Items Similar to Trees Over the Vineyard
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Robert HallowellTrees Over the Vineyardc. 1930
c. 1930
About the Item
Trees Over the Vineyard
Watercolor on heavy paper, c. 1930
Signed with the estate stamp verso (see photo)
Sheet size: 16 1/2 x 19 1/8 inches
Condition: Excellent
Illustrated: Marbella Gallery Inc., Robert Hallowell, 1886-1939), No. 13
Provenance: Estate of the Artist
Marbella Gallery Inc., New York
Fred Thayler Cohen (by decent)
“There is in Mr. Hallowell’s work a grace that amounts to graciousness.”
Leo Stein (1872-1949)
Robert Hallowell (1886-1939) was highly regarded as an artist exhibiting at the finest galleries and museums in American and France in the 1920’s and 1930’s. His other professional life included graduating from Phillips Academy, Andover and Harvard University. While at Harvard he was president of the Harvard Lampoon (1909-1910) and was a founding member of the now famous New Republic Magazine with Walter Lippman and Herbert Croly. Robert worked there as business manager and publisher from 1914 to 1925, when he left to concentrate on his artistic creativity. Hallowell was an official for the Treasury Department during World War One. His final Government posting was as Assistant Director of the Federal Arts Project in 1935-36. How can someone of such cultural involvement have fallen to total obscurity today?
All the works came from Mildred Thaler Cohen (1921-2012), a noted New York collector and gallerist. Along with her first husband, they started collecting American paintings in the 1950’s when they were out of public favor. Upon the death of her husband, she opened the Marbella Gallery on 72nd Street in Manhattan establishing the reputation of being a connoisseur/dealer. The offerings were displayed in her gallery and home salon style.. When and how the Thaler’s acquired the works remain a mystery.
On my first viewing of Hallowell’s artwork, I was taken with his application of paint (oil and especially watercolor) and his color harmonies and delicate shading. The limited scholarship on the artist tells us he was self-taught. All the more impressive. Today, they stand the test of time and should be regarded for their beauty and for the historic acclaim they achieved in the 1920’s and 30’s.
Public Collections:
Phillips Collection, Washington, D.C.
Cleveland Museum of Art
Brooklyn Museum of Art
Baltimore Museum of Art
Harvard University, Adams Hall
McBride Collection
Lewishon Collection
Arthur B. Davies Collection
Metropolitan Museum of Art
Worcester Art Museum
Museum of the City of New York
Fogg Art Museum, Harvard
Museum of Fine Arts, Boston
Denver Museum
Newark Museum
Wilmington Museum
Selected Exhibitions
Bernheim-Jeune, Paris, 1924, 1925
Montrose Gallery, New York, 1924, 1927, 1929, 1932
Memorial Art Gallery, Rochester, NY 1925
Druet Gallery, Paris 1927
Feragil Gallery, New York 1930
Knoedler Gallery, Chicago 1930
McClaus Gallery, Philadelphia 1933
Macbeth Gallery, New York 1934
Paul Reinhardt Gallery, New York 1939
Babcock Gallery, New York 1949
Baltimore Museum of Art
Corcoran Gallery, Washington D.C.
Art Institute of Chicago 1925, 1926, 1927
Pennsylvania Academy of Fine Arts 1927, 1928, 1929
Brooklyn Museum, American Watercolors, Pastels, Collages, 1984
Excerpts from reviews of Hallowell’s exhibitions:
Royal Cortissoz (Art Critic New York Herald Tribune), 1924
“He is a firm and spirited workman, clever in the notation of his light, and very good in his color.”
Leo Stein (1872-1949) noted art critic and brother of Gertrude Stein, wrote in 1925
“There is in Mr. Hallowell’s work a grace that amounts to graciousness.”
New York Times Obituary Notice, Jan. 28, 1939
“…in 1926 a large showing of his watercolors and oils in the Montrose Gallery in New York established his American reputation.”
Elizabeth Luther Cary (1967-1936, the first art critic at the New York Times), 1935
“The paintings of Robert Hallowell speak in fewer words of greater things…Done expertly with a personal emotion…”
Ronald G. Pisano (1948-2000), noted American Art Historian and scholar on the works of William Merritt Chase wrote in the Marbella Gallery catalog of Robert Hallowell’s works:
“His art, like many of his contemporaries, reveals his interest in modernist tendencies introduced to American art in the early 20th century. It is only within recent years that artists such as Hallowell are being appreciated for their full value and whose historical significance is now emerging.”
