Art by Medium: Wool

Reworked textile with wool

Reworked Textile with Wool. Framed

This is an Aubusson style flat weave hand woven wool tapestry. This is from the George Goldstein Atelier in Jerusalem. (Originally known as Nazareth Tapestries) They produced genuine handmade Gobelin tapestries in Israel). This does not bear a label and is not signed, (it might be one of a kind) It might have been a study for a larger piece. It is based on a painting of a fisherman. In 1964 the first French style weaving studio was inaugurated in Israel, in the new city of Nazareth Ilit. With the encouragement of master Jean Lurcat, woven upon several contemporary masters’ original sketches, such as Jean Lurcat, Hans Hartung, Adolph Gottlieb, Karel Appel, Yaacov Agam, Mordecai Ardon, Reuven Rubin, Danny Caravan, and more. Some of these tapestries encountered their moments of glory during the international exhibitions, such as in the Museum of Modern Art (NY), “Expo Montreal” (Canada), Biennale of Lausanne (Switzerland), and others. In 1967, after the Six-Day War, Nazareth’s workshop closed its doors and returned to Jerusalem, where I opened a new studio with a young team made up of eighteen artisans, dedicating their work more specifically towards Israeli artists. The tapestries are woven upon the original sketches of Yohanan Simon, Naftali Bezem. They can be seen on the walls of the Israeli President’s residence, the Yeshiva University of New York, the University of Haifa, New York Bank Discount, as 60-square meter tapestries for the Shaare Zedek Medical Center, Jerusalem, and in ceremonial art. Tapestries for Parochet and Torah mantles are seen in Washington, Bet-El Springfield, Babson College, Boston, Bet-El Univ. Andover, Bet-El Highland Park and the Strasbourg Great Synagogue in France. Along with Itche Mambush in EIn Hod these were the fine, Gobelin style modern art tapestry...

This piece titled "Brushstrokes Rug" is an original artwork by Jason Andrew Turner made from tufted wool. This piece measures approximately 18" x 48" and was made in partnership with...

Board Sz: 15" x 14 5/8" w/ plexiglass cover Frame Sz: 15 5/8" x 16 1/8" x 1 1/2"D w/ monogram letter: A

Robert Indiana’s, "Classic Love" tapestry is a wool iteration of the artist's iconic “LOVE," which began as a simple Christmas card design for the Museum of Modern Art, NYC in 1964 and has since become one of the most recognizable contemporary works created. This hand-tufted tapestry...

this is a bright vibrant abstract wall hanging tapestry by Calman Shemi. I believe the material is wool with a linen backing but i am not positive. it can also be used as a floor rug...

Proud Liner of the Aberdeen White Star Line, AUSTRALASIAN carried emigrants and first-class passengers to Australia and South Asia in the late 1880s & 1890s. This colorful period woo...

"We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

The wildness and attention to detail that underlies the creative forces of nature are also present in these fantastic mixed-media sculptural works by Eva Maier. Made manifest in the...

The physical processes involved in making these sculptures also reflects transformation of materials. Felt that is hardened and molded by repeated pricking with a barbed metal point...

This piece titled "Brushstroke Rug" is an original artwork by Jason Andrew Turner made from tufted wool. This piece measures approximately 36" x 96" and was made in partnership with ...

Artist: Ottavio Missoni, Italian (1921 - 2013) Title: #2 Year: circa 1980's Medium: Woolen Tapestry mounted to support board for hanging Size: 46 in. x 92 in. (116.84 cm x 233.68 cm)

Rain and Mountains by Javier Vicente Handwoven Zapotec Rug attached to a wooden wall hanger 56" x 32" Javier grew up in the town of Teotitlán in the state...

Tracey Emin Always Me (Hand signed and dated by Tracey Emin), 2004-2016 Limited edition two-sided hand bag of printed cotton canvas, leather trimmings and wool felt patchwork. Uniquely hand signed and dated by Tracey Emin in black marker 10 × 18 1/4 × 8 1/4 inches Hand signed and dated in black marker by Tracey Emin; also bears plate signature Produced by Tracey Emin in collaboration with Longchamp If you're looking for a special Tracey Emin gift that nobody you know has, and that you are unlikely to find anywhere else in the world - this is it. Tracey Emin has been internationally acclaimed for her textile work, so it is not surprising that the company Longchamp would have commissioned her to design a bespoke handbag for them. This is the only Tracey Emin Longchamp bag...

