2010s Abstract Photography
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Period: 2010s
The Dreaming - Contemporary, Polaroid, Photograph, Figurative
Located in Morongo Valley, CA
The Dreaming - 2019
Edition of 10 - 20x20 cm.
Archival C-Print based on the Polaroid, not mounted.
Signed on back and certificate.
Clare Marie Bailey
Works and Lives: UK
Clare ...
Category
Contemporary 2010s Abstract Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Impressionist Snow Storm - Bethesda Fountain Central Park
Located in Miami, FL
Heavy snow blankets Bethesda Fountain and simplifies the landscape so that only a few sick-figure people dot the blue on the blue-white ground. The one figure with a red coat acts ...
Category
Impressionist 2010s Abstract Photography
Materials
Archival Pigment, Archival Paper, Archival Ink
New York City Snow Abstract Architecture, Monochromatic
Located in Miami, FL
A New York City snowstorm allows Street Photographer Mitchell Funk to transform facades of Upper Eastside walkups into a stunning impressionist cityscape. Monochromatic grays are pun...
Category
Impressionist 2010s Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Archer
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
CURRENT EXHIBITION - runs through October 30th, 2016. Any framed photographs purchased during the show wi...
Category
Contemporary 2010s Abstract Photography
Materials
Archival Pigment
Bleed # 202393 (Abstract Photography)
By Paul Snell
Located in London, GB
Bleed # 202393 (Abstract Photography)
Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed.
Edition: 1/3.
Available with 4-5 week turnaround.
Snell creates small productio...
Category
Abstract 2010s Abstract Photography
Materials
Plexiglass, C Print
Abstract in Nature, Australia, 2018
Located in Toronto, ON
Abstract in Nature, Australia, 2018
Photograph by Cosmo Condina. Lichen growing on a rock, Maclean, Australia, 2018
Archival pigment print 19 X 12.6 in. Edition of 10. This is # 3/10...
Category
2010s Abstract Photography
Materials
Archival Pigment
Water Reflection of Fish Under Water, Pool Monotype Cyanotype in Blue Tones
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes.
It's made by layering paper cutouts and different exposures using uv-...
Category
Abstract Impressionist 2010s Abstract Photography
Materials
Photographic Film, Emulsion, Printer's Ink, Watercolor, Photographic Pap...
Bleed # 202393 (Abstract Photography)
By Paul Snell
Located in London, GB
Bleed # 202393 (Abstract Photography)
Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed.
Edition: 1/3.
Available with 4-5 week turnaround.
Snell creates small productio...
Category
Abstract 2010s Abstract Photography
Materials
Plexiglass, C Print
Tiger III : nature photography
Located in New York, NY
Roslyn Meyer’s lens plays on the surface of soft undulating ripples; reflecting sky, flora and fauna, as well as the man-made world. These abstract images...
Category
Abstract 2010s Abstract Photography
Materials
Archival Pigment
Tiger IV : nature photography
Located in New York, NY
Roslyn Meyer’s lens plays on the surface of soft undulating ripples; reflecting sky, flora and fauna, as well as the man-made world. These abstract images...
Category
Abstract 2010s Abstract Photography
Materials
Archival Pigment
Stones and Swirls : nature photography
Located in New York, NY
Roslyn Meyer’s lens plays on the surface of soft undulating ripples; reflecting sky, flora and fauna, as well as the man-made world. These abstract images...
Category
Abstract 2010s Abstract Photography
Materials
Archival Pigment
"The Answers Might Be in the Trees" Abstract Nature Photograph, 16" x 24"
Located in Westport, CT
This abstract photograph by Tori Gagne captures an abstracted view of tree branches in the sky and features a warm brown and yellow-beige palette, with subtle blue accents. An editio...
Category
Contemporary 2010s Abstract Photography
Materials
Metal
"Roiling", contemporary, landscape, leaves, ocean, blue, cyanotype, photograph
By Marie Craig
Located in Natick, MA
Marie Craig's 'Roiling’ is an original deep blue photograph of ocean waves partially obscured with fern leaves. This piece was created using...
