David Cornelisz de Heem

Roses, Lilies, Grapes, Oranges and Horse Chestnut on a Stone Ledge

Circa 1676-1690

Joost Cornelisz Droochsloot or Droogsloot was a Dutch Golden age painter of village scenes, landscapes, genere pictures, moral allegories and biblical stories. He was born in Haarlem, and he was a pupil of Esaias van de Velde...

Grigory Gluckmann Vitebsk 1898 – 1973 Los Angeles "Daydreams" Oil on panel 71 by 89 cm Signed (lower right) “Gluckmann”; variously labelled (on the frame) Born in Russia in 1898, G...

Grigory Gluckmann Vitebsk 1898 – 1973 Los Angeles "Composition" Signed in Latin (lower right) “Gluckmann” Born in Russia in 1898, Grigory Gluckmann studied in Moscow and eventually ...

Abraham Hondius, a Dutch painter of the Baroque period, was born into the family of a stonemason. He studied painting under Cornelis Saftleven (1607/08 – 1681) and possibly under Pie...

Jacob Duck (1600–1667) was a Dutch Golden Age painter who specialized in guardroom interiors, or “cortegaerdje.” He was born in Utrecht, the Netherlands, an...

Jan Miense Molenaer was a Dutch Golden Age genre painter whose style was a precursor to Jan Steen’s work during Dutch Golden Age painting. He shared a studio with his wife, Judith Leyster, also a genre painter, as well as a portraitist and painter of still-life. Both Molenaer and Leyster may have been pupils of the successful Dutch painter, Frans Hals. Molenaer was born and died in Haarlem. He achieved a style close to Hals’ early on in his career, but later developed a style like that of Dutch genre painter, Adriaen van Ostade. His genre works often depicted players of music, such as his The Music Makers (Museum of Fine Arts, Budapest), The Duet(Seattle Art Museum), or Family Making Music (Frans Hals Museum). He also depicted Taverns and the activities of card games or games of the times such as La main chaude, or in Dutch, Handjeklap, which literally means clapping hands. Molenaer also cleverly depicted biblical stories in his own time and surroundings, such as representing a scene from Peter’s Gospel set in a Dutch Tavern...

The Still Life is a painting realized by Claude Deschamps in the 1970s Oil painting on cardboard canvas. Hand-signed on the lower. Good conditions....

Tomatoes by Mark Midgley. Original Oil on Canvas. The Cape Town artist, Mark Midgley, is originally from Leeds in the UK. He moved to South Africa in 1979, where he started a silk...

"Florence," a captivating Impressionistic masterpiece by the talented artist Irina Trushkova, beautifully captures the essence of one of the world's most enchanting cities. Rendered ...

A miniature still life of two eggs framed next to a chocolate brown urn. Unsigned. Presented in a charming white frame. On board.

Alfred Arthur BRUNEL DE NEUVILLE A wonderful painting for any situation whether it is as a statement, piece due to the undoubted quality, or as a piece for a kitchen/dining area due...

Stephanie Peek's "Uniform Language" Camo paintings showcasing an assortment of worldwide camouflage (both historic and contemporary) from countries around the world. The complete installation includes 52 original works that are each 10 x 10 inches. Can be hung in an assortment of ways. The artwork comes with a template for installation as shown below. The series started following 9/11 with the bombing of the World Trade Center in NY. and continues to today. Stephanie Peek's "Uniform Language" is a constellation of small painting on alabaster-coated wood panels featuring camouflage patterns of nations worldwide. Peek’s fascination with these patterns stems from her observation of nature (including her studies of flowers, for which the artist is well known), and compositions of shapes and color relationships. When hung in the configuration shown, the overall dimension is 77 inches tall x 132 inches wide. The artwork can hang in a variety of configurations. Each camp painting is 10 x 10 inches. Fascinated by how various countries use camouflage patterns to represent and to disguise themselves and their military equipment, the artist explores how countries see themselves in this pattern language that speaks of power and fear, while also considering each painting a prayer for peace. Artist's statement, Early in the 20th century, the United States military adapted the nature studies of American painter Abbot Thayer...