Steve Pellegrini Art

Stencil on slag glass. No known maker. Dragon stencil. Condition is excellent. Circa 1975. Soldered lead frame and hanger. Provenance: Sarasota estate collection

Buddha stencil on green slag glass. No known maker. Dragon stencil. Condition is excellent. Circa 1975. Soldered lead frame with double hanger. Provenance: Sa...

"Coalescence #1" 25" x 21.5" inch by Oleg Char Medium: Spray paint, Acrylic on restored Antique Mirror, Wood frame THE ARTIST: Unearth the essence of contemporary art with Oleg Cha...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Classically trained in Florence, Italy, Kii creates his modern mosaics using traditional techniques and materials, including hand-cut Italian marble and Venetian smalti glass. Eschewing the figural in favor of the abstract, his mosaics rely on contrasts of pattern and form to convey complex themes and achieve visual harmony. Toyoharu Kii’s latest body of work “Geophytes” continues themes of rebirth and renewal. A reference to plants that regrow from hidden elements beneath the earth’s surface, the series celebrates the resilience of the natural world. Each mosaic is imagined as a landscape that documents a history of environmental damage due to human activity, and the subsequent return of nature as a restorative force. Through the juxtaposition of patterns and the interplay of order and disorder, Kii creates man-made “images of destruction” and finds hope in the future by “reconstructing nature.” In this mosaic entitled "Ghost (Big Wings)," Kii takes a more representational approach to his storytelling, creating figurative drawings out of thin lines of tesserae. The mosaic belongs to his “Ghost” triptych, wherein Kii uses “wings” to represent the presence of a heavenly being, the ghosts of past spirits or the presence of an angel or guardian. In “Ghost (Big Wings),” Kii mourns the extinction of many creatures due to environmental change and imagines their lonely spirits wandering the earth. Enveloping their silhouettes is “a bird with big wings,” writes Kii, depicted here within a dense mosaic of abstract patterns, a symbol for nature’s healing power. “The bird consoles...

Mill cottage with horse and figure stencil on green slag glass. No known maker. Dragon stencil. Condition is excellent. Circa 1975. Soldered lead frame with double hanger. Provenanc...

This hand-blown square vase by Ioan Nemtoi could easily be the centerpiece of any collection of glass art. Nemtoi's incorporation of gestural composition techniques derived from Abstract Expressionism into his glass work yields a dazzling array of colors when this vase is illuminated from the inside. Hand-blown glass 13.25 x 7.4375 x 7.25 inches Signed 'Nemtoi' along the base Ioan Nemtoi was born in 1964 on a farm in Trusesti near Dorohoi, in North-Eastern Romania, as the eldest son of a large family. When Nemtoi was in the fifth grade, one of his teachers noticed his artistic talent and sent him to art school. Later he went on to the art branch...

Ioan Nemtoi's 'Red Karo Sphere' could easily become a centerpiece of any space or of any collection of glass art. The large oval form of the vase and the bright red color has a commanding presence. In addition, the artist's use of a grid-like pattern in the vase is striking, while regions of green and yellow remind of gestural Abstract Expressionist painting. 16 x 15 x 15 inches Signed 'Nemtoi' along the base Ioan Nemtoi was born in 1964 on a farm in Trusesti near Dorohoi, in North-Eastern Romania, as the eldest son of a large family. When Nemtoi was in the fifth grade, one of his teachers noticed his artistic talent and sent him to art school. Later he went on to the art branch...

Ioan Nemtoi's 'Oval Red Karo Large Vase' could easily become a centerpiece of any space or of any collection of glass art. The large oval form of the vase and the bright red color has a commanding presence. In addition, the artist's use of a grid-like pattern in the vase is striking, while regions of green and yellow remind of gestural Abstract Expressionist painting. 22 x 15 x 15 inches Signed 'Nemtoi' along the base Ioan Nemtoi was born in 1964 on a farm in Trusesti near Dorohoi, in North-Eastern Romania, as the eldest son of a large family. When Nemtoi was in the fifth grade, one of his teachers noticed his artistic talent and sent him to art school. Later he went on to the art branch...

Murano Glass. Signed and numbered EA 2/3. Free shipment worldwide. With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...

Mixed technique

In the series “Heavenly,” Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles. In others, irregular shapes cont...

The artists, Bengt Hokanson and Trefny Dix, are known for their distinctive blown glass forms and their mixed media sculptures. Contemporary Italian and Swedish glasswork, urban graffiti, world textiles, as well as forms and color patterns from nature have influenced their blown glasswork. Bengt Hokanson graduated from Tulane University with a degree in Anthropology and a minor in Glass. After graduating, Bengt worked for glass artist, Gene Koss...