Robert Fournier

Robert Fournier Bottle Stoneware 1960-1965 White Brown Crusty Textured Glaze

1960-1965

Alan Wallwork (1931-2019): Organic landscape sculptural vessel, 1960-1965 -Exhibiting the articulated, inventive, organic qualities & tactility of Wallwork’s early oeuvre for which he is best known - This sculptural landscape vessel has been handmade by coiling, slabbing and shaping the clay. The totemic form and pitted and pierced surfaces draw on the abstract landscape and tactility of elements in nature. matte glazes and oxides have been skillfully used to enhance the rich textures of the surfaces and the organic aesthetic. - Wallwork is one of the great individualists in British pottery, developing an archetypal language that echoed some of the wider artistic obsessions of that period, what the art critic Herbert Read called the “postwar ferment” of sculptural activity. - This piece was made during 1960-1965, the time that Wallwork was sharing a studio in Greenwich with Bernard Rooke and comes from a private collection along with a waterscape vase by Rooke and a bottle by Robert Fournier...

Norman Stuart Clarke (b.1944): Seascape, wave vase, 1997 "I use bold, powerful colors; it's a consuming interest of mine, an obsession, placing ...

Inspiration or L'inspiré - The artist and his wife, self-portrait. This is a self-portrait of the great artist, depicting him as lost in thought before one of his paintings, which is apparently related to his home country Russia, as suggested by the small figure in the lower right of the work. Chagall’s wife Valentina (“Vava”), who was also from Russia, is looking over his shoulder, full of longing. The small surreal elements that are characteristic of Chagall’s paintings are also present here: the silhouettes of the houses that seems to stick out of the painting and a figure with a flute or trombone standing on its head. Chagall Lithographe, Volume II of the catalogue raisonné of Chagall's lithographic work, see Mourlot 398, 1957-1962, Paris 1963, imprinted by Imprimerie Mourlot for the publisher André Sauret. A lithographic plate from the catalog that was published in 10,000 copies. Condition : Excellent Set inside a cream mount bearing brass cartellino Visible sheet size length 23cm, Height 31.50cm In a carved and gilded frame Frame size Length 44cm, Height 55.5cm The reverse with a paper label in Japanese Provenance : Private Collection, purchased with Lovers in Grey

Surrealist composition with a dog, figure, cockerel floating above the still life In a cream mount, visible sheet length 19.50cm, height 22.50cm Within a black and silvered moulded ...

John Piper CH 1903–1992 16. Easton, Portland, Dorset: St George Reforne, an 18th Century Church among the Quarries Numbered 2/70 lower left and si...

Bernard Rook (b.1938): Organic Waterscape Vase, 1960-1965 -Rare example of Rooke’s oeuvre demonstrating his inventive artistic talents to the full - A ...

An early and stunningly beautiful hand-painted ceramic bowl created by Picasso in 1955, Visage measures 5 inches (12.8 cm) in diameter and is Inscribed 'Edition Picasso/Madoura' (bot...

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"Speed of Light Panda" by Henk Jan Sanderman is a captivating fusion of sculpture and painting, seamlessly integrating a ceramic panda sculpture within a bronze rocket...

This piece is an O.P. square plaque by Pablo Picasso, done from December 1968 to January 1969. It is made with red earthenware clay, engobe ground and engraving enhanced with oxides...

This piece is an A.R. turned round plate by Pablo Picasso made in 1957. It is made with red earthenware clay, engobe decoration, and knife engraved in black. It is from the edition ...

Lozenge with Dancer and Hind (#620, Ramie) Red Earthenware Clay Edition Madoura Picasso, 93/500 (Verso)