Pablo Picasso

Pablo Picasso, "Man's Head with Long Hair", ceramic

1968

This piece is original ceramic plate by Jean Cocteau, created in 1961. This piece was embellished with black, red, green, blue, and yellow enamels. In 1957, Cocteau met Marie Madeline Jolly and Philippe Madeline and created over 300 ceramics in their workshop at Villefranche-sur-Mer. At this workshop, he began experimenting with new concepts in pottery design. All these ceramic objects, he said, should look as if they were discovered in an archaeological dig. This piece is from a series of 8 ceramic plates that illustrate the ancient Latin...

This piece is an A.R. turned round plate by Pablo Picasso made in 1957. It is made with red earthenware clay, engobe decoration, and knife engraved in black. It is from the edition ...

Pablo Picasso Arena 1958 Turned Vase 11.8 inches high, 8 inches in diameter A.R. white earthenware clay, decoration in englobes, glaze inside Red, Black #84/100 Inscribed 'Edition P...

This hexagonal tile, created by Pablo Picasso in 1956, is made of chamotted red earthenware clay and has decoration in engobes in black and white. It is from the edition of 350, num...

This piece is an A.R. turned pitcher created by Pablo Picasso in 1953. It is made with white earthenware clay, decoration in engobes and oxides under partial brushed glaze with white...

This piece is a unique variation round plate by Pablo Picasso, created in 1949. It is made with white earthenware clay plate, decoration in engobes and enamel under glaze in white an...

Beautiful organically shaped mid century abstract ceramic sculptural vase that evokes water meeting earth; with a matte turquoise and deep blue glaze accentuated by textured free-for...

SALE ONE WEEK ONLY "Glass Fused Ceramic Vase" is vintage Mid-Century Modern. This handsome vase has an elongated neck with a white glass-fused inlay porti...

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

Complete Set of 6 Guggenheim Museum Retrospective Limited Edition Robert Rauschenberg porcelain plates dated 1997. Each plate features a different screen-printed image of Rauschenber...

Samuel Latour - Eclipse - Original Ceramic Sculpture 19 x 34 x 21 cm Edition of 8 Signed Samuel LATOUR Formed at Boulle arts and craft school in Pari...

White Earthenware 58 x 30 x 15 cm 22 7/8 x 11 3/4 x 5 7/8 in ----------- "Working as a hybrid artist and curator, the core of my practice is unpicking the work of establishment organ...