Wendell Brazeau Art

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

One in a series of three abstract paintings made in 2023 by Amanda Andersen, initialed on the back. An array of loose geometric shapes: rectangles, triangles and circles converse wi...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Michael Heizer III-8 (two unique works), 1983 Monoprint on two individual sheets of white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray ac...

Katherine Porter Country Music (Nashville is an Enigma), 1986 Mixed media; colored pencil, gouache, and graphite on paper, uniquely signed and inscribed with Nashville dateline Hand ...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Larry Zox Study for Scissors Jack Series, 1965 Mixed media and colored ink drawing on draft paper Hand signed and dated on lower right recto (front). Bears Forager House Collection s...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Jack Tworkov 'Untitled,' 1974 Graphite and colored pencil 14 x 16.75 inches (image) 20 x 23 inches (sheet) 21 x 24 inches (frame) Signed

Lawrence Kupferman was born in the Boston area (b.1909 - d.1982) , and he became one of the most important abstract artists to emerge from there in the early 1940s. Kupferman worked as an artist for the WPA in the 1930s, developing a strictly realist style that depicted Victorian houses and other detailed architectural images. Around 1943 Kupferman began to integrate more expressionistic forms into his works. He soon moved completely away from recognizable subject matter and definitively became an abstract painter. In 1946 he studied with the influential German-born artist Karl Zerbe at the School of the Museum of Fine Arts in Boston. Kupferman later attended the Massachusetts College of Art, where he would become a professor and retire as its Head of Painting in 1969. His focus, as it would remain until the late 1960s, was on abstract, marinelike amoeboid forms—intimated, rather than strictly described. Kupferman was an active participant in a huge thrust in Boston art in the 1940s to create a vibrant art scene that rivaled New York. He has been appropriately credited with bringing Abstract Expressionism to Boston, serving as a critical artistic conduit to New York painters such as Mark Rothko and Hans Hofmann, contacts he made in Provincetown, Massachusetts, where he spent his summers beginning in 1946. Kupferman’s unique brand of abstraction integrated with the already burgeoning figurative expressionism in Boston, and he showed at the Boris Mirksi Gallery, arguably the most important Boston gallery...