Pierre Georges Jeanniot

Cleaning Of the House - Drawing By Pierre Georges Jeanniot-Early 20th Century

Early 20th Century

Mon dieu, gardez-moi mon enfant is an original artwork realized by Paul Delhommeau, in 1868. Watercolor drawing on brown cardboard glued on on a white paper ...

People in room with dog in the middle is an original pencil sketch drawing on paper realized in ink and pencil in the 19th Century by Tony Johannot (1803 – 1852). Good condition, minor cosmetic wear.. Hand-signed by the artist on the lower margin. Tony Johannot (1803 – 1852) was a famous French painter, illustrator and engraver. Among his most famous illustrations: those of the Histoire du roi de Bohême et de ses sept châteaux by Ch. Nodier (1830), by Don Quichote...

Theatrical sets is an original watercolor drawing on paper realized in the 19th Century by Tony Johannot (1803 – 1852). Good condition, minor cosmetic wear.. Not signed, but with annotations on the margins of the sheet. This artwork represents two designs for theatrical sets. Same size for both designs. Tony Johannot (1803 – 1852) was a famous French painter, illustrator and engraver. Among his most famous illustrations: those of the Histoire du roi de Bohême et de ses sept châteaux by Ch. Nodier (1830), by Don Quichote...

People in a room is an original pencil sketch drawing on paper realized in the 19th Century by Tony Johannot (1803 – 1852). Good condition, minor cosmetic wear.. Hand-signed by the artist on the lower margin. Tony Johannot (1803 – 1852) was a famous French painter, illustrator and engraver. Among his most famous illustrations: those of the Histoire du roi de Bohême et de ses sept châteaux by Ch. Nodier (1830), by Don Quichote...

Interior is an original drawing on paper, realized by Jean Albert Grand-Carteret in the early 20th Century. The state of preservation is very good. The artwork represents a woman i...

Figures is an original Drawing on paper realized by the painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed on the lower. Good conditions except for aged m...

By Virginia Conroy Dedini (American, 1922-2006). Titled lower left, 'Mitsuko ''Okaido Born''' and dated August 1976. Exhibited: Carmel Art Associati...

Black and white naturalistic interior scene pencil drawing by artist Douglas Schneider. The work features a young woman laying on an intricate bedspread in a highly decorated room. S...

SEDUCTRESS is a unique original mixed media watercolor and graphite on paper, hand drawn and painted by the Dutch artist Nico Vrielink. SEDUCTRESS portrays a dark haired young woman wearing an off-shoulder evening gown and long elegant evening gloves looking sideways over her shoulder, seductively posing on a modern settee, her warm coral pink lipstick, rose lavender eye shadow and warm rose blushed cheeks enhancing her passionate mood. SEDUCTRESS is an erotic fashion portrait of expressive, modern boudoir art...

Watercolour on paper Paper size: 10 x 13.75 inches Framed size: 18.75 x 21.5 inches Signed lower left

Adolph Eduard Otto von Faber du Faur (1828 Ludwigsburg - 1901 Munich). Man sitting in the studio. Watercolour painting, 43 x 27 cm (visible size), 73 x 53 cm (frame), monogrammed at lower right, estate stamp. Upper right corner neatly repaired, small tear in the wall to the left of the sitter. - Thinking about art - About the artwork The sitter, an elderly man, is seated in a studio on a pedestal reminiscent of an academy hall. The earthy, dark tones give the scene a weighty quality. The lightest tones are found in the incarnate parts of the figure, which do not stand out from the other colours of the picture, but are linked to them. As a result, the sitter's face is both part of and the highlight of the colour references in the picture. The colour of the sitter's skin is reflected in his pink coat, while his white-grey hair matches the colour of the wall next to him. This almost monochrome wall surface, in turn, is connected across the portrait to the framed picture standing on the floor, which seems to have been erased by this correspondence with the empty wall surface. Through the palette, which is positioned directly behind the sitter's head, the reference to painting, which is already given by the studio space, is explicitly linked to the sitter, who thus seems to be contemplating the question of the meaning of art. This raises the question of whether Faber Du Faur, who had become lonely in his old age, might have painted a self-portrait here in his later years. In addition to the studio setting, the sitter's explicit reference to the palette and the fact that the picture was part of his estate, the only summary elaboration of the body suggests a self-portrait, while the representation of the face is concretised with the wide-open eyes typical of a self-portrait. This concentration on the face gives the impression of the artist's melancholy introspection, captured by the palette and related to the meaning of painting, whose dark character is reinforced by the concealment of the palette hanging on the right of the picture in the light tones so characteristic of Faber Du Faur. In the course of this resignation, Faber du Faur advises his son Hans, who has also become a painter: "Promise me one thing: never move to Munich, they'll kill you here!" Whoever the sitter may be, the references to painting make the portrait a resigned self-contemplation by Faber Du Faur, focused on art. About the artist After leaving school, Otto Faber du Faur entered the service of the Württemberg army, at the same time cultivating his artistic talent. In 1851, on the recommendation of his father Christian Wilhelm, who was himself a battle painter, he spent six months in Munich as an apprentice to Alexander von Kotzebue. In 1852 he was granted a year's leave of absence from military service to study battle painting in the studio of Adolphe Yvon...

This large stunning watercolour portrait was painted circa 1930 by noted British female artist Anna Airy. The portrait depicts a full length boy seated in a beautiful Art Deco interi...