Pot Heads (Humans) is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 214/275 (there were ...

Bag of Tricks II is a lithograph on paper, 9.25 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 237/275 (there were also 100 Roman and 20 AP...

The Hot Seat is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 135/275 (there were also 100 Roman and 20 AP). Fr...

Wise Ass is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 245/275 (there were also 100 Roman and 20 AP). Framed i...

Rock, Paper and Scissors is a lithograph on paper, 9.5 x 9" image size. From the edition of 395, numbered 64/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silv...

WOMEN TOGETHER is a color lithograph by the American artist/sculptor Chaim Gross presenting an endearing figure study of seated female figures printed on archival white paper in watercolor shades of cream, light terra cotta, warm gray, light blue, light red and graphite black for the drawing. WOMEN TOGETHER is a freely expressed group portrait portraying the gathering of women seated together; their rounded cloud like body forms, gentle facial expressions and curly hair seem to flow in unison across the horizontal composition creating an almost heavenly air. Print size - 20 x 29 inches, unframed, pencil signed by Chaim Gross Edition size - 100, plus proofs Year published - 1979 Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1963, Gross and his family moved from their longtime residence at 30 W. 105th Street to Greenwich Village, following the purchase of a four-story historic townhouse at 526 LaGuardia Place, which is now the Renee & Chaim Gross Foundation. In 1974, the Smithsonian American Art Museum held the exhibition, Chaim Gross: Sculpture and Drawings, and in 1976, a selection from Gross's important collection of historic African...

Heartland is a lithograph on paper, 9.5 x 9" image size. From the edition of 395, numbered 59/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-tone frame -...