Romare Bearden Mourning ~ Hand Woven Textile - 1980 Textile - Tapestry   49'' x 35'' in Hand-made Wool Tapestry made in Tabriz style.

Dimensions board backing is 2 X 18.5 board opening is 16.5 X 13 inches 19th Century framed tapestry of a Rabbi, embroidered sampler, with beaded script below. (it reads J. Eger Oberlandes Rabbiner or Oberlander Rabbiner) There is some sort of texture and dimension to his fur hat (Shtreimel) and coat collar. This is being sold without the frame.. Rabbi Akiba Eger (5521-5598; 1761-1838) Rabbi Akiba Eger was one of the greatest scholars of his time, who had a great influence on Jewish life. He was born in Eisenstadt, Hungary, in the year 5521 (1761), nearly two hundred years ago. The city of his birth was a seat of learning for centuries, and his family was a family of scholars and Rabbis.Rabbi Akiba Eger, who was Rabbi in the famous community of Pressburg (also Hungary, but since 1913 it belonged to Czechoslovakia and was called Bratislava). He was invited to become Rabbi of the famous city of Posen, and in fact became the chief rabbi of the entire Posen province, though he did not carry that title. His famous son-in-law, Rabbi Moshe Sofer (known as the 'Chasam Sofer'), Rabbi of Pressburg, who had married Rabbi Akiba Eger's daughter. King Frederick III of Prussia honored him with a special medal. Rabbi Akiba Eger was recognized as a great authority on Jewish law, and many well known rabbis and Jewish leaders turned to him for advice and decisions on points of law. "This sort of art, craft work, emerges from a long tradition of Jewish folk art...

Original art by Alena Po. Hand-Woven Wool Tapestry "Pure Joy". This work was born in reflection on the simple joys of ordinary life. The addition of the thre...

Original art by Alena Po. Hand-Woven Wool Tapestry "Vanilla Sky". This abstract thick yarn tapestry was born out of a desire to abstract away the negativi...

Matis Zapoteco by Javier Vicente Handwoven Zapotec Wool Rug 62" x 31" Javier grew up in the town of Teotitlán in the state of Oaxaca, the son and grandson of a family of weavers. In the mid-nineties, when the economic problems and peso devaluation in Mexico caused very hard times all over the country, Javier left home alone and headed to the United States to earn money for his family. He knew no one there. He was fifteen years old. After making his way to Orange County, California, he found a job washing...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

The arrival Hall of Jupiter with the vieuw from above. This is a one of a kind art object. The wall art sculpture is in a Galactic architectural design style. This contemporary abst...

Original art by Alena Po. Hand-Woven Wool Tapestry "Bird of Peace". The work was born at a time of personal loss and the outbreak of war. The combinati...

Meike Legler 'Relapse,' 2021 Polyester, cotton, linen, wool, velvet and bleach over stretched canvas 16 x 20 inches Meike Legler’s works are a bold post-feminist reframing of sewn o...

Meike Legler 'Jewels Of Life,' 2021 Cotton fabrics, linen, wool and bleach over stretched canvas 48 x 36 inches Meike Legler’s works are a bold post-feminist reframing of sewn objects, recontextualized far beyond “women’s work.” In 1918 Le Corbusier said, “There is a hierarchy in the arts: decorative art at the bottom and human form at the top. Because we are men”¹ Legler craftily subverts this notion by stitching together ideas and methodologies and powerfully placing herself within the spectrum of contemporary abstract painting. Originally trained as a clothing designer at Berlin’s Hochschule für Technik und Wirtschaft and Central St. Martins in London, Meike Legler uses fabrics and nimble sewing machine skills to create abstract paintings, stretched like canvas over wooden stretcher bars. When she moved to Los Angeles in 2016 her paintings became more complex, with wilder ideas and influences, and she started integrating materials like automotive tarps and faux fur into her elaborate constructions. ━━━━━━━━━━━━━━━━ - BIOGRAPHY - Meike Legler has exhibited at galleries and institutions in the Los Angeles area and internationally, including Art Movement LA, Los Angeles; Stella Ripley Contemporary, Québec, Canada; E.P. & L.P., West Hollywood; Claremont Graduate University, Claremont, CA; Nous Tous, Los Angeles; and Art House LA, Pacific Palisades. Her solo exhibitions include shows at The Voyager, Los Angeles; LADIES ROOM, Los Angeles; Soho House...

