Oriano Galloni Art

Garden with Secrets, 2015 Mixed media (Signed on reverse) 25 H × 32 3/10 W × 7 9/10 D in 63.5 H × 82 W × 20 D cm Unique The small installations designed by Raluca Arnăutu remind us ...

VoIce of Treason 12 x 12inches Collage on Paper Exhibition History: THE COLLAGE SHOW Morgan Jesse Lappin is a collage artist and curator based in Brooklyn. He seeks to explore the boundaries of collage, identify artists pushing the medium forward, and inspire others along the way. In 2013, he founded the Brooklyn Collage Collective, which consists of four core members: Morgan Jesse Lappin, Jessie Laura, Joseph Karwacki, and Michele Luger. The Brooklyn Collage Collective has worked and exhibited with other collage artists all over the world, including New York, London, Australia, and Italy. Lappin's art is a combination of comedy and chaos, with elements of music, vintage horror and sci-fi. His work ranges from seven-foot-long cartoon metropolises, to fictional album covers, to take-out Greek diner coffee cups embedded with video animations. I also use nostalgic material from my childhood in the ‘90s, such as VHS Tape...

Jessie Laura was born in Lima, Peru. She creates analog collages, using art to examine her everyday reality. "My work explores the workings of the mind. Nature, structure, paradoxe...

Combining found elements with those fashioned by my own hand, my work encompasses two- and three-dimensional collage as well as sculptural objects. Infused with a rich sense of histo...

Analog Collage VoIce of Treason 12 x 12inches Collage on Paper Exhibition History: THE COLLAGE SHOW Morgan Jesse Lappin is a collage artist and curator based in Brooklyn. He seeks to explore the boundaries of collage, identify artists pushing the medium forward, and inspire others along the way. In 2013, he founded the Brooklyn Collage Collective, which consists of four core members: Morgan Jesse Lappin, Jessie Laura, Joseph Karwacki, and Michele Luger. The Brooklyn Collage Collective has worked and exhibited with other collage artists all over the world, including New York, London, Australia, and Italy. Lappin's art is a combination of comedy and chaos, with elements of music, vintage horror and sci-fi. His work ranges from seven-foot-long cartoon metropolises, to fictional album covers, to take-out Greek diner coffee cups embedded with video animations. He also uses nostalgic material from his childhood in the ‘90s, such as VHS Tape...

Analog Collage 6.5 x 7 inches Collage on Paper Exhibition History: THE COLLAGE SHOW Morgan Jesse Lappin is a collage artist and curator based in Brooklyn. He seeks to explore the boundaries of collage, identify artists pushing the medium forward, and inspire others along the way. In 2013, he founded the Brooklyn Collage Collective, which consists of four core members: Morgan Jesse Lappin, Jessie Laura, Joseph Karwacki, and Michele Luger. The Brooklyn Collage Collective has worked and exhibited with other collage artists all over the world, including New York, London, Australia, and Italy. Lappin's art is a combination of comedy and chaos, with elements of music, vintage horror and sci-fi. His work ranges from seven-foot-long cartoon metropolises, to fictional album covers, to take-out Greek diner coffee cups embedded with video animations. He also uses nostalgic material from his childhood in the ‘90s, such as VHS Tape...

Artwork size: 56 x 58 cm. Frame size: 76 x 78 cm. Free shipment worldwide. Archive number (P90/36) Acquired directly from the artist. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...

Combining found elements with those fashioned by my own hand, my work encompasses two- and three-dimensional collage as well as sculptural objects. Infused with a rich sense of histo...

Michele Luger addresses the unknown, the hidden away, and deep feelings of nostalgia, for a place or time you've never lived. In her collage work, she explores the ways in which we mask...

Michele Luger addresses the unknown, the hidden away, and deep feelings of nostalgia, for a place or time you've never lived. In her collage work, she explores the ways in which we mask...

Combining found elements with those fashioned by my own hand, my work encompasses two- and three-dimensional collage as well as sculptural objects. Infused with a rich sense of histo...

Combining found elements with those fashioned by my own hand, my work encompasses two- and three-dimensional collage as well as sculptural objects. Infused with a rich sense of histo...