Meredith Brickell Art

"The ideal state is not one which everyone has access to the same amount of wealth, but in proportion to their contribution to the general wealth" This piece was handmade in the hea...

This Orb Demi Round Lace Black Vessel is a unique medium size contemporary modern ceramic object by Californian artist Lynne Meade. It is wheel thrown, hand pierced and has a smooth ...

This Double Gourd Round Lace White Vessel is a unique medium size contemporary modern ceramic object by Californian artist Lynne Meade. It is wheel thrown, hand pierced and has a smo...

"Bird House" is a unique water feature suitable for outdoor installation in temperate climates. Sculptor Michael Gustavson's masterfully detailed and gor...

This Elongated Teardrop Round Lace Black Vessel is a unique medium size contemporary modern ceramic object by Californian artist Lynne Meade. It is wheel thrown, hand pierced and has...

This Teardrop Oval Lace White Vessel is a unique medium size contemporary modern ceramic object by Californian artist Lynne Meade. It is wheel thrown, hand pierced and has a smooth w...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

"A Cup and It's Shadow" by Lithuanian-American sculptor and ceramist Rimas VisGirda is a whimsical take on a cup on a plate that blurs the line between pottery and sculpture. The sto...

Materials : Terracotta, white gold luster Date : 2016 Dimensions : 16 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Limited edition of 250 Fine bone china 10.5" diameter; 26.7 cm Printed signature and edition details on verso Custom artist box with printed signature Dishwasher and microwave safe...

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...