Meike Legler 'Snack Platter,' 2021 Linen, bleach, wool, polyester, buried bed sheet, vintage army tent, cotton fabric, velvet over stretched canvas 48 x 36 inches Meike Legler’s works are a bold post-feminist reframing of sewn objects, recontextualized far beyond “women’s work.” In 1918 Le Corbusier said, “There is a hierarchy in the arts: decorative art at the bottom and human form at the top. Because we are men”¹ Legler craftily subverts this notion by stitching together ideas and methodologies and powerfully placing herself within the spectrum of contemporary abstract painting. Originally trained as a clothing designer at Berlin’s Hochschule für Technik und Wirtschaft and Central St. Martins in London, Meike Legler uses fabrics and nimble sewing machine skills to create abstract paintings, stretched like canvas over wooden stretcher bars. When she moved to Los Angeles in 2016 her paintings became more complex, with wilder ideas and influences, and she started integrating materials like automotive tarps and faux fur into her elaborate constructions. ━━━━━━━━━━━━━━━━ - BIOGRAPHY - Meike Legler has exhibited at galleries and institutions in the Los Angeles area and internationally, including Art Movement LA, Los Angeles; Stella Ripley Contemporary, Québec, Canada; E.P. & L.P., West Hollywood; Claremont Graduate University, Claremont, CA; Nous Tous, Los Angeles; and Art House LA, Pacific Palisades. Her solo exhibitions include shows at The Voyager, Los Angeles; LADIES ROOM, Los Angeles; Soho House...

Meike Legler 'Transcendence,' 2021 Cotton fabrics, velvet, polyester, wool, bleach and buried bed sheet over stretched canvas 39.25 x 31.5 inches Meike Legler’s works are a bold pos...

Meike Legler 'Mater,' 2021 Cotton fabrics, velvet, laquer, pigments, glue, wool blend, bleach and buried bed sheet over stretched canvas 48 x 36 inches Meike Legler’s works are a bo...

Large antique needlepoint of the British sailing ship Amelia hand crafted in wool, popularly known as woolies, crafted with ambitious detail. Pres...

Claudia Doring-Baez, "Kubrick Kidman Scarf", 2021, Cashmere/Modal blend, 26 x 71 in. Beautiful scarves created by artist Claudia Doring-Baez with her paintings printed on high quali...

(After) Andy Warhol Flowers, 1968 Hand Woven Wool Tapestry 183 x 183 cm (72 x 72 in) Edition of 20 With the knotted name ‘ANDY WARHOL’ lower right and the embroidered annotation ‘WARHOL ©’ on the reverse Published by Modern Master Tapestries, NY Throughout art history, the flower and its symbolism have been a subject matter for many renowned artists. Andy Warhol explored the qualities of the flower image through his Pop Art prism in the Flower series of 1964, thus creating cartoon-like symbols that would be instantly recognized. The 1964 Flower series became one of his most iconic and successful works. Based on a discovered photograph of hibiscus blossoms, Warhol drenched the flowers’ floppy shapes with a variation of vibrant colors, transforming them into psychedelic indoor décor. Playing with traditional art historical themes, Andy Warhol gave a particular twist to this historically accepted symbol of life. The electric colors of his flowers, drawn from a darker and rich undergrowth background might be the indicator of an extreme vision of life, a life lived on the edge. Andy Warhol (1928-1987) was an American artist, a leading figure of the Pop Art movement. ​Using a variety of media materials from photographs up to computer-generated art, Warhol's works explore the relationship between artistic expression, celebrity, culture and advertisement that flourished by the 1960s. Emerging from the poverty and obscurity of an Eastern European immigrant family in Pittsburgh, Warhol became a charismatic magnet for bohemian New York. In 1960, he began to produce his first canvases depicting Popeye and Dick Tracy. After Marilyn Monroe’s death in August 1962, he started working from snapshots of the star’s already legendary face, which had been widely distributed by the world’s press. His choice of subjects clearly relates to an obsession with demise – his Marilyns, his Ten Lizies (created when the actress Elizabeth Taylor was seriously ill), and also his Elvis. Part of the “Death and Disaster” series, Andy Warhol´s...

This hand-woven fiber art wall hanging by Dolores Tema is made with cotton and Alpaca and Merino wool. It has a deep, colorful palette with layers of w...

This depicts a Crab, In Hebrew Mazel Sartan (the Zodiac symbol Cancer, June-July) all made by hand. woven and stitched. Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David...

