Joseph Bernard Art

Pencil on paper, signed (upper right), 76cm x 56cm (88cm x 68cm framed). A graduate of the Kiev Art Academy in 1957. Drawings of the nude, called academic studies...

A fine & large (34" tall) antique French gilt-bronze on marble column of Diana, cast by Ferdinand Barbedienne (1810-1892) after a statue by Jean Antoine Houdon (1741-1828), the bronz...

Sculpture unique piece combining resin, acrylic, collages, and varnish by Pinkhas Hand-signed on the side of the sculpture Titled and dated under the sculpture Perfect condition ...

Antique Silvered Bronze Rooster France, circa 1900 10 1/4 x 9 1/2 (H x D) inches A very fine and lively bronze statuette of a preening Rooster. Nicely cast and well-carved and in ex...

Pierre COMBET-DESCOMBES (1885-1966) Female Nude from behind, 1928 Charcoal on paper Signed with the stamp lower right Dated "26 sept 28" and annotated lower left Size of the work : 4...

A drawing by Fernando Botero. "Dibujo a la Manera de Velasquez" is a portrait, charcoal and pastel on cardboard in an earth-tone palette by Latin American artist Fernando Botero. It is signed upper right, "Sobre Velazquez Botero -1-27-60 Para Rita. el recuerdo de uno payaso". Fernando Botero, best known for his voluptuously rotund human figures, was born in Medellín, Colombia on April 19, 1932. His father died when he was young, and he was raised by his mother, along with his two brothers. He attended a Jesuit school in Medellín and from the age of 12 to 14, he attended a matador training school. The bull fight became a recurring theme in Botero’s early work and while he was in his early teens, he sold his pictures of bull fights in front of the arena. By the time he was 16 years of age, Botero was working as an illustrator for the local magazine El Colombiano. He also began writing articles about art theory, one of which, entitled Picasso and Non-Conformity in Art, led to his expulsion from the Jesuit school for its endorsement of Cubism. One of Botero’s important early works, Woman Crying...

Antique Bronze Dog Portrait of a Cavalier King Charles "Thigley" French School (possibly Franck Burty Haviland) Lost wax bronze casting Circa 1910 5 7/8 x 9 x 3 1/4 A sophisticated bronze casting of a Cavalier King Charles spaniel made in lost wax casting (cire perdue) from the beginning of the 20th century by Valsuani Foundry. This an unusual bronze approached in its aesthetic that’s reminiscent of the work of great animal sculptors of the second half of the 19th century except in this presentation which is more avant-garde for the time with a much looser, more impressionistic execution. The patina is a superb bronze color, brown and slightly greenish, going in places towards a more antique green. The attitude of the dog is extremely well and sensitively rendered with the placement of material unlike the renderings of a bronze by Barye...

A late 19th century bronze figure of a greyhound, his front leg raised and head turned backwards as he grooms his coat. A finely detailed figure with a dark brown patina, mounted on ...

An extraordinary depiction of friendship and comfort by Polish Jewish sculptor Michal Michael Milberger. Milberger was born in Warsaw in 1922. His artis...

Antoine-Denis CHAUDET (1763 - 1810) NAPOLEON Ist, circa 1808 Carrare Marble - First Empire Hermes Bust of Napoleon Ist, after Antoine-Denis CHAUDET Dimen...

This female torso represents the young woman's strength and vulnerability. It´s was conceived in the 70ths and is signed with the artists initials on a thumbprint. Gunnar Knut Nilsson, born 1904 in Karlskrona, died 1995 in Versailles in France, was a Swedish sculptor. Gunnar Nilsson studied watercolor painting and modeling at the Technical Vocational School in Karlskrona in 1918-19 and on his own in addition to working as a clerk at Finspångs Metallwerk. His debut exhibition was in Finspång in 1927. With the help of a local fundraiser, and after the encouragement of Carl Eldh, he traveled to Paris in 1928 to study sculpture for, among others, Charles Despiau and Paul Niclausse. In Paris he socialized with Bror Hjorth, whose former studio he also rented, Carl Frisendahl and Alberto Giacometti. He came to belong to "Le groupe des Neuf'' with Paul Cornet...

The Guardian by Nando Kallweit bronze sculpture, edition of 13 Dimensions: 167cm tall