- Creator:Robert Hallowell (1886-1939, American)
- Creation Year:c. 1930
- Dimensions:Height: 16.5 in (41.91 cm)Width: 19.125 in (48.58 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2013
716 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Fairlawn, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
More From This SellerView All
- The Duomo, FlorenceBy Donald Shaw MacLaughlanLocated in Fairlawn, OHThe Duomo, Florence Watercolor, 1914 Signed and dated lower center edge (see photo) Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi. Condition: Excellent Image size: 16 3/4 x 14 1/2 inches Frame size: 24 1/4 x 22 inches Donald Shaw MacLaughlan was born in Charlottetown, Prince Edward Island, Canada on November 9, 1876. His family moved to Boston, Massachusetts in 1890 where he began to experiment with different art media; watercolor, oil painting and finally, etching – with a few attempts at lithography. He spent much of his early years at the Boston Public Library studying the work of printmakers, from Durer and Rembrandt to the 18th century English, French and Italian masters. Like many American artists of the time MacLaughlan traveled to Europe to study in Paris, enrolling in the Ecole des Beaux Arts and studied further with Jean Leon Gerome and Jean Paul Laurens. In 1899 he began producing etchings, which became his major interest until his death in 1938. He became acquainted with James NcNeill Whistler (1834-1903) and other artists who created etchings and spent time studying the etchings of Rembrandt van Rijn (1606-1669) and other old masters in the collection of the Bibliothèque Nationale. Both Rembrandt and Whistler would have major influences on his art. In 1900 he created a set of 25 etched views of Paris and in 1901 exhibited two etchings in the Salon de la Société Nationale des Beaux-Arts. He returned to the U.S. in 1903, then went back to Paris the following year. He traveled extensively in Europe, visiting England, Switzerland, Italy and Spain as well as various locales in France. His etched views of Venice were well-known. MacLaughlan exhibited views of Paris, Rouen, Normandy and Italy in 1906 in a solo show at the American Art Association Galleries in Paris. He also displayed his work in the 1906 exhibitions of the Société Nationale des Beaux-Arts and the Société des Peintres-Graveurs Français. MacLaughlan even instructed other expatriate Canadian artists then living in Paris, most notably Clarence...Category
1910s American Modern Landscape Drawings and Watercolors
MaterialsWatercolor
- untitled (Rocks along the Coast)By William C. GrauerLocated in Fairlawn, OHuntitled (Rocks along the Coast) Gouache and watercolor on paper, c. 1950 Signed with the estate stamp signature lower left (see photo) This is a preliminary study for a large exhibition painting...Category
1950s American Modern Drawings and Watercolor Paintings
MaterialsGouache
- Untitled (West Virginia fam valley and blue hills)By William C. GrauerLocated in Fairlawn, OHAfter creating murals for the Greenbrier Hotel in White Sulfur Springs, West Virginia in 1932, together Grauer and his wife founded and co-directed the successful Old White Art Colony, School and Gallery, which they continued to frequent during the summer months in the 1930s and 1940s. Grauer’s involvement in West Virginia also included his West Virginia murals for the West Virginia exhibitions at the 1933 Century of Progress Exhibition in Chicago and the 1939 World’s Fair in New York City. William C. Grauer (1895-1985) William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans Mitchell. Soon, the Rorimer-Brooks design company, the developer Van Swerngen brothers, as well as the Sterling Welch and Halle Bros. department stores realized the extent of Grauer's talent and eagerly employed him. Grauer’s work during this time included architectural renderings for Shaker Square, Moreland Courts, and other many other projects commissioned by Cleveland architects. Grauer also remained true to his roots as a master designer of stained glass windows. With his work in such high demand, Grauer received a commission in 1921 to paint murals for the French Grill Room of the Kansas City Club...Category
1930s American Modern Landscape Drawings and Watercolors
MaterialsWatercolor
- Staten IslandBy Robert HallowellLocated in Fairlawn, OHStaten Island Watercolor on paper, c. 1928 Signed with the Estate stamp lower left Sheet size: 19 1/8 x 23 7/8 inches Titled on verso Part of small series of watercolors done of the ...Category
1920s American Modern Landscape Drawings and Watercolors
MaterialsWatercolor
