Baroque Paintings

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Moreover, I was born on November 11, 1908 in Bellinzona, one day became a portrait painter of the president of the confederation, residing most of his life in Geneva, Vivaldo Martini...

Pair of Antique Paintings With Cherubs After Francois Boucher (1703-1770) Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. Pair of charming late 18th or early 19th Century oil paintings with Putti playing with bow and arrow...

Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses. Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame . Giovanni Battista Viola...

Path by the sea. 1869. Oil on Canvas, 31x53 cm

- ANNA CATERINA GILLI or GILLI Anna Caterina Turin 1729- 1751 Her paintings recorded in Turin as a decorative artist for the Royal Palace and the Stupinigi, working in a simil...

A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorentino, Puligo is remembered as one of the foremost figures of the Mannerist movement that rose to prominence during the 16th century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a characteristic example of his celebrated devotional images, which grace museums such as the Metropolitan Museum of Art (New York), Museo del Prado (Madrid), Palazzo Borghese (Rome), and Palazzo Pitti (Florence), among many others. Puligo’s skill with color is fully demonstrated in the beautifully preserved work. Considering its age, the vibrancy and the sheer range of color is remarkable. The Virgin Mary’s crimson dress...

Striped Cap is a baroque inspired portrait, oil on linen, by Ray Donley. It is 24x24. It is a timeless figurative painting featuring a female figure. For Ray Donley, the classic...

Still life with a sewing machine. 2019. Oil on canvas, 60x90 cm Arturs Amatnieks (Leon) (1974) Leon (real name: Artūrs Amatnieks) is a professional...

A late nineteenth century polychrome painted panel, depicting a foliate and ornithological arabesque upon a white ground. Oil on panel, set within an ebonised frame.

Provenance: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA One of the leading artists in Genoa during the second half of the seventeenth century, Domenico Piola came from a successful family of artists, renowned for their many illusionistic ceiling programs throughout Genoese churches and palaces. A prolific draughtsman and painter, Domenico oversaw an extremely productive studio. In addition to his collaborations with numerous other artists, Domenico also provided many designs for book illustrations and prints that circulated throughout Europe, earning him international exposure and high acclaim in his own day. As Dr. Anna Orlando has indicated (written communication), the present work is an early work by Piola, datable from the late 1640s. At this time the young artist came strongly under the influence of Castiglione and Valerio Castello, while admiring the works of Giulio Cesare Procaccini. Piola’s works from this period are exuberant and fluid, and the artist’s love of portraying children is evident from the angels and putti that populate both his altarpieces and more intimate paintings. The present work depicts three angels...

This exquisite painting is based on the famous 17th-Century work, ‘Marina del Porto’ by Salvator Rosa. This beautiful version was created in the 18th Century. The scene depicts the ...

Follower of Samuel de Wilde c.1841 Portrait of an Actor in character. Oil on canvas; held in a period gilded frame. Dimensions refer to size of ...

Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses. Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame . Giovanni Battista Viola...

Pair of very decorative Italian Still-life paintings of flowers with vases and classical figures . 18th century, oil on canvas, with original gilt-wood frames. This pair is an exce...

Flowers in A Basket by Jean-Baptiste Monnoyer. A Still Life of flowers in a basket including jasmine, honeysuckle, dahlias, parrot tulips, delphiniums and white carnations.

Antique Flemish Baroque painting, 17th century, portrait, Medici. Oil on canvas. The painting is probably attributed to the Flemish painter Justus Sustermns. Pictured is most likel...

Portrait of Girolamo Frescobaldi (1583-1643) Attributed to Antiveduto Della Grammatica (1571-1626) Oil on Canvas 1605-1609 Framed in a Nineteenth Century gild and composite frame 44....

Attributed to Pier Francesco MOLA, called Il TICINESE (1612-1666) Rest on the Flight into Egypt oil on canvas 25.5 x 27 inches including ...

Pair of French Neoclassical oil paintings by Dubost French, 1809/11 Frame: Height 70.5cm, width 86cm, depth 9cm Panel: Height 45cm, width 61c...

Pendant window pictures attributed to Christian Wilhelm Ernst Dietrich, called Dietricy (1712 Weimer - 1774 Dresden). Typical genre depiction of two pretty young ladies leaning out of arched windows. Both ladies are shown open-hearted with white blouses. One painting shows a lady with a red hair band and red cheeks leaning on a low railing and looking at the observer with a slightly glassy gaze. The window opening is framed with vine tendrils and a Mediterranean potted plant on the left edge of the painting. The other painting shows a young beauty with flowers in her hair, leaning loosely out of a window opening with a relief depiction of putti and the same green vine leaves. A red velvet...

The Tooth-Puller is a superb original oil painting on canvas, realized by an anonymous artist, a follower of Caravaggio, in the first half of the X...

