Ray Donarski Art

Electric Jazz. 2018, canvas, oil, 90x110 cm Abstract composition in red, blue, yellow colors Igor Leontiev (1957) - one of the leading independent paint...

Heidi Archer – Noir et rouge is an original oil and acrylic abstract painting with charcoal on canvas board. Inspired by the boats, equipment and ropes in around our local harbour a...

Mid 20th century modern abstract oil on canvas attributed to French artist Norbert Palmade. The painting is not signed but was bought from his atelier and with a collection of his paintings and is therefore attributed to him. A highly colourful, energetic and impactful painting. The paint is very thickly applied in parts and is therefore also somewhat sculptural as a piece of art. Sand has been added to the paint to give the image great texture. A joyful painting to brighten any room. Norbert Palmade spent much of his early years living in Morocco. He arrived there in 1930 at the age of two and stayed until 1947 when he returned home to France. He finished his schooling in Hyères in the south of France, then travelled up to Paris to study architecture. There aged 25 he set up a public works business and worked as an architect right up until his retirement in 1991. Throughout this journey Palmade never stopped painting, at first in watercolours. He had always drawn, then moved on to gouache, oil and finally in the last twenty years, acrylic. The latter suited his rapid handling of paint well. He says of himself that he had no particular speciality. He would paint whatever gave him pleasure, although a large part of his heart belonged to those early years in Morocco and he painted many a canvas with subjects from this country. He took part in exhibitions in a number of towns near the south coast of France including, Sanary, Le Pradet and Ollioules. He was also the guest of honour at the Academy of the Var. Geometric abstraction is a form of abstract art based on the use of geometric forms sometimes, though not always, placed in non-illusionistic space and combined into non-objective (non-representational) compositions. Although the genre was popularized by avant-garde artists in the early twentieth century, similar motifs have been used in art since ancient times. Sonia and Robert Delauney...

Dream Big is an original oil painting, where colorful circles are inter-lapping on top of a grey color plane, surrounded by a black and grey landscape plain. The middle is a bright neon yellow square. Turning this into a very contemporary piece. Lilly Muth...

Prof. Richardson is the Chair of the Department of Art, he received his MFA degree from Washington University in St. Louis, and his BFA degree from the University of North Carolina, Chapel Hill. He joined the faculty at Maryland in 1978 and has maintained a professional focus on abstract painting and contemporary art theory. His work has been featured in 21 solo and over 100 group exhibitions in museums, galleries, and art centers in Washington, DC, New York, NY, Maryland, Virginia, North Carolina, West Virginia, Missouri, Ohio, Georgia, Minnesota, Illinois, Massachusetts, Pennsylvania, Tennessee, Texas, and internationally in Brussels, Russia, Jordan and Algiers. His work is currently represented by G Fine Art in Washington DC. Past gallery affiliations include Fusebox in Washington DC, and Baumgartner Gallery in DC and NY. Richardson has received numerous grants and awards for his work, including five Maryland State Arts Council Visual Arts Fellowships. Commissioned artwork is permanently installed at Ronald Reagan National Airport and Reston Town Center in Virginia. His work is held in numerous public and corporate collections, including the Hirshhorn Museum and Sculpture Garden (DC), the Corcoran Gallery of Art (DC), the Ackland Art Center (NC), the U.S. Department of State (Algiers), the District of Columbia Town Hall, Prudential Life (NY), IBM Corporation (DC), Richmond Federal Reserve Bank (VA), Washington Post Corporation (DC), Northrop-Grumman (VA), and Reston Town Center (VA). Richardson’s exhibitions have been reviewed in Art In America, Artforum International, ARTnews, NYArts Magazine, The Art Papers, The New Art Examiner, The Washington Post, The Washington Times, The Philadelphia Inquirer, The Baltimore Sun, The Richmond Times Dispatch, The El Paso Times, The Winston-Salem Journal, and The Washington City Paper, among others. Essays and monographs on his work have been published in many exhibition brochures and catalogues. An extensive interview with over 40 reproductions of his work can be found at the online curatorial project geoform. Richardson is an active visiting artist, lecturer, and juror at academic institutions and museums throughout the region and across the country. SELECTED GROUP EXHIBITIONS 2016 Resonance. Steven Cushner, W.C. Richardson and Robin Rose...

Well executed geometric abstract painting.  Really good interior designers piece. Excellent condition and well framed  John Hopwood 1942-2015. He had several paintings accepted for the Royal Academy...

Contemporary abstraction oil on canvas painting by Polish artist Iwona Delinska. Artwork is painted with different density paint which makes every layer of composition dynamic. Some ...

Colin Lawson says "I work primarily with oil on canvas. Attention to detail, precision, and accuracy in the application of pigment is my main concern when constructing the surface of...

Deja Vu #1 by Judith North [2022] Deja Vu is a series of abstract paintings which aim to capture my response to something previously experienced. Additi...

This painting is a great example of David Adickes' early work that embodies the abstract geometric style. Most likely originally sold at DuBose Gallery in Houston, Texas. Circa 1960s...

Contemporary abstraction oil on canvas painting by Polish artist Iwona Delinska. Artwork is painted with different density paint which makes every layer of composition dynamic. Some ...

Tetsuo Mizu (1944) Landscape Executed in 1987 Oil on canvas 72.8 x 90 cm (28 10/16 x 35 7/16 in) Dated and Signed “1999 MIZU” (lower left) Signed, dated, ...