Miguel Ybáñez Art

Artist : Katherine Bello Title : Valentine Materials : Acrylic and paper on board Date : 1/2020 Dimensions : 18"x18"x.75" Signed and Dated by Hand COA Provided Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

Colorful abstract contemporary collage sculpture that incorporates pages from 1960 Sears catalogues, cardboard, wood, concrete, acrylic paint, and wood glue. The bright red sculpture...

Wolfgang Hutter - "The mistress of the dragon and the bald headwith the balls". Giclée print. Hand signed and numberd. A beautiful artwork that look...

Artist : Kory Twaddle "Autumn Biogram of the Nelson" Newsprint, graphite, conté crayon pastel, charcoal, beeswax, cardboard, paper, gingko leaves, stickers, and Mixed Media on drawi...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

Trapeze (Abstract painting) Acrylic and Ink on Handmade Wasli Paper — Unframed. Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic lin...

In the face of the devastating effects of climate change, Karen Lee Sobol is determined to remain an optimist. Her paintings reflect a positivity born from deep admiration for the na...

Nostalgia is a beautiful artwork realized by  Maurizio Gracceva  in the 2022. Colored mixed media on paper.  Hand signed by the artist. Title, date, techinique and sign on the bac...

"Memento Morididdle Movement #111" is an original hand-cut paper sculpture in a found frame by Charles Clary. This piece measures 13in x 15in x 3.5in. Bio // Charles Clary was born...

We are pleased to present this event, which will see the exclusive world premiere of Anna Pennati's works entitled The Black Series, that the artist reserved exclusively for 1stDibs ...

An original signed framed abstract expressionist painting by mid-century modern Chicago woman artist, Margo Hoff (1910-2008), "Stone Quarry" was created using acrylic, crayon and paper collage on board in shades of purple, blue, brown, white and black. Presented in a custom frame, outer dimensions measure 48 ½ x 40 ½ x 1 ¾ inches. Image size is 48 x 40 inches. Provenance: Estate of the artist, Margo Hoff About the Artist: A prolific artist, Margo Hoff’s exquisite style evolved throughout her career yet was always rooted in the events, people, and places in her life. The human experience was her soul focus, expressed through her eyes alone. Born in 1910 in Tulsa, Oklahoma, Hoff began creating white-clay animals at a young age, giving them to her friends and family. At eleven she contracted typhoid fever and was bedridden for a summer. During her convalescence, she drew and made cutouts, and it was during this time that her bold, artistic imagination came alive. She began formal art training in high school and continued her education at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago and attended the National Academy of Art and the School of the Art Institute of Chicago. Between 1933 and 1960—her Chicago years—Hoff’s works was deeply rooted in a figurative, regionalist style. She often used elements of magical realism, and many of her paintings have dreamlike qualities. As a child she learned about color by grinding down rocks, plants, and berries. Her color pallet during the Chicago years is indicative of her early-life color experimentation as she consistently used warm, earth tones in her work. Hoff was a born adventurer and traveled extensively. She lived, worked, taught, and painted in Europe, Mexico, Beirut, Lebanon, Uganda, Brazil, and China. She also showed at the Denver Art Museum’s Annual Western Exhibitions in 1952-54, 56, and 57. In 1957 she showed along side Colorado modernist Vance Kirkland at the Denver Art Museum’s exhibition, Man's Conquest of Space. What was once a focus on the representational, her work began to change after 1957 when she saw Sputnik in its orbit around Earth. At that moment, feet firmly placed on the ground, she was able to imagine herself in space, looking down from the cosmos, and what she saw was an abstracted world. She then had the opportunity to peer into an electron microscope where once again she was looking down into what seemed to be a realm of pure abstraction. These two events profoundly changed her perspective and she began to move from figural painting to abstract, geometric collage. In 1960, Hoff moved to New York City and she began creating collages. Placing the canvas on the ground, and working from all sides, she used strips of painted paper and tissue—and later painted pieces of canvas—glued onto the canvas surface, building layer upon layer, shape against shape, “action of color next to stillness of color.” She believed these simplified, abstracted forms held the spirit of the subject in the same way poetry reduces words to their essence. These pieces range from aerial cityscapes, to dancers in motions, to flora...

'Pasadena Reflections' Original Artwork Memories rise and float, tangled in the intangible shadows of time. 'Pasadena Reflections' captures an essence of the ephemeral and the end...