Category
Contemporary 2010s Abstract Photography
Materials
Photogram, Canvas, Linen, Color Pencil
Act of Occult at 02:00 am (Mystic Rose)
Located in New York, NY
Act of Occult at 02:00 am (Mystic Rose)
2023
Archival pigment print
32 × 24 in | 81.3 × 61 cm
Edition of 1
“To see ourselves we need a mirror and when we look at the mirror what do ...
Category
2010s Abstract Photography
Materials
Archival Pigment
Magnetic Alchemy 3.023 AD
Located in New York, NY
Magnetic Alchemy 3.023 AD
2019
Archival pigment print
32 × 24 in 81.3 × 61 cm
Edition of 1
“To see ourselves we need a mirror and when we look at the mirror what do we see?
Eleni ...
Category
Contemporary 2010s Abstract Photography
Materials
Archival Pigment
Murmures 12
Located in New York, NY
Murmures 12
2020
Archival pigment print
32 × 24 in 81.3 × 61 cm
Edition of 1
“To see ourselves we need a mirror and when we look at the mirror what do we see?
Eleni Paridi's photo...
Category
Contemporary 2010s Abstract Photography
Materials
Archival Pigment
arancia from Seta Series
Located in New York, NY
20 x 15 inches image size
30 x 25 inches paper size
Please Note: This work is framed; the framed photograph shows the print with the 5 inch paper border
Pigment print on Kodak met...
Category
Contemporary 2010s Abstract Photography
Materials
Digital Pigment
Aspens
Located in New York, NY
Samoylova's "Landscape Sublime" series explores how landscape imagery in contemporary culture is used to create constructed realities, wholly apart from our lived experiences. Samoyl...
Category
Contemporary 2010s Abstract Photography
Materials
Archival Pigment
Trees in Fog
Located in New York, NY
32 x 40 inch archival pigment print. Edition #2/5.
Samoylova's "Landscape Sublime" series explores how landscape imagery in contemporary culture is used to create constructed realit...
Category
Contemporary 2010s Abstract Photography
Materials
Archival Pigment
Beaches
Located in New York, NY
Samoylova's "Landscape Sublime" series explores how landscape imagery in contemporary culture is used to create constructed realities, wholly apart from our lived experiences. Samoyl...
Category
Contemporary 2010s Abstract Photography
Materials
Archival Pigment
Spring will come - Contemporary, Polaroid, Photograph, Childhood, abstract
Located in Morongo Valley, CA
Spring will come (Journey to the Center of the Earth) - 2020
Edition of 5 plus 2 Artist Proofs.
Photograph printed in Canson Barita Fiber Rag 340gr,
based on a reclaimed Fuji Insta...
Category
Contemporary 2010s Abstract Photography
Materials
Archival Paper, C Print, Color, Archival Pigment, Polaroid
Urban Melancholy Blue. Motionless Young Man, Graffiti Wall in Soho
Located in Miami, FL
An urban youth shrouds his head in a blue sweater as he coils up against a blue Soho wall marked with Graffiti. Reminiscent of Picasso's Blue Period, the photograph is characteriz...
Category
Street Art 2010s Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Abstract Study of Shapes and Patterns on Sand Dunes, Namibia, Africa, Horizontal
By Drew Doggett
Located in US
"Layers of Light"
In this award-winning image, Drew was interested in the way the light hit the sand dunes of Sossusvlei, Namibia creating this breathtaking, ethereal scene.
The p...
Category
Contemporary 2010s Abstract Photography
Materials
Archival Pigment
Portal - Contemporary, Polaroid, 21st Century, abstract
Located in Morongo Valley, CA
Portal (2020)
Edition of 10 plus 2 Artist Proofs.
Photograph printed in Canson Barita Fiber Rag 340gr,
based on the reclaimed Fuji Instant Film Negative (not mounted).
Signed on ba...
Category
Contemporary 2010s Abstract Photography
Materials
Archival Paper, C Print, Color, Archival Pigment, Polaroid
Gerbera - Contemporary, Polaroid, Photograph, Childhood. 21st Century, abstract
Located in Morongo Valley, CA
Gerbera (2019)
100x82cm,
Edition of 5 plus 2 Artist Proofs.
