David Yarrow
The Siberian
Heilongjiang, China - 2024

About the Item

Available in the following sizes: 51 x 92 inches, Framed Edition of 12 63 x 118 inches, Framed Edition of 12 "I firmly believe that having interesting stuff in front of the camera is the cornerstone of a good photograph. I know this to be a platitude but sometimes it pays to remember the simple stuff. I have been deliberating about photographing a Siberian tiger in the habitat that defines it for several years, but North China - where I took this image – had, until recently, been out of bounds for foreigners since Covid. Even now, it is not the most welcoming of places. It’s a long way from home, English tongues are rare and, in the winter, it can offer indecently low temperatures. The starting point of my interest in this project was that these cats are not just the most visually arresting animal species on our planet, they are also the most dangerous. They will kill a human in eight seconds and do it for fun. The trade-off between safety and proximity was at the heart of this project; I needed to be close and work with a lens that would afford context, but I also needed to be safe. Two decisions were important in the process of making this picture. The first was to allocate a good amount of time in the north and wait for flat light and snow. Many days in the Siberian winter are played out under high pressure weather systems of freezing temperatures and dry and bright skies. This was not what I wanted. I needed moisture in the air and flat light and snow. That would mean either getting very lucky or waiting. I waited. It is very cold up there, but it doesn’t snow as regularly as it does in western ski resorts. The second decision was to work closely with the Chinese authorities and, in retrospect, this brief encounter was only possible because of the help of two or three extremely influential Chinese people. I am reminded that access is a key word in photography and this is normally achieved by investing in people. My charm offensive with my Chinese contacts was several months long. My team knows who they are and their stature within China, but no one else needs to know. The question that I will be asked about this picture will simply be “how on earth did you get it?”. My answer would be two-fold. I was in a bespoke vehicle with a lower window opening, smaller than a tiger’s head, but larger than a camera lens. The second part of the answer is more important: it was by showing China and the Chinese some respect. Without that there was no chance. I know some people will criticise me for working with a country with a questionable record in conservation, but life is too short and I am an artist first and foremost. The evolution of species is quite remarkable. Look at those tiger stripes and the colouring of the tiger and then look behind him. Now that’s clever camouflage. Well done to whomever sorted that one out." - David Yarrow

Creator:
David Yarrow (1966, Scottish)
Creation Year:
Heilongjiang, China - 2024
Dimensions:
Height: 51 in (129.54 cm)Width: 92 in (233.68 cm)
Medium:
Archival Pigment
Movement & Style:
Contemporary
Period:
2010-
Condition:
Gallery Location:
Los Angeles, CA
Reference Number:
1stDibs: LU383313786172
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David Yarrow

David Yarrow, born 1966 in Scotland, took up photography at an early age, as a 20-year-old he found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, he took the sensationalized picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other high profile sporting events.

Many years later, Yarrow established himself as a fine art photographer by documenting the natural world from new perspectives and recent years have been career-defining for his mark on the world of contemporary fine art photography.

Yarrow’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following among art collectors and celebrities. His distinct large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. Yarrow is now recognized as one of the best-selling fine art photographers in the world and his limited edition works regularly sell at high prices at Sotheby’s and other auction houses.

In September 2019, Rizzoli published their second book by Yarrow, with a personal foreword written by global NFL star Tom Brady and thoughtful afterword written by American cultural icon and supermodel Cindy Crawford. All royalties from the book have been donated to conservation charities Tusk in the UK and WildAid in the US.

Yarrow's position in the industry has been rewarded with a wide range of advisory and ambassadorial roles. He is an ambassador for WildArk and The Kevin Richardson Foundation and is the European ambassador for Nikon. Yarrow has been integral to Nikon's most anticipated camera release of the last decade. In December 2017, he shot LVMH’s latest “Don’t Crack Under Pressure” campaign with Cara Delevingne. In January 2019, he was appointed as a global ambassador for UBS. In the spring of 2020, Yarrow was appointed a global ambassador for Best Buddies – one of America’s most established children’s charities.

Yarrow became an ambassador for the African Community and Conservation Foundation and presented his work in the Endangered Rangers virtual fundraiser. At the start of 2020, Yarrow was in Australia documenting the devastating bush fires that have destroyed communities, wildlife and wildlands. Using the striking images that he captured of the effects of the fire, he launched the #KoalaComeback Campaign to support the recovery efforts in Australia. The campaign raised over $1.4 million, and as Yarrow continues to work for humanitarian causes, his steadfast determination continues to make positive change for the benefit of global awareness. Currently, Yarrow continues to create stunning imagery with lasting global impact and archival quality that speaks to his reverence for the art of photography in capturing the wonders of the world.

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