Rafael Illana Art

Nicely painted mid century abstract cubist still life oil painting. Great color and composition. Framed nicely. Oil on canvas. Signed.

A really beautiful study, the delicate colours of the summer flowers standing out against the dark background. Miles Fletcher de Montmorency (1893-1963) Cornflowers and Scabius in a glass vase With dedication plaque to the reverse. 12 x 10 inches without frame 14 x 12 inches with frame Miles Fletcher de Montmorency was a painter, baronet, son of Hervey Lodge de Montmorency and husband of the artist Rachel de Montmorency. He studied at Dover School...

A most attractive and striking image of daffodils placed against a darker background Howard J Morgan (1949-2020) Daffodils in a china jug Signed and S...

Red Poppies in Vase French School, mid 20th century signed oil on canvas, unframed canvas: 21.5 x 15 inches provenance: private collection condition: poor condition (ie: paint loss a...

RED TULIPS Size: 67 x 58 cm (including frame) Oil on Canvas A captivating and well-balanced interior still life composition, executed in oil onto canvas. Upon first glance, a vase ...

Georgina Klitgaard Apples and Pears Still Life Signed lower right Oil on canvas 8 x 10 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists to membership in one school or another. Unfortunately for her posthumous reputation, Klitgaard defied easy characterization. She was a U.S. modernist, working in both oil and watercolors, but never abandoned figurative painting. She made her reputation in landscape but also excelled in portraits, flower studies, and even cityscapes. Yet despite Klitgaard’s ambiguous status in art history, her paintings continue to fascinate viewers attracted to the unsteady ground between twentieth-century realism and expressionism. Georgina Klitgaard (née Berrian) was born in Spuyten Duyvil, New York (now part of the Bronx); the Berrians had lived in the area since at least the U.S. Revolution. After graduating from Barnard College, she studied art at the National Academy of Design. In 1919 she married Kay Klitgaard, a Danish artist and writer. The next year, her life took a decisive turn when the couple visited friends in Woodstock, NY—about 120 miles north of New York City--and fell in love with the area. In 1906, L. Birge Harrison helped found the Art Students League Summer School in Woodstock and the area became a magnet for landscape painters. The Klitgaards bought a house in 1922 on a steep ledge at the end of Cricket Ridge, high above Bearsville, which provided panoramic vistas overlooking the Catskill Mountains and the Hudson Valley. Klitgaard joined the artists’ colony in the area, which at the time included artists Ernest Fiene and Katherine Schmidt. Klitgaard exhibited widely and her career slowly developed momentum. She was a regular contributor at Whitney Museum shows from 1927 to 1944. In 1929, she exhibited a painting entitled “Carousel” in the Whitney Studio Club’s famous exhibition “Circus in Paint.” Gertrude Vanderbilt Whitney acquired five paintings by Klitgaard in the early 1930s and served as a significant patron for the artist. Klitgaard s New York dealer, Frank Rehn...

Whimsical Fields no. 1 is an original oil painting by artist Alexa Roscoe. This playful landscape scene embodies a fanciful, fun and free feeling. Alexa has captured movement, bold p...

Oval Still Life is an artwork realized by an unknown in the mid-20th centry. Oil on canvas mounted on board. 37 x 49 cm ; 53 x 65 cm with frame. Good conditions!

Arthur Meltzer (American, 1893-1989) Green Pepper Oil on canvas, 12 x 22 inches; Framed: 19 x 29 inches Signed at lower left: “Arthur Meltzer” Frame is original and also by Arthur Meltzer Arthur Meltzer was born in Minneapolis, Minnesota, and studied at the Minneapolis School of Art before enrolling in the Pennsylvania Academy of the Fine Arts. Meltzer achieved fame for his Pennsylvania landscapes of Bucks and Berks Counties. He taught for many years at the Moore College of Art and Design, where he met his wife, the impressionist painter Paulette Van Roekens. He was a member of many art organizations, including the Fellowship of the Pennsylvania Academy of the Fine Arts, the Philadelphia Graphic Sketch Club, the Philadelphia Art...

GEOMETRIC STILL LIFE Size: 41.5 x 49.5 cm (including frame) Oil on board A vibrant and playful mid century cubist modernist composition in oil, painted on board. With a focus on sh...

STILL LIFE WITH VEGETABLES Size: 59 x 74 cm (including frame) Oil on Canvas A brilliantly executed modernist style still life composition, executed in oil onto canvas and dated 1965...

Floral painting. Flowers in a vase. Mortimer Borne, Printmaker, painter, sculptor, and educator was born in Rypin, Poland in 1902 and emigrated to the US in 1916. He studied at the National Academy of Design, The Art Students League, The Beaux-Arts Institute of Design, and with Charles Webster Hawthorne, founder of the Cape Cod School of Art in Provincetown. Painted in a thick impasto style similar in technique to Samuel Rothbort and David Burliuk. Borne himself taught at The New School for Social Research in New York City from 1945-1967. From the 1920s through the 40s he was a prolific producer of New York City cityscapes and genre scenes. In later decades, he adopted a more modernist style apparently influenced by Picasso, producing color drypoints of abstracted figures. His works were widely exhibited in museums in the U.S. and abroad from 1931 and later, including the Art Institute of Chicago, the American Institute of Graphic Arts, Museum of Modern Art, Metropolitan Museum of Art, Corcoran Gallery of Art, New York Public Library, Carnegie Institute, and Royal Society of Painters, Etchers and Engravers in London. He taught at The New School for Social Research in New York City from 1945-1967, and at the Tappan...