Nora Adame Art

Relief MG901 is a medium size contemporary modern abstract geometric wall relief by Dutch visual artist Let de Kok. This relief consists of two interspaced panels of museum glass wit...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

The present work is an excellent example of the flags and banners of Haitian Vodun practice. It is constructed of cloth with hand-stitched glass beads and sequins, representing the figure Gran Bwa (also Grand Bois, spelled on the flag "GRAИD BOI"). According to Patrick Arthur Polk, Vodun flags are meant to honor or invoke gods, as well as to depict their likenesses and attributes with dazzling displays of color. In addition, the beadwork may reference the African religious elements of Vodun which came to Haiti with African slaves. Haiti is an important part of the African diaspora and there is no other Caribbean nation that has such rich survivals of African-style music and dancing, and of religious beliefs and practices that relate to ancient African tradition. According to Polk, Gran Bwa, "ruler of the forest, is the master of herbal remedies. He also presides over initiations which require, at least symbolically, the secrecy of the forest’s darkest recesses. He normally appears as a tall, symmetrical figure that is half man and half tree." The imagery of Haitian Voodoo culture is derived from multiple sources, and the culture seems to have the ability to integrate the various sources from popular culture to Catholic imagery into traditional African symbols, values and rituals. Images like that of Gran Bwa are based off ritual drawings, or vévé, used to invoke the deity and to consecrate ritual space. Such vévé in Voodoo, unlike images appropriated from Catholicism or from popular culture, are probably based off of ground drawings from Central and West Africa. The relatively young age of this example shows the power and influence the imagery continues to have in Haiti to this day. 16.5 x 19.25 inches, artwork 24.25 x 27 inches, frame Polk, Patrick Arthur. Haitian Vodou Flags...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

This blue embroidered artwork titled "Gully washer" is an original artwork by Katherine Heisler made of stitch resist indigo dye on organic cotton, sequins,...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

Dispose of any emotional traumas that no longer serve you, in this mini emotional baggage cart. Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though...

Textile composition from the series Vegetable Choreographies made with Metal structure embroidered with cotton wire and embroidered textile at the printed bottom white and polychrom...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

'Hereditary Flaws,' 2020 Mixed fabrics over stretched vintage linen 36 x 48 inches Meike Legler’s works are a bold post-feminist reframing of sewn objects, recontextualized far beyo...

"Mirror" is a site specific installation that was exhibited in the show "Dialects of Place(s) by Land Report Collective at COOP Gallery in Nashville, TN. In this piece, Jobe uses industrial materials such as insulation foam, concrete, window screen, and graphite tracing paper to create a patterned structure that protrudes from the corner and carries the viewer's eye upward. At the bottom of the piece, we see delicately balanced concrete on top of pale blue insulation foam. The patterned concrete and insulation foam carries the viewer's eye upwards towards another pop of blue on top of the aluminum window screen frame. The screen gives the viewer a window in which to look through the piece. On one side, this mesh frames the graphite paper and on the other side the viewer can see the patterned concrete and insulation foam. Review from "The Rib" about "Mirror" One of the more surprising works here is Nashville-based Brian Jobe...