Robert Kulicke Art

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Fruit Cup by Roy Wilce Oil Pastel Monoprint on Paper, signed lower right image 2x3", paper size is 10"x10", unframed, ships flat Colorful little contemporary still life of mixed fr...

"Tabletop Still Life" by Philadelphia born modernist and surrealist painter Leon Kelly, is a framed painting of a set dinner table with food, flowers, and wine. The 36" x 44" oil on ...

Oil on artist board painting of a bouquet in porcelain pitcher by the American artist Nicholai Cikovsky. Signed lower right. In good condition. In contemporary gold leaf frame 27 b...

From a limited edition of 1000. Plate signed on the bottom. Espresso cup and saucer can be displayed as an Anish Kapoor sculpture with the sauce...

Carol Stewart Ontario Summer Painting oil on paper on panel 24 x 20w in 60.96h x 50.80w cm CST010 Through her ethereal and often dreamlike paintings Car...

Delph II by Roy Wilce Oil Pastel Monoprint on Archival Paper, signed lower right image 3x4", paper size is 15"x12", unframed, ships flat Colorful little section of three delphinium...

Mystery American Artist Untitled, 1930 Oil on canvas 29 1/2 x 23 3/4 in. Framed: 34 1/2 x 28 3/4 x 1 1/2 in. Signed and dated lower left

Here for your consideration is a very well executed still life with apples by the American artist, Richard C. Pionk. Signed lower right “Pionk”. Oil paint on card stock. Condition is excellent. Circa 1980. The artwork is housed in a gold leaf gallery frame from the period which is in fine condition. Overall framed measurements are 10.75 by 12.75 inches. Provenance: A Ellenton, Florida estate. Richard Cletus Pionk (April 26, 1936 – June 5, 2007), beloved instructor of painting at the Art Students League of New York and president of the Salmagundi Club, died June 5, 2007, but his work stands as a masterclass in still life painting, primarily in oils and pastels. Born April 26, 1936 in Moose Lake, Minnesota Pionk moved to New York City where he made a life revolving around painting and teaching. Best known for his still lifes, portraits, and interior scenes in oils and pastels, Pionk learned much about classical still life painting by spending hours in his beloved museums, including the Brooklyn Museum and other New York museums, as well as the École du Louvre in Paris. Pionk studied the works of many artists, in particular Jean-Baptiste-Siméon Chardin, Antoine Vollon, and Henri Fantin-Latour. He also studied with Daniel Green and Sidney E. Dickinson at the Art Students League of New York. He later taught there, and at the Pastel Society of America School and the National Arts Club in New York. He was also the longest running president of the Salmagundi Club. During his accomplished art career, Pionk earned more than 100 awards from the Pastel Society of America, Audubon Artists, National Arts Club, and numerous other professional associations. In 1984, he was named Master Pastelist by the Pastel Society of America, and in 1997 was inducted into the Pastel Hall of Fame. In 1994, his work was included in the Taiwanese exhibit, “Contemporary Pastel Artists...

This is a one-of-a-kind monoprint on archival paper from Deirdre Murphy's "Nest Alchemy" series, which explores the connection between neuron dendritic structures and songbird cup ne...

ALFRED MAURER (1868-1932) Still Life (double-sided), n.d. Oil on board 22 x 13 ½ inches Signed verso: A. H. Maurer PROVENANCE Estate of Gaston Lachaise [Salander-O'Reilly...

A charming oil painting on paper depicting a colorful floral still life in a white vase on top of a wood table. The flowers depicted are a bright bunch of carnations, daisies, greene...