To the Calvary with Maddalena is a superb and impressive original oil painting on canvas, realized by the Italian artist Ippolito Borghese (Sigillo, 1568 - after 1627) Original Title: Andata al Calvario con l'incontro con la Maddalena...

Signed and dated lower left. Includes a beautiful later wooden frame cm. 137x8x182. Very Good conditions. Prov. Christie's London, February 15th 1974, n. 19. This artwork is shippe...

Beautiful pair of still lives ascribed to N. Stanchi, realized in the second half of 17th century. Both in very good conditions, they include a contemporary wooden gilded frame. Dime...

Provenance: Suida-Manning Collection, New York Private Collection Exhibited: Venetian Paintings of the Sixteenth Century, Finch College Museum of Art, New York, October 30-December 15, 1963, no. 31. Veronese & His Studio in North American Collections, Birmingham Museum of Art, Oct. 1-Nov. 15, 1972, and Montgomery Museum of Fine Arts, Dec. 5-Dec. 31, 1972 Literature: Robert L. Manning, A Loan Exhibition of Venetian Paintings of the Sixteenth Century, exh. cat. New York 1963, cat. no. 31ill., as by Veronese Stephen Clayton and Edward Weeks, eds., introduction by David Rosand, Veronese & His Studio in North American Collections, Birmingham 1972, as by Veronese, p. 38 ill. Terisio Pignatti, Veronese, Venice 1976, I, p. 199, cat. no. A225, II, fig. 908, as attributed to Veronese Terisio Pignatti and Filippo Pedrocco, Veronese; catalogo completo dei dipinti, Florence 1991, no. 54°, as attributed to Veronese. Terisio Pignatti and Filippo Pedrocco, Veronese, Milan 1995, II, pp. 517-518ill., cat. no. A 56, under attributed paintings, by Veronese and workshop) John Garton, Grace and Grandeur; The Portraiture of Paolo Veronese, London-Turnhout 2008, p. 237, fig. 77, cat. no. R16, as workshop of Veronese. Scarsellino’s art is widely regarded as critical link between the Renaissance and the Baroque styles in Emilian painting; not only was he an important transmitter of the heritage of the Renaissance, but he was also open to innovative ideas, and was one of the earliest to experiment with the trend to naturalism that would become fundamental to art of the new century. Born around 1550, he received his earliest training from his father Sigismondo, an architect and painter; it was probably while working at his father’s side as a youth that he acquired the nickname Scarsellino, or “little Scarsella”. After absorbing the principles of his art in Ferrara and Parma, he went to Venice in 1570, staying for four years and working in the shop of Veronese. In the following decade, his art —especially in terms of its piety and its development of landscape— demonstrates a strong sympathy with that of the Carracci, with whom he worked in 1592-1593 at the Palazzo dei Diamanti in Ferrara. Maria Angela Novelli and later Alessandra Frabetti both propose that Scarsellino traveled to Rome, although such a trip has not been documented; if he did travel to Rome, it probably would have occurred during the years that Scarsellino’s colleagues Agostino and Annibale Carracci were there, that is, beginning in 1595 and until 1609. The last decades of Scarsellino’s career again involve stylistic experimentation, this time in a manner that would bring his work very close to the progressive figurative naturalism of Carlo Bononi and prepare the way for Guercino. The present portrait of a distinguished gentleman had been long thought to be by Paolo Veronese and was in fact attributed to him by such distinguished connoisseurs as Adolfo Venturi and Wilhelm Suida. The portrait’s style is, however, distinct from Veronese’s, although clearly indebted to it, and the attribution to the young Scarsellino is wholly convincing. The painting would then date from the 1570s – a date confirmed by the costume the subject wears. The puffed hat that appears in the painting had a rather short-lived vogue in the early 1570s. One sees it in Giambattista Moroni’s Portrait of Count...

Orpheus is an original artwork realized in the first decades of the XVII century and attributed to the Italian master Tommaso Salini. Oil painting on canvas. A golden wood frame is...

Important late 16' early 17' century painting By Giovanni Battista Viola with finely carved gilt- wood frame. Landscape with a Mythological St...

LORENA VILLALOBOS "DANCE" OIL ON CANVAS, SIGNED COSTA RICA, DATED 2005 39 X 29 INCHES Lorena Villalobos Villalobos was born in Costa Rica in 1961. She studied Fine Arts at t...

The Knight is an original painting realized by Pietro della Vecchia during the XVII century. Oil on board. Original title: Ritratto di giovane cavaliere con cappello piumato. Includ...

Flemish Baroque painting. Romantic scene. Signed and dated. J. HOREMANS 1760. This 100% authentic painting captivates with its powerful colors. A real eye-catcher. Dimensions witho...

