Moshe Avni Art

Cats Watching a Witch on a Broomstick - Vintage Halloween Illustration in Ink Halloween scene with cats and a witch in India ink pen by Irene Pattinson (American, 1909-1999). A blac...

Pigs on a Trolley - Vintage Picture Book Two-Page Spread Illustration A two-page spread in India ink pen and watercolor by Irene Pattinson (Ameri...

Chef Lobster - Vintage Illustration in Ink and Watercolor A charming illustration, by Irene Pattinson (American, 1909-1999), shows a pink lobster behind ...

A modern Chinese watercolor painting depicting three stallions running underneath a blazing sun.

Devant le Chateau une Carrosse Passait is a modern artwork realized by Salvador Dalì in 1945. China Ink drawing on paper. Signed and dated on the lower right recto. Outstanding dr...

Martin Eder untitled work on paper executed in ballpoint pen with traces of watercolor. Ohne Titel Arbeit auf Papier, ausgeführt in Kugelschreiber mit Spuren von Aquarell. 2007

Pigs on a San Francisco Trolley - Vintage Illustration A two-page spread in India ink pen and watercolor by Irene Pattinson (American, 1909-199...

Dog is a Black Marker Drawing and Watercolour realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a little sheet of a notebook. No Signature. Reynold Ar...

At the Beach is a Pen Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 19...

Cats and Riders is an original Drawing on paper realized by French painter Norbert Meyre in the mid-20 century. Drawing in pencil, pen, and ink. Good conditions. The artwork is re...

Nude is an original drawing in pen and watercolor on paper realized by Simon Goldberg (1913-1985). Hand-signed in pen on the lower left. The state of preservation is good and aged w...

Pen, ink, watercolor and wash on paper by André Dunoyer de Segonzac, France, 1922-1924. Boating on the Morin River. Measurements : with frame: 52.5x65x2 cm - 20.7x25.6x0.8 inches / without frame: 36.5x45 cm - 14.4x17.7 inches. Signed lower left "A. Dunoyer de Segonzac". Colors may vary slightly depending on your screen. The lighter band at the top and the bottom of the piece, visible in the first picture, is only due to the reflection in the protective glass. It does not exist. In its frame gilt with gold leaf and its protective glass. André Dunoyer de Segonzac was born in Boussy-Saint-Antoine (Essonne) July 7, 1884. After his schooling at high school Henri IV, as early as 1900, he attends classes at the National School of Fine Arts in Paris in free listener where he will befriend Charles Dufresne. In 1903, he enters the private studio of Luc-Olivier Merson. In 1907, he studies with Jean-Paul Laurens and attends the La Palette and Colarossi academies in Montparnasse. He meets Luc-Albert Moreau and Jean-Louis Boussingault with whom he shares a studio. His first drawings are published in 1908 in The Great Review and The Witness. Nearly indifferent to contemporary aesthetic revolutions, Dunoyer de Segonzac undertakes, with Jean-Louis Boussingault and Luc-Albert Moreau, to revive Gustave Courbet's realism by performing still lifes, nudes, landscapes, in a thick paste and masonry . In one of his letters to the painter Maurice Boitel, he wrote in the 1950s: "I have not forgotten the heroic period of the independents - when we were grouped around Paul Signac, the charming and valiant Maximilien Luce - in these barracks where the living and authentic Art was grouped outside the academic formulas - or literary and systematic tendencies - which were to lead to this abstract aesthetic of which the painting dies. " In 1908, he begins exhibiting at the Salon d'Automne and the Salon des Indépendants, with Paul Signac and Maximilien Luce. He befriends Apollinaire, Max Jacob, Raoul Dufy and Vlaminck. From this period, renting a house belonging to Signac, Dunoyer discovers the landscapes of Saint-Tropez, to which he will remain faithful and where he lived until the end of his life. He stays in Saint-Tropez only in the summer season. For the rest, he leads a real nomadic life, in search of the motive especially through the Île-de-France, the Grand Morin valley, Feucherolles, Chennevières-sur-Marne, Guyancourt, etc. "I also worked a lot on the banks of the Seine in Chatou, Bougival, Andrésy, Poissy and Triel that I particularly like, with its beautiful Gothic church that is reflected in the Seine and the high wooded hills that surround him", he will say. In 1910, he knows fashion designer Paul Poiret and meets Max Jacob, Raoul Dufy and Vlaminck. From 1910 to 1914, he travels to Italy, Spain, North Africa, and is interested in sport and dance (drawings of Isadora Duncan's Russian Ballets, 1911, The Boxers1910). From 1914 to 1918, mobilized in the infantry, he makes the war hardly, before being assigned to camouflage. He performs many war drawings, valuable for their artistic and documentary value. From 1919, he appears again in many exhibitions, including major Parisian salons. Nearly indifferent to contemporary aesthetic revolutions, Dunoyer de Segonzac undertakes, with Boussingault and Moreau, to revive Courbet's realism by performing still lifes, nudes, landscapes, in a thick and masonry paste. Enlisted in engraving by Jean Émile Laboureur, he makes nearly 1,600 brass plaques from 1919 to 1970. He was president of the Society of French painters-engravers. In 1921, he meets Paul Valéry, Léon-Paul Fargue and Jean Cocteau. In 1928, he makes a trip to America where he met with great success. In 1930, he becomes friend with Derain. In 1933 he receiveds the Carnegie Foundation of Pittsburgh Award and in 1934 the Venice Biennale. During the Occupation, in November 1941, he takes part in a "study trip" to Germany, organized by Arno Breker, accepting, like other artists of the most renowned, to visit the hotspots of German culture as well as artist workshops. After the war, he is exhibited in the best galleries...