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David Yarrow
Unforgiven

About the Item

Unforgiven Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 43 x 76 inches 61 x 112 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "When Cindy Crawford made her iconic Pepsi advert in 1992 for the Superbowl and then repeated it again in 2018, there were a few other constants as well as the model herself - most notably Peter Savic, one of the most celebrated hair stylists in the world. His client roster reads like the ultimate A list in Hollywood. Looking at his CV it would be quicker to mention who he hasn’t worked with. I had never had the fortune to work with Peter before but my brief time with him in Eastern Montana gave an insight into his genius. I gave him a rather clumsy articulation of the narrative I was looking for in this outdoor shot in freezing temperatures near Ingomar, a tiny hamlet with a population of just 15. We were about as far removed from controlled studio conditions in Hollywood as you could conceive. I think I simply said that Cindy would be carrying a shotgun and with it a look of intent. Twenty minutes later Cindy bounced out of the car with an extravagant Raquel Welch 1960s big hair look that was spot on for what I had in mind. After that my job was easy - to shoot as quickly as possible so that our lead would not get too cold. The trick is simply to have no doubt in one’s mind of the composition and believe firmly in the narrative embodied in the preconception. It’s a bit like a golf shot (not that I would know), you make up your mind and go for it. My storyline was that Cindy and her troop were the deliverers of frontier justice - whatever way that may come. I guess there is a slight nod to Tarantino in the vignette. It worked and this was certainly a team effort." -David Yarrow
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