Sidney Richard Percy Art

The Harbour British School, 20th century signed bottom right oil on canvas, framed framed: 28 x 37 inches canvas: 20 x 30 inches private collection, England the painting is in overal...

Scottish Highland landscape scene with English Setter gun dogs, the day's bag, and Red Grouse, after a day shooting. M. Fawcett was a pseudo name for Robe...

Late 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...

French 19th century Chickens in a barn or Chicken coop interior Charles-Emile Jacque (23 May 1813 – 7 May 1894) was a French painter of animals ...

William Stephen Coleman British, (1829-1904) By the Fish Pond Oil on canvas, signed & dated 1898 Image size: 23 inches x 35 inches Size including frame: 30.25 inches x 42.25 inches A beautiful painting by William Stephen Coleman of a woman with two girls in a semi classical style by a Mediterranean pond. The woman is depicted resting on a terrace with her young daughter asleep on her lap, whilst another child catches goldfish in a bowl. This tour de force would have most likely been painted by Coleman as an exhibition piece. William Stephen Coleman was a figurative painter who was born in Horsham in 1829. He was one of 12 children born to a physician named William Thomas Coleman and his wife Henrietta (née Dendy). Three of his siblings Rebecca Coleman (b1837), Helen Cordelia Angell (1847–1884) and George Coleman also became artists, inheriting their artistic talent from their mother’s side of the family. Coleman developed an interest in nature from an early age, producing drawings as a hobby. Despite his ability, he initially followed in his father’s footsteps and trained as a surgeon. However, this proved unsuccessful and by the age of 21 he had turned back to art, later gaining employment with the Dalziel Brothers, a firm of wood engravers who specialised in natural history illustrations. Sometime during the late 1850’s he moved to London where he married his first wife Henrietta Augusta Boultbee in 1858. Around the same time, he began producing illustrations for books; the first of which was entitled ‘Common Objects of the Country’ and published in 1858. He subsequently published two of his own books ‘Our Woodlands. Heaths, and Hedges’ in 1859 and ‘British Butterflies’ in 1860. After the death of his wife in 1860, his sister Rebecca and brother George went to live with him in Garway Road, Paddington. Rebecca would often assist him with the wood blocks for his illustrations. As well as working as an engraver, he also began producing classically influenced paintings featuring figures in landscapes. Initially these were executed in watercolours but later extended to oil paintings. He began exhibiting at the Dudley Gallery in 1865 and was one of the original committee members. He continued to exhibit there until 1879 and was a committee member up until 1881. By 1869, he had also begun to work on pottery decoration and in 1871 was asked by Minton’s to establish an Art Pottery Studio at Kensington Gore. Whilst at Minton’s, he produced figure designs for their ceramic ware. His sister Rebecca also worked at Minton’s and they moved to Belle Vue in Chelsea to be closer to the studio. From 1881, he lived at 3 St John’s Wood Studios, Queens Terrace in Paddington and in 1888 moved to 43 Broadhurst Gardens in Hampstead. In 1893 one of his classically inspired works ‘The Gold Fish Bowl...

John Frederick Herring Junior, Antique 19th century English, Cart Horses in a farmyard landscape with cottage. John Frederick Herring Jnr. was a painter of sporting and animal subjects in oil and watercolor. His style was very similar to that of his father, John Frederick Herring Snr...

Breton Fisherfolk on the Shore French School, early 1900's signed with initials HB oil on canvas, unframed canvas: 15.5 x 20 inches provenance: private collection, France condition: ...

The Village Duck Pond by W. Cartwright (British exhibited between 1875-1899) signed and dated 1860's oil on canvas, framed framed: 18 x 14.5 inches canvas: 15.5 x 12 inches provenanc...

Crossing the Bridge Scottish School, late 19th century signed lower corner oil painting on canvas, framed framed: 9 x 13 inches canvas: 7 x 11 inches provenance: private collection, ...

Artist/ School: British School, second half 20th century, signed lower left 'Champion' Title: a copy after de Loutherbourg's 1795 painting of Lord Howe's action of 1 June 1794 in th...

The Steeplechase English School, late 20th century oil on canvas, unframed canvas: 24 x 36 inches provenance: private collection, UK condition: very good and sound condition

Cattle by Stream English artist, late 19th century inscribed on label verso oil on board, framed framed: 14 x 17 inches board: 9.5 x 13 inches provenance: private collection, England...