Henry David Potwin

"Cosmic Joke" Contemporary Surrealist Painting

2017

Surrealist animal painting with frog-like creatures and a stork taking up the majority of the composition. The work is mainly earth tones with hints of grays. The work is signed by t...

Large modern surrealist abstract painting of a fish being speared by a fork. The piece features fish hooks, a common motif in Benjamin Sepulveda's work. Wooden hand models...

Pastel-toned surrealist painting done by contemporary artist Henry David Potwin. This work features a girl figure with yellow-toned skin playing with a smaller nude, doll figure. Signed at bottom left corner. Titled and dated on reverse. Currently hung in a wooden, brown frame. Dimensions Without Frame: H: 11 in. x W: 10in. Artist Biography: Born in Dallas, Texas David Potwin is the oldest of three children. He first started to paint at the age of 8 years old. As a young boy, Potwin's family would summer vacation in Taos, New Mexico. During the family vacations in 1965, he met artist Eric Gibberd...

Surrealist influenced biomechanical painting by contemporary artist Henry David Potwin. The work features a figure of a woman hooked up to a machine with tubes coming out of her head in pink, purple, and yellow pastel tones. Signed at bottom right corner. Titled and dated on reverse. Currently unframed, but options are available. Artist Biography: Born in Dallas, Texas David Potwin is the oldest of three children. He first started to paint at the age of 8 years old. As a young boy, Potwin's family would summer vacation in Taos, New Mexico. During the family vacations in 1965, he met artist Eric Gibberd...

Pastel blue-toned surrealist painting done by artist Henry David Potwin. This work features an enlarged unzipped zipper acting as a woman's genital parts. Signed at bottom left corner. Titled and dated on reverse. Currently unframed, but options are available. Artist Biography: Born in Dallas, Texas David Potwin is the oldest of three children. He first started to paint at the age of 8 years old. As a young boy, Potwin's family would summer vacation in Taos, New Mexico. During the family vacations in 1965, he met artist Eric Gibberd...

This modern surrealist figure sits alone in the corner of an orange room. Evocative of tribal masks, this piece harkens back to the influence of such masks in the surrealist works of...

A painting by Roberto Matta. "L'epreuve" is a surrealist painting, oil on canvas in palette of grays, greens, and yellows by Latin American artist Roberto Matta. It is signed in the ...

Two Women. Colorful Surrealist Portrait Genre: Surrealism Subject: woman Medium: Oil Surface: Canvas Country: Israel Simon Avissar, painter, born 1948, Morocco. Moved to U.S.A. Wo...

Marco Cingolani was born in Como in 1961 and moved to Milan at a very young age, in 1978. He began to frequent the underground creative environment, where art was mixed with fashion and punk music. In those years a new artistic sensibility was being formalized in Milan, whose roots no longer sank in the history of art and in the citation but practiced the critical manipulation of reality and its communication through the mass media. The image was taken out of context, subtracted from the use of common sense, radically distorted, almost mocked. The work of Marco Cingolani, from the beginning, has always tried to cancel the regulatory power of media images, subjecting them to the radical care of the artist, certain that art offers a decisive point of view for the interpretation of the world. In this context the interviews of the Interviews were born, where celebrities for their privacy were submerged by the microphones and the famous series dedicated to the attack on the Pope and to the tragic story of Aldo Moro. After having participated in numerous group exhibitions including An emerging scene (1991, Museo Pecci, Prato) and Two or three things that I know of them (1998, PAC, Milan), he is dedicated to major anthological exhibitions at prestigious public institutions such as Palazzo Strozzi in Florence and Promoter of Fine Arts in Turin. In November 2006 he took part in the collective exhibition "Senza famiglia", in the Palace of the Promoter of Fine Arts in Turin. In 2007 Cingolani received a further consecration: the Galleria Emilio Mazzoli hosts the exhibition entitled "What color are they?" in which the pictorial reflections on the color of Power and its disguises are presented. The art of Cingolani has always been fascinated by the passage from news to history and vice versa; also in this case the UN blue helmets, the red urn containing the electoral ballots, the multicolored segments of the Wall Street charts, the military uniforms and the party flags are contextualized in highly symbolic scenarios. In 2009 a return to the origins for Marco Cingolani, often the author of works expressly inspired by the religious theme. In particular, for this exhibition entitled " Percorsi della Fede", the artist focused his attention on the Marian apparitions that have marked the last two centuries: Lourdes and Fatima . In the same year an exhibition in Lucca at the National Museum of Villa Guinigi, joins him to some of the leading Italian artists of the last two generations; by the universally recognized and celebrated masters, present in the main international museums such as Mimmo Paladino, Sandro Chia, Salvo, passing through some of the protagonists of the 52nd Venice Biennale as Gian Marco Montesano, Daniele Galliano, Nicola Bolla, Bertozzi & Casoni who exhibited in 2009 in contemporary at the Lucca exhibition and at the Italian Pavilion of the Venetian event, to get to the young artists of the last generation already present in important national and international artistic events. Giacinto di Pietrantonio invites him the following year, 2010 to PAC, Pavilion of contemporary art in Milan, for the collective exhibition "Hybrid", alongside Jan Fabre, Gilbert & George, Charles Avery, Damien Hirst, Piotr Uklanski, Patrick Tuttofuoco and other great ones on the international scene. 2012 is the year of "Il Belpaese dell'arte", at Gamec di Bergamo, always curated by Pietrantonio and Maria Cristina Rodeschini, in the company of Elmgreen...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...

Professionally known as Vignoli, was a Brazilian painter and sculptor. He began his career in 1982 creating canvases in oil on canvas, where he applies his own technique, which, according to him, allows a perfect balance in the distribution of the elements, leading the viewer to come across texture, plasticity and creation, in perfect harmony within the history of each painting. The style of Vignoli is a fusion between Surrealism and Expressionism, hence the declared influence by the Spanish master...

Professionally known as Vignoli, was a Brazilian painter and sculptor. He began his career in 1982 creating canvases in oil on canvas, where he applies his own technique, which, acco...