- untitled (Street Scene Mexico)By William GrauerLocated in Fairlawn, OHUntitled Mexican Landscape (Man Walking on Street) Ink and watercolor on paper. Signed with the estate stamp lower right (see photo) From the Estate of the Artist with the artist's estate stamp lower right. C. 1960's Condition: excellent Image/Sheet size: 9 7/8 x 7 5/8 inches William C. Grauer (1895-1985) William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans Mitchell. Soon, the Rorimer-Brooks design company, the developer Van Swerngen brothers, as well as the Sterling Welch and Halle Bros. department stores realized the extent of Grauer's talent and eagerly employed him. Grauer’s work during this time included architectural renderings for Shaker Square, Moreland Courts, and other many other projects commissioned by Cleveland architects. Grauer also remained true to his roots as a master designer of stained glass windows. With his work in such high demand, Grauer received a commission in 1921 to paint murals for the French Grill...Category
1960s American Modern Landscape Drawings and Watercolors
MaterialsWatercolor
- Landscape with buildings and treesBy Leon KellyLocated in Fairlawn, OHLandscape with buildings and trees Watercolor on paper, c. 1930's Signed in pencil lower right (see photo) Provenance: Estate of the artist Condition: Excellent Sheet size: 9 3/8 x 1...Category
1930s American Modern Landscape Drawings and Watercolors
MaterialsWatercolor
You May Also Like
- Untitled (Industrial Street)Located in Los Angeles, CAThis work is part of our exhibition - America Coast to Coast: Artists of the 1940s Untitled (Industrial Street), c. 1940s, watercolor on paper mounted on illustration board, estate stamp verso (signed by Peter Corbridge, the artist’s son); 14 x 21 inches; unframed Edgar Corbridge was a Massachusetts-based precisionist painter who mainly worked in watercolor. In 1916, three years after immigrating from England, Corbridge completed a course of study in sign painting at the Fall River, Massachusetts Technical High School and obtained an apprenticeship with the Armour Sign Shop. Throughout his career, Corbridge was mainly self-taught as a fine artist. In 1918, Corbridge received his first recognition as an artist for his entry in a Fall River Women’s Club poster competition. During much of his professional life, Corbridge worked as a self-employed window trimmer and operator of the Corbridge Display Service, supplemented by income from the occasional sale of his paintings. Corbridge gleaned the subjects for his works in and around his home in Fall River, Massachusetts, as well as Provincetown. In the 1940s, Corbridge began to exhibit frequently, including at the annual exhibitions at the Jordan Marsh Company...Category
1940s American Modern Drawings and Watercolor Paintings
MaterialsWatercolor, Board
- Estes Park (Colorado), American Modernist Watercolor PaintingBy James Russell ShermanLocated in Denver, COVintage view of storefronts in Estes Park, Colorado, near Rocky Mountain National Park by James Russell Sherman (1906-1989). Watercolor and ink on paper, signed by the artist in the ...Category
1930s American Modern Landscape Drawings and Watercolors
MaterialsWatercolor
- San Miguel, MexicoBy Dong KingmanLocated in Missouri, MOSan Miguel, Mexico By Dong Kingman (American, 1911-2000) Unframed: 22" x 15" Framed: 31" x 24" Signed Lower Left Born in Oakland, CA on March 31, 1911. When Kingman was five, his family moved to Hong Kong where he grew up and attended Lingnan Grammar School. The headmaster of the school, Szetu Wei, had studied painting in Paris and recognized his budding artistic talent. For several years he trained young Kingman in both oriental and occidental approaches to painting. Returning to San Francisco in 1929, Kingman became active in the local art scene and began painting scenes of the city. His first solo show at the San Francisco Art Center in 1936 brought immediate recognition. During the 1930s he spent five years working on commissions for the Federal Public Works of Art Project. During WWII he created maps and charts for the O.S.S. After the war Kingman settled in NYC and taught at Columbia University. His paintings were used as backdrops for the movie "Flower Drum Song...Category
20th Century American Modern Landscape Drawings and Watercolors
MaterialsWatercolor
- African American Woman artist Mailou Jones Cezannian Cote d'Azur cubist villageLocated in Norwich, GBIf you are interested in African American Art and in Women in the Arts, I will certainly not need to introduce Lois Mailou Jones (1905-1988). Often associated with the Harlem Renaiss...Category
Mid-19th Century American Modern Landscape Drawings and Watercolors
MaterialsWatercolor, Gouache, Handmade Paper
- Cows in a Field, Early 20th Century American Modernist Landscape WatercolorBy William SommerLocated in Beachwood, OHWilliam Sommer (American, 1867-1949) Cows in a Field Watercolor on paper Signed lower left 11.5 x 15.5 inches 17.5 x 21.5 inches, framed William Sommer is seen as a key person in br...Category
Early 20th Century American Modern Animal Drawings and Watercolors
MaterialsWatercolor
- Original 1930s Painting Fortune Cover Proposal. Industrial Modern American SceneBy Antonio PetruccelliLocated in New York, NYOriginal 1930s Painting Fortune Cover Proposal. Industrial Modern American Scene Antonio Petruccelli (1907 - 1994) Steel Mill Fortune cover proposal, c. 1945 13 1/2 x 10 3/4 inches...Category
1930s American Modern Landscape Paintings
MaterialsBoard, Gouache