Loren DiBenedetto Art

Pocket Peacock Butterfly 2 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque ...

Spring Collection: Snowdrop 5 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroq...

Pocket Green Gooseberry 2 c is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque...

Two paintings, each one is 32″ x 48″. What a gift for the Candyland aficionado in the family. One cannot appreciate these paintings on a computer screen; in real life, they are abs...

This painting is inspired by the view towards Rock from Padstow. It was a windy day with big fluffy clouds in the sky. The colours were unbelievably beautiful with lots of strong tur...

This piece is part of an exciting new collection depicting iconic "Coco Chanel" with the artist's "Dripping Dots" style. Focused on a pointillistic technique, the paint is able to ca...

Striped Fields is an original oil painting by artist Alexa Roscoe. This is a vibrant and colourful landscape scene. Alexa has captured movement and bold patterns which are often pres...

A bright and inviting interior scene with a still life arrangement of bright red poppies in a blue and white China vase and yellow lemons. The table setting is beautifully complement...

Blossom Triptych Overall framed size cm : H89.1 x W63 Blossom by Tania Oko [2022] original Oil paint on deep canvas Image size: H:29.7 cm x W:21 cm Complete...

Yellow Fields no.3 is an original oil painting by artist Alexa Roscoe. In this bold and vibrant painting. Alexa has captured a depth of view of the fields framed by the strong dark l...

A bright and inviting interior scene with a still life arrangement of red tulips beside a light green pitcher, peaches and pears on a yellow checkered table...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...