Photograph printed in Canson Barita Fiber Rag 340gr,
based on a reclaimed Fuji Instant Film Negative (not mounted).
Sig...
Category
Contemporary 2010s Abstract Photography
Materials
Archival Paper, Polaroid, Archival Pigment, Color, C Print
W.T.C: Concrete Abstract#10 (panorama)
By Shai Kremer
Located in New York, NY
Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
Abstract 2010s Abstract Photography
Materials
Archival Pigment, Archival Ink, Archival Paper
A Conceptually Surreal Watercolor on Cyanotype, "Jack o'Lantern Mushrooms, E..."
Located in San Diego, CA
A one of a kind 5" x 5" Conceptually Surreal Watercolor on Cyanotype Mounted on Wood Panel by artist Annalise Neil. A certificate of authenticity will be provided upon its purchase o...
Category
Surrealist 2010s Abstract Photography
Materials
Watercolor, Photographic Paper
In the witch's cave - Contemporary, Polaroid, Photograph, Childhood, abstract
Located in Morongo Valley, CA
In the witch's cave (Journey to the Center of the Earth) - 2020
60x50cm,
Edition of 10 plus 2 artist Proofs.
Photograph printed in Canson Barita Fiber Rag 340gr,
based on the orig...
Category
Contemporary 2010s Abstract Photography
Materials
Archival Paper, Color, Archival Pigment, Polaroid, Archival Ink
David Burdeny - Kadō 1, Photography 2019, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
Contemporary 2010s Abstract Photography
Materials
Photographic Paper, Digital, Pigment, Digital Pigment
GENTRIFICATION: Door #1
By Shai Kremer
Located in New York, NY
Ancient Parlor floor door converted into a contemporary light box. The door opens to the viewer a unique point of view.
Images from the series Gentrification were shown at:
Brooklyn Historical Society Museum, Brooklyn NY, U.S.A
during 2017 AT the show: "Shifting Perspectives".
A sculpture from the project GENTRIFICATION (Part II) reflects my personal story. I lived in Bushwick through the course of a decade, from poor immigrant art...
Category
Abstract 2010s Abstract Photography
Materials
Archival Ink, Archival Pigment
David Burdeny - In Bloom 02, Kunming, China, Photography 2019, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
Contemporary 2010s Abstract Photography
Materials
Photographic Paper, Digital, Pigment, Digital Pigment
David Burdeny - In Bloom 02, Shanghai, China, Photography 2019, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
Contemporary 2010s Abstract Photography
Materials
Photographic Paper, Digital, Pigment, Digital Pigment
David Burdeny - In Bloom 01, Kunming, China, Photography 2019, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
Contemporary 2010s Abstract Photography
Materials
Photographic Paper, Digital, Pigment, Digital Pigment
David Burdeny - Kadō 2, Photography 2019, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
Contemporary 2010s Abstract Photography
Materials
Photographic Paper, Digital, Pigment, Digital Pigment
W.T.C: Concrete Abstract#14
By Shai Kremer
Located in New York, NY
Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
9/11 Memorial & Museum W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
Abstract 2010s Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
W.T.C: Concrete Abstract#11
By Shai Kremer
Located in New York, NY
Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
Abstract 2010s Abstract Photography
Materials
Archival Paper, Archival Pigment, Archival Ink
W.T.C: Concrete Abstract#12
By Shai Kremer
Located in New York, NY
Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
Abstract 2010s Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
W.T.C: Concrete Abstract#13
By Shai Kremer
Located in New York, NY
Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
Abstract 2010s Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
W.T.C: Concrete Abstract#9
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
Abstract 2010s Abstract Photography
Materials
Archival Pigment
W.T.C: Concrete Abstract #7
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
Abstract 2010s Abstract Photography
Materials
Archival Pigment
W.T.C: Concrete Abstract #6
By Shai Kremer
Located in New York, NY
W.T.C: Concrete Abstract #6 is at the collection of Israel Museum Jerusalem.
