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Peter HalleyLimited Edition ceramic plate Uovo In Raviolo Alla Bergese, San Domenico NY S/Nca. 2000
ca. 2000
About the Item
Peter Halley
Uovo In Raviolo Alla Bergese - San Domenico - New York, NY, ca. 2000
Limited Edition Ceramic Plate.
Artist signature fired into the plate on the underside and numbered 166 from the edition of 510.
10 3/10 inches diameter by 1/4 inch height
Makes a terrific gift. This beautiful, limited edition, extremely rare, plate signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. The edition is 510 - but the reason one rarely sees this on the market is because only about half that amount were said to have been created, and the remaining ones were lost after 9/11; the plan was to create a second batch after these sold out. That was in the year 2000. Then in 2001 terrorists struck the World Trade Center. All marketing efforts ceased. It is not even known if the other plates from this edition are still around - but they are rarely found on the marketplace. It was designed by the internationally renowned American artist Peter Halley. In 2000, Buon Ricordo America, Inc. commissioned famous artists to design plates for their flagship restaurants. Halley designed the present work for the renowned NY Italian restaurant San Domenico. Halley's design depicts one of the restaurant's signature dishes, Uovo In Raviolo Alla Bergese. Unfortunately, San Domenico closed its doors in June 2008. This plate is a real collector's item -- and difficult to find, as it was created in a limited edition for charitable purposes, available for sale at the restaurant - and never mass marketed. The artist's signature is fired into the plate on the back and numbered from the limited edition of 510. (though only 250 were said to have been created). From the late 1990s to early 2000s, Buon Ricordo America, Inc. collaborated with some of America's most prominent artists to make a series of plates for iconic restaurants throughout the United States. These plates were made in conjunction with Buon Ricordo America, Inc., an offshoot of the Italian restaurant union, Buon Ricordo (Unione Ristoranti del Buon Ricordo). The union has a long tradition of commissioning handmade plates that represent the essence of each of their member restaurants by artisans throughout Italy. The plates capture the essence of each restaurant’s local specialty, and the decoration is embellished with references to the restaurant, its local territory and products. The rim of each plate bears the name of the restaurant and the town or village it is in.
The plate was made from local clay from a quarry in Ogliara, a few kilometres from Vietri. After biscuit firing they are coated and decorated by hand by skilled craftsmen using a carbon “dusting” technique similar to that once used for Renaissance fresco painting. Once the plates were decorated they are glazed and fired for a second time to fix their vivid colors.
The back of the plate reads as follows:
"Limited edition designed by the artist to benefit charitable organizations dedicated to feeding needy home-bound elderly persons and helping children at risk from abuse and disease."
"The artist does not derive any income from the sale of this plate."
"Microwave, oven and dishwasher safe."
"Printed by Decoritalia"
"Made in Italy"
- Creator:Peter Halley (1953, American)
- Creation Year:ca. 2000
- Dimensions:Height: 10.3 in (26.17 cm)Diameter: 0.25 in (6.35 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745214371572
Peter Halley
Peter Halley is an American artist known for his distinctive geometric paintings that explore the intersection of technology, society, and architecture. Born in 1953 in New York City, Halley developed an early interest in art and went on to study at Yale University, where he received his Master of Fine Arts degree in 1978.Halley's work is characterized by vibrant, flat colors and repetitive, abstract forms, often resembling circuit boards or prison cells. His paintings reflect his fascination with the effects of technology on human interaction and the isolation of modern society. Halley coined the term "prison cells" to describe the confined spaces and social structures that he believes have been created by technology and urban architecture. Throughout his career, Halley has exhibited his work internationally, gaining recognition for his unique style and thought-provoking concepts. He has also been involved in art criticism and writing, contributing to various publications and expanding the discourse on contemporary art. Today, Peter Halley's art continues to captivate audiences, provoking discussions about the impact of technology on our lives and the nature of human connections in an increasingly digital world. His contributions have made him an influential figure in the field of contemporary art.
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