Eclectic, mixed media wall hanging textile tapestry by Marlene (Marlen) Richard featuring abstract embroidery atop free hanging locks of fabric over a black background embellished with gilt fabric accents. Hand made and hand embroidered. This had a paper artists label but it has since become detached. Overall image resembles a colorful pop art sunset over ocean waters. Hanging cords in various fabrics, colors and textures. Her work bears the influence of Sheila Hicks and bears similarities to Latin American, Colombian textile artists Olga de Amaral and Stella Bernal. Hand made, hand woven felt and wool spectacular textile wall hanging fabric sculpture by Miami woman artist Marlene Richard. It consists of long hanging pods...

This hand-woven fiber art wall hanging by Dolores Tema is made with light white and cream-toned cotton and Alpaca and Merino wool. The weaving hangs from a clear acrylic rod, suspend...

This hand-woven fiber art wall hanging by Dolores Tema is made with cotton and Alpaca and Merino wool. It features layers of woven yarn in varying colo...

This hand-woven fiber art wall hanging by Dolores Tema is made with cotton and Alpaca and Merino wool. It has a warm, muted palette with layers of wove...

This hand-woven fiber art wall hanging by Dolores Tema is made with cotton and Alpaca and Merino wool. It has a deep, earthy palette with layers of wov...

Claudia Doring-Baez, "Kubrick Lady Honoria Scarf", 2021, Cashmere/Modal blend, 26 x 71 in. Beautiful scarves created by artist Claudia Doring-Baez with her paintings printed on high...

Claudio Bravo, Narcissus, 1995 Edition of 76 Born in Chile in 1936, Claudio Bravo lived and worked in Tangier, Morocco from 1972 onward. The artist first established himself as a so...

Claudia Doring-Baez, "Kubrick Ballroom Scarf", 2021, Cashmere/Modal blend, 26 x 71 in. Beautiful scarves created by artist Claudia Doring-Baez with her paintings printed on high qua...

Robert Indiana Classic Love, 1995 Hand Woven Wool Tapestry 182.5 × 182 cm (71.9 × 71.7 in) Signed and numbered on label Edition of 150 In excellent condition Provenance: acquired from publisher Accompanied by certificate of authenticity With this particular four-letter arrangement of L.O.V.E, Robert Indiana has created an image so powerful that it has been adopted all over the world. A pop image, with its mix of the top and bottom lines is now presented in the form of the hand-woven wool tapestry. MoMA historian Deborah Wye has said that "[T]he word love was connected to Indiana´s childhood experiences attending a Christian Science...

Pablo Picasso Le Baiser, 1979/1980 Wool Tapestry Edition of 20 190 x 140 cm (74.8 x 55.1 in.) Limited edition of 20 Textile Arts Excellent Condition Knotted signature ‘Picasso’ on t...

Claudia Doring-Baez, "Kubrick Dance Scarf", 2021, Cashmere/Modal blend, 26 x 71 in. Beautiful scarves created by artist Claudia Doring-Baez with her paintings printed on high qualit...

Claudia Doring-Baez, "Kubrick Shining Scarf", 2021, Cashmere/Modal blend, 26 x 71 in. Beautiful scarves created by artist Claudia Doring-Baez with her paintings printed on high qual...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, inte...

Acrylic wool, handmade, tufted rug. “Insomnia” is a wild rug of hand-tufted acrylic wool. This non-rectangular piece creates another in/side/out/side scene. ...

Sea View Tapestry, Picasso, Carpet, Design, Wool, 1960's, Interior, Cream, Green Sea View tapisserie 1965 Wool 182 x 240 cm Dated : 6.4.65. ; Signed on the back After a cardboard by...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, inte...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around...

Toni Ettenheim (1926–2003) was a Milwaukee based Jewish textile artist, and her tapestries hang in numerous banks and buildings in the Midwest. This pil...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around...

Mychaelyn Michalec is a textile artist and painter working in Dayton, OH. Her work depicts the private, awkward, and mundane moments of family life through a medium traditionally ass...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around...

Structure #11 acrylic on wool. Hand signed and titled on verso. Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the school of Sculpture and Cerami...

Abstract #5 acrylic on wool. Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the school of Sculpture and Ceramics in Mendoza, Calman Shemi was a stu...

This plush doll by Yoshitomo Nara is of his very well known children, with their expression of innocence combined with pessimism. The hat is knitted and the...

Asger Jorn (1914-1973) Ege Axminster, Denmark. Danish Tapestry Rug Art-Line Etiquette de l'éditeur Ege Axminster (Danemark) titrée au revers. Les Emigrants 132 x 98 inches, Pure ...