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the Sc...
Category
Abstract 2010s Abstract Photography
Materials
Archival Pigment
W.T.C: Concrete Abstract #5
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
Abstract 2010s Abstract Photography
Materials
Archival Pigment
W.T.C: Concrete Abstract #8 (Triptych)
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
Abstract 2010s Abstract Photography
Materials
Archival Pigment
A Surreal Watercolor and Cyanotype, "Saltwater Gradient, var 6"
Located in San Diego, CA
A one of a kind 5x7 Surreal Watercolor and Cyanotype on Hahnemuhle Platinum Rag Paper, Mounted on Wood Panel by artist Annalise Neil. A certificate of authenticity will be provided u...
Category
Abstract 2010s Abstract Photography
Materials
Photographic Paper, Photographic Film
ATO>MIC #3, Unique Silver Luminogram Print, Warm toned black and white abstract
Located in London, GB
ATO>MIC #3, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/
23 x 18 cm (image print)
40.5 x 36 cm (Framed)
Unique
Series: ATO>MIC
Signed and dated in pencil on verso
Provided with the Certificate of Authenticity
“The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions.
That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson
The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.”
The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down.
Or maybe the thin line is just the horizon, where the enormous atomic blast took place…?
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G Jackson...
Category
Abstract 2010s Abstract Photography
Materials
Glass, Wood, Archival Paper, Black and White, Bromoil, Silver Gelatin, T...
Chris Pine - Seen leaving his gym after a workout in Los Angeles, 10/8/20
Located in Atlanta, GA
This largescale work features hues of blue, green, purple and yellow.
This photograph is an archival inkjet print, mounted to Sintra and face mounted to polished acrylic, edition 1 ...
Category
Abstract 2010s Abstract Photography
Materials
Archival Pigment
ATO>MIC #9, Unique Silver Luminogram Print, "Atomic like Explosion or Moonscape"
Located in London, GB
ATO>MIC #9, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed
23 x 18 cm print size
38 x 35.5 cm framed
Unique
Series: ATO>MIC
Signed and dated in pencil on print's verso
© Michael G Jackson...
Category
Abstract Geometric 2010s Abstract Photography
Materials
Archival Paper, Black and White, Photogram, Silver Gelatin
ATO>MIC #15, Unique Silver Luminogram Print, Warm toned black and white abstract
Located in London, GB
ATO>MIC #15, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Hand Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/
18 x 23 cm
40.5 x 36 cm (Framed)
Unique
Series: ATO>MIC
Signed and dated in pencil on verso
Provided with the Certificate of Authenticity
Instead of using carving...
Category
Abstract Geometric 2010s Abstract Photography
Materials
Archival Paper, Black and White, Silver Gelatin, Tea, Photographic Paper...
W.T.C: Concrete Abstract #4
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has bee...
Category
Abstract 2010s Abstract Photography
Materials
Archival Pigment
W.T.C: Concrete Abstract #2
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has bee...
Category
Abstract 2010s Abstract Photography
Materials
Archival Pigment
Sonntags im Museum (19)
Located in Berlin, DE
Sonntags im Museum (19)
Gestural photography Intentional Camera Movement
The edition size (regardless of the printed size) is 7+2 E.A. each
Betty Schmidt is a German artist, her sp...
Category
Abstract 2010s Abstract Photography
Materials
Canvas
ATO>MIC #8, unique warmed toned, Silver Gelatin Abstract Luminogram Print
Located in London, GB
ATO>MIC #8, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: Custom made frame with antireflective UV protective art glass
23 x 18 cm approx. image size
38 x 35.5 cm (Framed)
Unique
Series: ATO>MIC
Signed on verso
Provided with the Certificate of Authenticity
“The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions.
That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike Jackson
The images may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.”
The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down.
Or maybe the thin line is just the horizon, where the enormous atomic blast took place…?
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G Jackson...
Category
Abstract 2010s Abstract Photography
Materials
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The edition size (regardless of the printed size) is 7+2 E.A. each
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