Provenance: Private Collection, Argentina. A work of great delicacy and intimacy, this small painting on copper by Pietro Bardellino treats a subject which grew in popularity during the Baroque period: Saint Joseph and the Christ child...

Beautiful modern still life done in the baroque style: staged fruit, glass with reflections of light from an unseen source, a cup of tea and a crystal server filled with a variety of...

Famous for his paintings of animals, landscapes and still lifes, Giacomo (sometimes spelled Jacopo) Nani was an Italian painter of the Baroque period. Presumably born in Naples, Nani studied under Gasparo López and Andrea Belvedere whose style Nani often imitated. Nani became famous while working in the court of Charles of Bourbon, future Charles III of Spain (1716 – 1788). His work is featured in the collections of museums worldwide, especially his hometown museum in Naples. An excellent example of his work, this painting is signed in the lower left corner "Giacomo Nani." This painting depicts a hunting dog...

Similar in style to Guido Reni's late masterpiece "The Baptism of Christ," circa 1623, this painting by a follower of Guido Reni captures Reni's unique balance of strictly discipline...

Provenance: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA Giovanni Battista Viola was born in Bologna a...

Provenance: Possibly Antonio Amici Moretti, Rome, 1690 Roy Clyde Gardner, Union, Mississippi, 1970s until 2004; by whom given to: Mississippi Band of Choctaw Indians, 2004-2010 Lit...

Vittore Ghislandi, called Fra Galgario Provenance: Robert L. and Bertina Suida Manning, New York, ca. 1966-1996 Private Collection, USA Exhibited: “Eighteenth Century European Pai...

Katrina Revenaugh Piccolo Giardino Numero 4 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 6 x 6 x 1.75 inches (round) Signed: On Verso COA ...

Venetian master (17th century) - Venus and Cupid. 68.5 x 51 cm without frame, 87.5 x 71 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden frame. Conditi...

Grande nature morte aux fruits, huile sur toile XXe signée T. Alexander Deux petits manques de matière peu visible, vernis à refaire. (vernis blanchi) Encadrement en bois doré Dimens...

Sassoferrato (Giovanni Battista Salvi) 1609-1685 Italian Madonna Addolorata Oil on canvas Celebrated Italian artist Sassoferrato and his moving religious imagery are the epitome ...

"BLOOD TIES " Oil Painting 30" x 24" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renaissance and Street Art. In a household where constant turmoil and violence were more apparent than most a young Pelayo met escape and peace within the confines of himself and his own creativity. Hispanic born in the heavy beating heart of Los Angeles on the seventh day of June 1996. Pelayo was caught in the crossfires of everything that surrounded him but art served as his only guidance. After dropping out of college Pelayo turned from his hyperrealistic pencil portraits to oil painting where his passions grew more immensely. As of today Pelayo’s work is most influenced and fueled by the crème de la crème of old master painters like Da Vinci, Caravaggio, Rembrandt, and Velazquez as well as graffiti artists such as RETNA, Shepard Fairey, and EL MAC. In 2017 his work caught the attention and landed in the firm grasp of renown rapper and collector Alvin “Westside Gunn” Worthy. He has created several album covers and artworks for the Buffalo rap moguls music label Griselda Records including his personal collection. Pelayo’s paintings are widely recognized and sought out from all over the globe. His collectors include Sean “Diddy” Combs, Westside Gunn, Benny The Butcher, Jeff Hamilton, Shepard Fairey, Jaysse Lopez, and Everlast of House of Pain just to name a few. Pelayo is often described as the coming of A New Renaissance...

The portrait represents a man, estimated to be 60 years of age, standing turned to the viewer's right, looking at the viewer with a commanding expression. He has a moustache and beard and wears a high fur cap. He wears a brown mantle over a whitish shirt and, over it, a heavy gold chain...

Francesco Fracanzano (Monopoli 1612-Napoli 1656) Testa di vecchio Olio su tela, cm 66x52,5 La tela presenta la figura di un uomo anziano a mezza figura con lo...

Serguace di Salvator Rosa Paesaggio con personaggi Olio su tela, Sec. XVII, cm 52x93,5; con cornice cm 64x146x6

Girolamo Troppa (Rocchette, 1636 – Roma, 1710) Cristo deposto alla croce con un angelo, Maria Maddalena e tre angioletti con i simboli della passione. Olio su tela, cm 155x200 con cornice cm 170x230 Il Cristo deposto occupa l’intera composizione dal taglio orizzontale e presenta il corpo con il capo abbandonato all’indietro, ben studiato nei dettagli anatomici dei muscoli e avvolto in fasce di lino. Al tragico evento partecipano tre angioletti con i simboli della Passione, intenti a sorreggere il velo, a raccogliere la corona...

Collaboration Painting with Karyn Mannix. This tongue in cheek painting of three roosters and a penis aptly named FOUR COCKS. Framed in an authentic (heav...